Joseph Maurice Ravel(1875 - 1937)
No.5 Menuet from "Le Tombeau de Couperin"
This piece is an arrangement from the early days of the Aeolian Consort, so it is very nostalgic.
bar1-33 : Menuet
bar34-73 : Trio
bar74-129 : Menuet
http://aeolianconsort.chakin.com/Ravel.htm
Franz Tunder（1614 - 1667)
"Wend ab deinen Zorn"
The address for the Düben Collection is here.
Franz Tunder（1614 - 1667)
"Helft mir Gotts Güte preisen"
This song also has no original registered in IMSLP, so please refer directly to the Düben Collection.
bar1-14 : Vers 1. Helft mir Gott's Güte preisen, ---
Vers 6. All solch dein' Güt' wir preisen, ---
bar15-33 : Vers 2. Ernstlich laßt uns betrachten ---
bar34-55 : Vers 3. Lehramt, Schul', Kirch' erhalten ---
Vers 5. Nach Vaters Art und Treuen ---
bar56-77 : Vers 4. Er hat unser verschonet ---
http://aeolianconsort.chakin.com/Tunder.htm
Franz Tunder（1614 - 1667)
"Einʹ feste Burg ist unser Gott"
Please click on the link below for the original source of the Düben Collection.
bar1-39 : Sinfonia
bar40-90 : Vers 1. Ein feste Burg ist unser Gott, ---
bar91-170 : Vers 2. Mit unsrer Macht ist nichts getan, ---
bar171-319 : Vers 3. Und wenn die Welt voll Teufel wär ---
http://aeolianconsort.chakin.com/Tunder.htm
Franz Tunder（1614 - 1667)
"An Wasserflüssen Babylon"
The original of this song is also in the Duveen Collection, so if you are interested, please come to the link.
bar1-18 : Instrumental
bar19-36 : An Wasserflüssen Babylons da sassen wir mit Schmerzen,
daß wir so dachten an Zion.
bar37-55 : da weinten wir von Herzen,
wir hingen auf mit schwerem Muht
bar56-63 : die Orglen und die Harpffen gut
an ihre Bäum der Weiden,
bar64-79 : die drinnen sind in ihrem Land,
da müssen wir viel Schmach und Schand
täglich von ihnen leiden.
http://aeolianconsort.chakin.com/Tunder.htm
Franz Tunder（1614 - 1667)
"Ach Herr lass deine lieben Engelein"
I found this song in the Düben Collection in Uppsala, note that it is not registered in IMSLP.
bar1-21 : Sinfonia
bar22-36 : Ach Herr, laß deine lieben Engelein
am letzten Ende die Seele mein
in Abrahams Schoß tragen,
bar37-48 : den Leib in seinem Schlafkämmerlein
gar sanft ohn einige Qual und Pein
ruhen bis an jüngsten Tag.
bar49-64 : Sinfonia
bsr65-70 : Alsdann vom Tod erwecke mich,
daß meine Augen sehen dich
bar71-136 : in ewige Freude, o Gottes Sohn,
mein Heiland und Genadenthron.
Herr Jesu Christ, erhöre mich,
ich will dich preisen ewiglich.
bar137-141 : Amen
http://aeolianconsort.chakin.com/Tunder.htm
date : 1585?
main copiest : Robert Dow the younger(1554 - 1588)
detail date : please see DIAMM site
No.127 (Vincenzo Ruffo) "La ganba"
Here is the table of contents for the original version of Ruffo's book.
There are two "La Gamba"s, but Dow chose "La Gamba in Basso & Soprano".
The song title is spelled "La gamba" in the original and "La ganba" in the Dow. The person who saw my score may have thought it was a typographical error, but I dared to leave it as Dow wrote it.
http://aeolianconsort.chakin.com/Dow_partbooks.htm#No_120
date : 1585?
main copiest : Robert Dow the younger(1554 - 1588)
detail date : please see DIAMM site
No.126 (Vincenzo Ruffo) "Trinitas in Vnitate"(Canon for three parts)
This is the subject in the tenor register.
The second and third responses are as follows and apply to alto and soprano.
Decoding is easy and not particularly problematic.
http://aeolianconsort.chakin.com/Dow_partbooks.htm#No_120
date : 1585?
main copiest : Robert Dow the younger(1554 - 1588)
detail date : please see DIAMM site
Finally, at the end of this collection of manuscripts, there are three canons divided into five parts.
Mus-984-986 --- "La ganba" (Vincenzo Ruffo)
Mus-987 --- "Trinitas in Vnitate" (Vincenzo Ruffo)
Mus-988 --- "Hei down sing ye nowe aftr me" (Anonymous)
Now, Dow attributes the authorship of the remaining two songs, except for one of unknown authorship, to Francesco Mocheni, who was a publisher in Milan in the 16th century and not the composer of these songs.
The real author is Vincenzo Ruffo, Mocheni published Ruffo's book "Capricci in musica a tre voci" in 1564, which includes these two pieces.
No.125 (Anonymous) "Hei down sing ye nowe aftr me"
The upper voice is the regular do-re-mi-fa-sol-a.
The bass part is in a four-voice equal degree canon.
Hei, down, d. d. d, sing ye nowe aftr me:
la mi sol re fa, so shall we well agree.
take hede to yor tyme & rest as you finde;
the rownd & the square must be tunde in their kinde.
o well song my ladds I saie
we ar as good by night as by daie.
la mi sol re fa. let vs be mery here as long tyme as we may,
for tyme truly passeth away.
Hey ho. hey ho. hey ho. hey down d. down.
http://aeolianconsort.chakin.com/Dow_partbooks.htm#No_120
date : 1585?
main copiest : Robert Dow the younger(1554 - 1588)
detail date : please see DIAMM site
No.124 (William Byrd) "Though Amarillis daunce in grene" = Psalmes, Sonnets and Songs No.12
Here is the central voice in "Psalmes, Sonnets and Songs."
bar1-3 : Though Amarillis daunce in grene,
like Fairy Quene,
bar4-6 : & sing full clere,
Corinna can wt smiling chere:
bar7-8 : yet sith their eies make harts so sore,
bar8-21 : hey ho, chil loue no more.
http://aeolianconsort.chakin.com/Dow_partbooks.htm#No_120
