K-Pop taking over the world? Don't make me laugh
K-Pop is great for Asia, but don't believe the hallyu hype about global domination. The world's biggest music markets simply don't care
By Esther Oh 26 May, 2011
aving followed the Korean media for some time, I’m all too familiar with the unrestrained embellishment of hallyu.
Every time I read an article raving about how successful the Wonder Girls are in the States, or how Rain is a “world star,” I can’t help but cringe.
Don’t get me wrong. I agree that K-Pop is being listened to outside of Korea and that it has an international fan base, but the media’s coverage of hallyu and K-Pop feel-gooderies is ridiculously one-sided.
Crash and burn
When BoA debuted in the U.S. several years ago, every major Korean news website claimed that she was spearheading the hallyu movement in the Western hemisphere, saying BoA might just as well stand for Bring On America.
Unfortunately, she didn’t Bring On America; she bombed instead, even though her American album “Eat You Up” was produced by Thomas Troelson and featured tracks by Bloodshy and Avant, a duo that has worked with Madonna, Britney Spears and Jennifer Lopez.
Like BoA, Se7en also tried to find success in North America and worked alongside Mark Shimmel, Rich Harrison and Darkchild. The result? Complete flops.
More than with their disastrous results, I was intrigued with the Korean media coverage that touted these singers as ambassadors of K-Pop to the U.S.
What I'd like to ask is, if a singer, regardless of nationality, debuts in the U.S. with English songs produced specifically for an American audience, is that artist still a part of the Korean Wave?
Take Jay Park (aka Park Jae Beom), a Korean-American and ex-member of the boy band 2PM.
After leaving the group in 2009, he reappeared on YouTube and his rendition of “Nothin’ On You,” originally sung by Bruno Mars, reached well more than a million views.
Korean news websites immediately claimed Park was on his way to becoming an international hallyu star.
These types of articles always puzzle me. Yes, Park is ethnically Korean and debuted in a Korean boy band -- but calling a Korean-American singing in English a hallyu star, and even a promoter of K-Pop, seems to be a wild leap in logic.
Before stamping the word "hallyu" on every song with a connection to Korea, it is crucial to first deconstruct the notion of the so-called Korean Wave.
BoA and Se7en have sung songs in English that were produced by Americans, and were transformed and marketed (albeit, unsuccessfully) in a way to suit the American public. Is there, therefore, anything that is so specifically and exclusively “Korean” about their U.S. debuts or their music?
Instead of simply glorifying the concept of hallyu and obsessing over the “exclusivity” and “uniqueness” of K-Pop, the Korean media should understand that when artists are debuting in the U.S. with English songs, people don’t care if it’s J-Pop or K-Pop.
Once these artists cross over to a different cultural arena and play by its rules, the notion of hallyu no longer applies.
CaliNative10
Thank you so much for voicing your opinion and probably a HUGE majority's opinion about K-Poop. Koreans make such a huge deal about their "idols" making it "big" in America when nobody even gives a rat's behind about these robots. They could walk through any street in America and nobody would now them. The only reason why they get a small amount of recognition is because of the Koreans and a small minute group of K-Pop groupies vote online 24/7 so it makes it seem like their artist is popular when they win.
Ingrid
I am from Latin America and while yes people know about them I wouldn't really say they are famous or taking over Latin America. I mean if we are talking about idols kpop lags behind if you compare it to pop groups from Mexico. I think this is because the music market works different in Latin America. if you really look at it the 'idol market' is very small. While S.Korea produces 100 group idols a month (I am exaggerating, but I want to make a point).
Latin America has a big wave of one idol group every decade. For example Menudo in the 80s and early 90s and RBD in the last decade. And when a idol pop group is big in LA, it is very big with record sales and filling stadiums concerts for days.I was watching a video of kpop fans in my native country, Peru, asking for a SM concert and while yes there were some, I wouldn't call them a lot. It is actually really hard for a South Korean idol group to really make it big in LA market.
First of all because unlike other parts of the world LA has different rhythms and by that I mean that if you look at the top charts the music in it is not only pop or at least is not what other countries will call pop. You can find cumbias, reguetton, pop, rock, merengues, salsa, and etc. I also think that while K idols are really polite and well trained, culturally it will be very hard to create a connection between fans in LA or any other part of the world. The way that I see it is not that LA countries are close minded and I will give an example(apart from the usually American singers), Laura Pausini is huge in LA and she is an Italian singing ballads.
I actually think LA is very accepting of other cultures. However, the Korean culture can be very close minded when it comes to mingling with another ethnicity. I was watching a k-drama name 'creating destiny', it starts with the girl having an Australian boyfriend without any flaws except that he wasn't Korean. Her dad actually sends her back to Korea and force her to marry another Korean so that she can learn her lesson. The drama ended with the girl and the Korean husband falling in love which, to me at least, tells you the general attitude about Koreans mixing with another race. While yes you might have a fling with someone from another race, there is no way in Hell you can take them seriously. Again it is not probably 100% true, but I do believe is the general attitude. Unless, K-pop idols can break that attitude it is very unrealistic to say that they can take over the world when there are only two countries that speak Korean.
I'll give them something they are taking over the Asian music market, but I thought they already did that in the 90s.
I've been involved in the music in US for most of my life and all I can say as a Korean American, that Kpop, although entertaining, doesn't have the sustaining power as most of it is copied/remake. There is nothing about Kpop that hasn't been done in US. Almost nothing is original and is about few years behind US.
I'm pretty sure with the market in Asia being much bigger, it may be one day that they would have more market shares, but for now. They are not there yet.
I just wanted to comment on Korean interracial marriages. LOL !
It may surprise you but in the United States according to the US Census it seems many Korean Americans are doing it.
I read 1 out 3 Korean Amerian males raised or born in US are married to white women. Highest rate among all Asian Americans. I' m one of those :)
The stats are even higher for Korean American females.