Torino Manuscript : Ricercari Libro Secondo
Jan Pieterszoon Sweelinck(1562-1621)
72. Fantasia (II). I.P.S.
bar1-26 : A part
bar26-42 : B part, augumented Theme
bar42-56 : Second Theme
http://aeolianconsort.chakin.com/Ricercari_Libro2_di_Torino.htm#Ricercari_di_Sweelinck
Torino Manuscript : Ricercari Libro Secondo
Jan Pieterszoon Sweelinck(1562-1621)
The composer's name is listed as “I.P.S.” in the piece titles and as “Ioannes Patersi Schweling” in the table of contents.
The composer's name is indeed “Sweelinck,” but the fantasia listed here is not included in modern complete editions, so the possibility of it being a forgery remains. However, I lack the expertise to determine this, so for now, I will rely on the information from the manuscript.
bar1-35 : A part
bar35-57 : B part, Theme augumented
and diminuted
http://aeolianconsort.chakin.com/Ricercari_Libro2_di_Torino.htm#Ricercari_di_Sweelinck
Torino Manuscript : Ricercari Libro Secondo
Hans Leo Hassler(1564-1612)
70. Ricercar Noni toni. Joh. Leo Has:
The third volume of the Torino manuscript contains a Ricercar in the same mode, but it is a different piece. The piece introduced today has more of a toccata character than a Ricercar.
bar1-33 : A part, (Toccata)
bar33-93 : B part, 2 Theme Fugue.
bar93-139 : C part
bar139-156 : D part, (Toccata)
http://aeolianconsort.chakin.com/Ricercari_Libro2_di_Torino.htm#Hassler
Torino Manuscript : Ricercari Libro Secondo
Girolamo Frescobaldi(1583-1643)
(Fiori Musicali) No.44 Recercar con Obligo di Cantare la Quinta parte senza Tocarla
As shown in this image, there was originally a fifth voice part, but it is omitted in the Torino manuscript.
(Torino Manuscript) 69. Ricercar [VI]
bar1-28 : Theme 1
bar29-53 : Theme 1 + 2 + 3
http://aeolianconsort.chakin.com/Ricercari_Libro2_di_Torino.htm#Girolamo_Frescobaldi
Torino Manuscript : Ricercari Libro Secondo
Girolamo Frescobaldi(1583-1643)
(Fiori Musicali) No.42 Recercar dopo il Credo
(Torino Manuscript) 68. Ricercar [V] di medemo
bar1-24 : Theme 1 + Theme 2(with inverse)
bar24-45 : Theme 1 (augumented) + Theme 3 (with inverse)
http://aeolianconsort.chakin.com/Ricercari_Libro2_di_Torino.htm#Girolamo_Frescobaldi
Torino Manuscript : Ricercari Libro Secondo
Girolamo Frescobaldi(1583-1643)
(Fiori Musicali) No.15 Recercar dopo il Credo
(Torino Manuscript) 67. Ricercar [IV] di medemo
bar1-29 : Theme 1 + 2
bar30-47 : Theme 1 + 2(with inverse)
http://aeolianconsort.chakin.com/Ricercari_Libro2_di_Torino.htm#Girolamo_Frescobaldi
Torino Manuscript : Ricercari Libro Secondo
Girolamo Frescobaldi(1583-1643)
(Fiori Musicali) No.32 Recercar con obligo del Basso come apare
(Torino Manuscript) 66. Ricercar [III] di medemo
main Theme + sub Theme with inverse
The progression of the Bass's fixed melody is as follows.
C G D (A A) (E D C) F B (Es F) C
http://aeolianconsort.chakin.com/Ricercari_Libro2_di_Torino.htm#Girolamo_Frescobaldi
Torino Manuscript : Ricercari Libro Secondo
Girolamo Frescobaldi(1583-1643)
(Fiori Musicali) No.30 Altro Recercar
(Torino Manuscript) 65. Ricercar [II] di Medemo
bar1-24 : Theme 1
bar24-40 : Theme 2
bar40-54 : Theme 3
bar54-80 : Theme 1 + 2 + 3
http://aeolianconsort.chakin.com/Ricercari_Libro2_di_Torino.htm#Girolamo_Frescobaldi
Torino Manuscript : Ricercari Libro Secondo
Girolamo Frescobaldi(1583-1643)
The six pieces numbered 64-69 feature Ricercars from Frescobaldi's Fiori Musicali.
（Original）(29) Recercar cromaticho post il Credo
(Torino Manuscript) 64. Ricercar [I] Cromatico del Sign. Frescobaldi.
bar1-19 : Theme 1
bar19-41 : Theme 1 + 2 + 3
bar41-70 : Theme 1 augumented + Theme 4
http://aeolianconsort.chakin.com/Ricercari_Libro2_di_Torino.htm#Girolamo_Frescobaldi
Torino Manuscript : Ricercari Libro Secondo
Claudio Merulo da Correggio(1533-1604)
63. Ricercar [Quinto]
bar1-33 : Theme 1
bar33-61 : Theme 2
bar61-81 : Theme 3
http://aeolianconsort.chakin.com/Ricercari_Libro2_di_Torino.htm#Ricercari_di_Claudio_Merulo_1
