Mr.Sakamoto always told me, "Don't worry about my illness, please take careof yourself." "Let's make themost of the time we have left with each other," encouraging each other ─
Mr. Sakamoto, who had been living in NewYork for over 30 years, had no choice but to move to Japan for medical treatment.I was sending him daily photos such as the snowy scenery of Azumino and Hijiri Kogen in Nagano. It seems that Mr.Sakamoto was trying hard to return to his home in New York someday, butunfortunately his wish was not fulfilled and he ended his life in Tokyo.
Overthe past few years, Mr. Sakamoto and I have exchanged emails frequently,especially during the winter months when we both have birthdays. Both of themwere often hospitalized, and I think it was often from the hospital bed. Inparticular, from the end of last year until after January 17, which was Mr.Sakamoto's 71st birthday this year, I couldn't help but feel a anxiety. However, the anxiety was not hopeless. What worried me was that Mr. Sakamoto's reply to the email was muchfaster than usual. Mr. Sakamoto's PC is open all the time, Sincehe was logged in to PC all the time until his birthday on the 17th, it was easyto imagine that he might not even be able to get out of bed.
I had a hard time sending a sentence of "How are you feeling?" in an email. I wrote and erased over and over again.
InJuly 2011, when Mr. Sakamoto contacted me for the first time, I still can'tforget how excited I was (Of course, after a fierce approach from me). December 15, 2012 I had the chance to meethim for the first time at the Matsumoto Performing Arts Center, and was touchedby his warm personality. When I was ajunior high school student in the 1980s, Mr. Sakamoto was someone I admiredever since I came across the existence of the Yellow Magic Orchestra in"RYDEEN". He was my rolemodel. No way, who would have imaginedthat I would be able to reach out to such a longed-for person.
─ Ryuichi Sakamoto's music has alwaysreverberated in my life. Life is short,and I want to make the most of the time I have left.
April 28, 2023 anniversary of death
Junichi Kakizaki
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* It was pointed out that there werestatements that differed from the facts, and some sentences were revised 20230429
This exhibition is held as part of the SU-EN Butoh Company Celebrates 30 years anniversary, and features photographs works and videos works group during the 20 years from 2003, when Junichi Kakizaki first met the SU-EN Butoh Company at Filkingen, Stockholm, to the present. All works, except for the video work of Fukushima, were shot in Scandinavia. If it hadn't been for SU-EN's influence, Kakizaki wouldn't exist today. It brought me manye ncounters and discoveries and pushed me forward. With love to the vast nature of Scandinavia,Haglund Skola and Uppsala, Kakizaki celebrate the 30th anniversary of the SU-EN Butoh Company with you. Various artists and friends who have been involved with and supported the SU-EN Butoh Company will gather together to create a luxurious and chaotic night suitable for celebrating the 30th anniversary. Anyone can participate in this celebration.
