Well, today is essentially the first day of the basic practice lesson (for the student). I'll have the instructor create a basic practice menu, rehabilitate myself, and restart the “KCGC Plan”—uploading ‘Magic Flute ~ Allegro Vivace’, ‘Chaconne ~ Jihad’, ‘Moon Tan’, ‘Cathedral ~ Confirmation’, and ‘Legend of the Feathered Robe ~ Ryukyu Independence War’ to YouTube with quality surpassing the past, turning them into vote-gathering machines for the election.
Regarding The Magic Flute, I was thoroughly drilled by Mr. Kaneko (even though I played it perfectly, he'd say things like “Half the notes sound off, huh?”), so it's about recreating that. Spain
For the Chaconne, Mr. Kaneko's ultimate Chaconne recording from age 45 is already on YouTube, so listening to that should suffice. Germany
Moonlight Sonata: This piece was dedicated to Kimura Dai by Andrew York, and the sheet music had become impossible to obtain. However, I discovered it on a certain overseas sheet music app, took screenshots → printed it out → scanned it – a labor of love. I plan to play it as the score indicates, without tuning the 1st string to D. America
Cathedral: It's in the mood of Makino at age 46 (a world-class guitarist who cheats) from “At the End of the Matinee”. Why use Masaharu Fukuyama instead of Reo Toyama? Even Tibor Garcia, who made a guest appearance, was baffled. The theme song “Future Change the Past” is a rip-off of Masato Toyama's “Neo-Revisionism” (a theory that questions whether love is just politics in disguise? It reinterprets past events. Not that it actually changes the past). Latin America
The Hagi Legend is the kind of piece where if you don't keep the audience completely hooked for its 25-minute runtime, you get interrupted by coughs and such. I could play it if I had the sheet music, but I haven't memorized it at all. My practice is like “passing a qualification exam with average marks without studying.” Okinawa
The encore is Koyun Baba. It's also finger exercise. Turkey
I'd love to go on a performance tour with these five songs. The guitar I'd bring is, of course, the wise and cunning Antonio Marín Montero.
In this modern age where clumsy words only get in the way, let's find moments of respite through non-verbal communication tools. I await you on my YouTube channel with 7,000 subscribers and 1.25 million views.
Reo Toyama/Runa Musan/zY
jleoyamato, jleo0802, Leo J Toyama
ex-twitter: zY002349612
yotube: jleoyamato
Translated with DeepL.com (free version)
jleoyamato, jleo0802,Leo J Toyama
ex-twitter:zY002349612
yotube:jleoyamato