以前ホスピスでのボランティアコンサートを続けている狩野嘉宏さんのことを書きましたが、今日別件で打ち合わせに稽古場へおじゃましたところ、狩野さん所有のギター マーチンD28で私の伴奏で音合わせをしました。
狩野さんが笛とギターのための曲集の楽譜をもっておられて、思いがけず楽しいことになりました。
人とあわせるのは難しいことですが、あったときの気持ちよさはこたえられません。
音楽は解釈が人によって違うのでこころを合せて音の世界を作るという素晴らしいことだと思いました。狩野さんの指導のもとデュオをやってみようと思います。
実は10年位前に私が作った「じいやの横笛」というオリジナル曲があるんですが、狩野さんとの出会いを予知しているような曲で何気なく弾いた曲に狩野さんのオブリガードがのっていい曲になりました。
じいやの横笛 作詞:しののめ太郎 作曲:鈴次郎
祭ばやしだ ぴーひゃらら テレツクテンテン ぴーひゃらら~
じいやの笛は黒塗りの ピカピカ光った横笛さ
村の鎮守のお祭にぴーひゃらあ 得意に吹いたっけ
じいやが笛を吹くときにゃ ゴホン!とひとつ咳ばらい
首を振り振り吹いたっけ テレツクテンテン ぴいひゃらら~
山が色づく秋里に ひょっとこ おかめも 笑ってる
じいやが死んでもう五年 こっそり笛を取り出して
おっかなびっくり吹いてみた 遠くの空でこだました
祭ばやしが聞こえると じいやの横笛思い出す
ぴいひゃらぴいひゃらぴいひゃらら ぴいひゃら~ ぴひゃらぴいひゃら~
いつか披露できる日がくるといいと思います。
和楽器の持つ可能性と人と人との巡り合わせの不思議さを感じます。
サトシの部屋
URL:http://www.yokanbeya.net/satoshis-room/
Transpheric Music and Shinobue
I introduced Mr Yoshihiro Karino to my readers before. He is a performer of Japanese transverse flute called shinobue and holds concerts in a hospice. I visited him today to practice music. While I played the guitar, Martin D28, which I had borrowed from Mr Karino, he played his shinobue. After tuning up, we began to play pieces of music together. It was great.
To perform with other players is often difficult because people interpret music differently. But when all players are in tune with each other, there is nothing more beautiful and pleasant than that. So, to create music by co-operating with other people is really wonderful as I have been doing with Mr Karino.
Ten years ago I created a song whose title is “Grandfather’s Yokobue”. (Yokobue is a general term for types of Japanese transverse flutes, including shinobue.) It may have predicted that Mr Karino and I were going to meet. When I was playing a bit of the song today, he listened to it and joined me with playing the obbligato.
Here is my piece:
Grandfather’s Yokobue (Lyrics written by Shinonome Taro; Music produced by Suzujiro)
A carnival is going on.
My grandfather had a black bright yokobue
And used to play it well in carnivals, I remember.
Taking a breath, he started his performance in front of crowds.
Even funny masks for men and women began to smile.
Five years passed since he died.
Now I got his flute, feeling formidable and excited.
When I blow it, a huge sound reached the autumn sky.
When there is a carnival, I remember my grandfather’s yokobue.
I am feeling a great possibility of Japanese musical instruments to connect people. I hope that we can perform the song in the near future. ■