Shirakawa Performing Arts Theatre Hall Cominess - Exhibition Corner |
白河文化交流館コミネス 展示コーナー
〒961-0075 福島県白河市会津町1-17
2022年9月10日(土) - 10月9日(日)
※火曜休館 入場無料
開館時間 9:00 am - 10:00 pm
プレビュー 9月8日(木)、9日(金)
※9月8日(木)のみ作家在廊の予定
Organizer | 主催 Shirakawa Art FUGETSUExecutive Committee 風月の芸術祭実行委員会
Co-sponsor | 共催Shirakawa City 白河市 Shirakawa City Board of Education 白河市教育委員会 National University Corporation Fukushima University Research Institutefor Regional Creation through Art 国立大学法人 福島大学 芸術による地域創造研究所
ビャッコイが自生する不動清水での制作は、高木の杉林に囲まれた窪地から湧き出る清流に育まれる植物相、ビャッコイが自生する泉そのものがインスタレーションの舞台となりました。深い森の中を印象づける空間に白のフィルム素材を用いることで、この自然界に曖昧なBorder｜境を形づくりました。白色の象流水の進路をなぞる形物はLine｜線であり、ビャッコイが生息する水面を覆うMask｜面ともなります。 創造的に配置された美の形は場の特異点としての Point ｜点でありながら、広く周囲のSpac｜空間に影響を与えていきます。
Context by Kazufumi SuzukiCurator of Shiga Kogen Roman Museum | コンテクスト 鈴木 一史 志賀高原ロマン美術館
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キュレーター 鈴木一史志賀高原ロマン美術館 学芸員
撮影 岡本譲治
写真製版 熊倉桂三
ビデオ編集 細野夏未
録音 / ロケーションコーディネート 鈴木 純
制作助手 チャン・アイン
コミネス音響技術 後藤弘人
コミネス広報管理 佐々木郁哉
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Cooperation | ご協力いただいた皆様
Ministry of Land, Infrastructure, Transport and Tourism | 国土交通省 Fukushima Prefecture | 福島県 Fukushima Prefectural Boardof Education | 福島県教育委員会 Shirakawa City Cultural Promotion Division | 白河市文化振興課 Shirakawa City Cultural Property Division | 白河市文化財課 Shirakawa City Regional Revitalization Cooperation Corps Art Promotion | 白河市地域おこし協力隊 アート振興 Shirakawa Performing Arts Theatre Hall Cominess | 白河文化交流館コミネス NPO Culture Network | NPO法人カルチャーネットワーク
OKAMOTO JOJI / LIONPHOTOSTUDIOTOKYO Inc. | 岡本譲治／ライオンフォトスタジオ東京株式会社 |
YAMADA PHOTO PROCESS CO.,LTD | 株式会社山田写真製版所
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柿崎順一 出展作品一覧
作品番組、タイトル、制作年 、形態 / 素材 / サイズ（規格）
□ No.1《Mask the Border | 境を覆う》#12022 年
写真プリント / ソルグラフ、ピクトリコグラフィックアーツ ポスターフォトペーパー、アルミ複合板 / 1000×1414×30 mm
□ No.2《Mask the Border | 境を覆う》#22022 年
写真プリント / ソルグラフ、ピクトリコグラフィックアーツ ポスターフォトペーパー、アルミ複合板 / 1000×1414×30 mm
□ No.３《Mask the Border | 境を覆う》#32022 年
写真プリント / ソルグラフ、ピクトリコグラフィックアーツ ポスターフォトペーパー、アルミ複合板 / 1000×1414×30 mm
□ No.４《Mask the Border | 境を覆う》#42022 年
写真プリント / ソルグラフ、ピクトリコグラフィックアーツ ポスターフォトペーパー、アルミ複合板 / 1000×1414×30 mm
1-17 Aizumachi, Shirakawa City, Fukushima 961-0075
September 10 Sat - October 9 Sun 2022
*Closed on Tuesdays Admission free
Open hours 9:00 am - 10:00 pm
Preview September 8th Thu, 9th Fri
*The artist will be in the gallery only on the 8th Thu
Organizer | Shirakawa Art FUGETSU Executive Committee
Co-sponsor | Shirakawa City Shirakawa City Board of Education National University Corporation Fukushima University Research Institutefor Regional Creation through Art
An installation of land art works on the theme of Fukushima's natural monument "Isolepis crassiuscula natural habitat of Kaneyama" will be exhibited with printed photos and video.
Junichi Kakizaki selects plants such as flowers and trees as art materials and constructs a new environment with nature and the earth as a support. Installations using earthwork are part of the art style located in land art and environmental art, and the artist presents the striking beauty, strength and fragility of ife by adding self-expression to natural objects. Fudo-shimizu, where Isolepis crassiuscula grows wild, the installation stage was the flora nurtured by the clear stream that gushes out from the depression surrounded by the cedar forest of tall trees, and the spring itself where Isolepis crassiuscula grows naturally. By using white film materials in a space that gives the impression of being in a deep forest, we created an ambiguous border in this natural world. The shape that traces the course of the white elephant stream is Line, and it is also Mask that covers the surface of the water where Isolepis crassiuscula inhabits. The creatively arranged beauty forms are points that act as singular points of the place, while also having a wide impact on the surrounding space.
The installation in this project was developed at the Isolepis crassiuscula habitat located in Omotego Kaneyama, Shirakawa City. "Isolepis crassiuscula'' is a perennial aquatic plant classified in the genus Isolepis crassiuscula of the Cyperaceae family, and was named by the botanist Tomitaro Makino (1862-1957) in 1903 after the name of "Byakkotai'' rice field. In addition, Isolepis crassiuscula is a rare species that retains remnants of the Ice Age, and since this place is the only natural habitat of Isolepis crassiuscula in Japan, it has been registered as a natural monument designated by Fukushima Prefecture as the "Kaneyama Isolepis crassiuscula natural habitat". , which remains protected to this day.
Giving top priority to the vegetation and environmental protection of the nature reserve, the installation was completed on-site in just one day and was closed to the public. At the Shirakawa Performing Arts Theater Hall Cominess, it will be presented in the form of photographs and videos that emphasize the visual arts while also encapsulating the values of the record.
Context by Kazufumi Suzuki Curator of Shiga Kogen Roman Museum
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Curator | Kazufumi Suzuki Curator of Shiga Kogen Roman Museum
Photographer | Joji Okamoto
Printing Director | Katsumi Kumakura
Video Editor | Natsumi Hosono
Recorder and Location Cordinator | Jun Suzuki
Production Assistant |Trần Anh
Audio Sound Technician | Hiroto Goto
Public Relations Administrator | Fumiya Sasaki
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Cooperation|
Ministry of Land, Infrastructure, Transport and Tourism | Fukushima Prefecture | Fukushima Prefectural Boardof Education | Shirakawa City Cultural Promotion Division | Shirakawa City Cultural Property Division | Shirakawa City Regional Revitalization Cooperation Corps Art Promotion | Shirakawa Performing Arts Theatre Hall Cominess | NPO Culture Network |
OKAMOTO JOJI / LIONPHOTOSTUDIOTOKYO Inc. |
YAMADA PHOTO RROCESS CO.,LTD |
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JUNICHI KAKIZAKI List of exhibited works
Work number, Title, Year of production, Form /Material / Size (Standard type)
□ No.1《Mask the Border》#1 2022
Photographic print / Solgraph, Pictorico graphic arts Poster photo paper, Aluminum composite board / 1000 x 1414 x 30 mm
□ No.2《Mask the Border》#2 2022
Photographic print / Solgraph, Pictorico graphic arts Poster photo paper, Aluminum composite board / 1000 x 1414 x 30 mm
□ No.3《Mask the Border》#3 2022
Photographic print / Solgraph, Pictorico graphic arts Poster photo paper, Aluminum composite board / 1000 x 1414 x 30 mm
□ No.4《Mask the Border》#4 2022
Photographic print / Solgraph, Pictoricographic arts Poster photo paper, Aluminum composite board / 1000 x 1414 x 30 mm
□ No.5 《Ephemeral Life》 2022
Video / USB memory, Digital videodata / 1920 x 1080 pixel Full high definition, MPEG-4/AVSC, NTSC, 3 min 40 sec
□ No.6 《Borderline》 2022
Three-dimensional, Installation / PE film (LLDPE linear low-density polyethylene), Wooden round bar, Steel stand,Adhesive / 910 x 3600 x 300 mm 2 pieces
1971 Born in Nagano prefecture.He studied basic modeling and horticultural science, and used plants such as flowers, leaves, fruits, and tree branches, fungi such as mushrooms and lichens, and natural materials such as stones and soil as main materials or themes, such as land and environmental art and floral art. And publishes it both domestically and internationally through media such as photographs and videos.
Recent Major Exhibitions
2008"CRADLE - For The Land Art''De Bleek - Doetinchem, Holland
2011"PETITS MONSTRES DES FLEURS DE PARIS''Galerie les 26 chaises, Paris, France
2014"Ikebana and Contemporary Plant Art"Linneanum / The Botanical Garden - Orangery, Uppsala, Sweden
2017"TREE"Sapporo Art Park Museum, Sapporo, Japan / "AFTERLIGHT"Haglund Skola, Armunge, Sweden(-2022)
2019"METAPHOR | Metaphorical Nature"Alps Azumino National Government Park - Multipurpose Hall, Nagano, Japan
2020"PETITS MONSTRES DES FLEURS DE PARIS Ⅱ'' Galerie les 26 chaises, Paris, France
2022 "Ψ Garden - Φ Dream" Next to Hojo Komuten, Higashi-Mukojima, Tokyo, Japan
Shirakawa City / Shirakawa City Board of Education / National University CorporationFukushima UniversityInstitute for Regional Creation through Art
〔 Cooperation 〕
Fukushima Prefecture / Fukushima Prefectural Board of Education / Fukushima Minpo / Fukushima Minyu Shimbun / Asahi Shimbun Fukushima Bureau / Mainichi Shimbun Fukushima Branch / Yomiuri Shimbun Tokyo Head Office Fukushima Branch / Kahoku Shimpo / Fukushima Living Shimbun / NHK Fukushima Broadcasting station / Fukushima TV / Fukushima Chuo TV / Fukushima Broadcasting / TV-U Fukushima / Radio Fukushima / Fukushima FM / Shirakawa Performing Arts Theater Hall CominessDesignated Manager NPO Culture Network
〔 Sponsor 〕
Shirakawa Daruma Sohonpo Watanabe Daruma Store / Sagawa Daruma Factory
〔 Support 〕
Fujita Education Promotion Foundation / Shirakawa Orthodox Church / NPO Shirakawa Historic Community Development Forum / SCCI Shirakawa Chamber of Commerce and Industry / YEG Shirakawa Young Entrepreneurs Group / Shirakawa Tourism & Products Association / JCI Shirakawa Junior Chamber International / NPO Corporate Culture Network / Nanko Kyoeikai / Honcho Neighborhood Association / Nakamachi Neighborhood Association / Tenjincho Neighborhood Association / Honmachi Ginza Association / Shirakawa City Chuo Shopping District Promotion Association / Tenjincho Kyoeikai / Future Preparation Office / Dallyzer Planning / Shirakawa City Federation of Cultural Organizations / Rakuichi Shirakawa Co., Ltd. / Obori Soma Ware Ankeriyagama / SHOZO SHIRAKAWA / LampCafe / NPO Nanko Forest Park Guides Association / Tourism Guide Shirakawa / Taiyosha Co., Ltd. / Rodan Norink / Fukushima Color Printing / Nakamuragumi Co., Ltd. / Shirakawa High School Art Club / Shirakawa Asahi High School Art Club / Shirakawa Chuo Junior High School Art Club / Shirakawa Daiichi Elementary School / Fukushima University / Kyoto University of the Arts Ultra Factory / Tokyo National Museum / Fukushima Prefectural Museum / Fukushima Prefectural Museum of Art / Tokyo University of the Arts / Tama Art University / Musashino Art University / Saitama University / Meisei University / University of Aizu Junior College / Koriyama Women's University / Fukushima Gakuin University / Yunnan University / Maebashi Literary Museum / Nihonmatsu Kamikawasaki Japanese Paper Museum / Tandem Co., Ltd. / Friends Association / Henri no Kai / Media Stream Co., Ltd. Video / CIA Co., Ltd. / Doorside Co., Ltd. / Michi Kogei / Endo Screen / Higuchi Transport / Monthly Art / Monthly City Information Fukushima / P3 art and environment / Yoseido Gallery / Kobayashi Gallery / Fudo Co., Ltd. / Mizuma Art Gallery / Nishimura Gallery / ARTCOURT Gallery / KENJIYANOBE Archive Project / I.TOON / DigiCon6 ASIA / Kazuo Ohno Dance Studio / YY ARTS Co., Ltd. / Bronze Shinsha / ITO ATELIER / Whitestone Gallery / Karagara Koubou / Munakata Kiln / Shiga Kogen Roman Museum / naonakamura / JUNICHI KA HANA OFFICE / PLUS Environmental Art Laboratory (+PEALab.) / Kazufumi Suzuki /Atsushi Tanigawa / Miwa Ohba / Shota Mizuguchi / Akiko Sasaki / Koji Furuta / Junki Mine / Ryoichi Wago / Kentaro Nojima / Manabu Miki / Kinari Takahashi / Norio Imai / Shuji Akagi / Toshitomo Kashimura / Sato Koichi / Hiromi Yamaguchi / Yasunao Kawanobe / Design Director - Ritsuharu Baba
〔 Grant 〕
2020 Fukushima Regional Revitalization Comprehensive Support Project / Kao Foundation for Arts and Sciences / Asahi Shimbun Cultural Foundation
Junichi Kakizaki will participate in and exhibit at the exhibition "Garden of Ψ · Dream of Φ" in Higashimukojima, Tokyo. This exhibition is planned by Ayako Mino and supervised by Shigakogen Roman Museum Curator Kazufumi Suzuki, and is a homage exhibition commemorating the 100th anniversary of the birth of Yutaka Matsuzawa, a leading figure in conceptual art. It will start at 19:19 on March 19, 2022 and will disappear at 19:19 on March 19. Junichi Kakizaki will exhibit 22 works including new and unpublished works in this exhibition. In addition, Hiroyuki Oki will screen a video work "001001: Yutaka Matsuzawa + Kazuo Ohno Collaboration" that records the performances of Yutaka Matsuzawa, Kazuo Ohno, and Yoshito Ohno at Hasedera Temple in Nagano City in 2000.
In 1964, there was an artist named Yutaka Matsuzawa who established the conceptual art after receiving the revelation "Erase the objects". What does "erase the object" mean? We think what Matsuzawa was saying was that even if the material "things" disappeared, they still exist, and that is the truth. Therefore, it can be said that Matsuzawa, who died in 2006, still exists in a quantum manner.
2022 is the 100th anniversary of Matsuzawa's birth, and in this milestone year, how can Yutaka Matsuzawa and her currently alive Tists communicate with each other through the exhibition? We hope that this exhibition can be developed as a place to put it into practice.
Ayako Mino
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Exhibition info
Title: Garden of Ψ - Dream of Φ
Period: March 19th (Sat) - March 27th (Sun), 2022
Venue: Next to Hojo Komuten
Higashi-Mukojima, Sumida-ku, Tokyo
Open hours: 12: 00-19: 00 (Starts at 19:19 PM on March 19th)
⑯ 《Portrait of old Mr. Kazuo Ohno》 2010 Photograph, Sculpture Photo: Joji Okamoto
⑰ 《Nirvana of Kazuo Ohno》 2010
Photograph, Sculpture Photo: Joji Okamoto
⑱ 《Those who observe the end of Mr. O》 2010 Photograph, Sculpture Photo: Joji Okamoto
⑲ 《Last vomit》 2010
Photograph, Sculpture Photo: Joji Okamoto
⑳ 《Mr. O》 2010
Photograph, Sculpture Photo: Joji Okamoto
㉑ 《Metaphor for The Monolith, Vigeland installation》 #2 2010
Photograph, Installation Photo: Joji Okamoto
㉒ 《Metaphor for The Monolith, Vigeland installation》 #1 2010
Photograph, Installation Photo: Joji Okamoto
Opening
Talk event "Egg of Ω"
Date and time: March 19 (Sat), 2022 19:19 -
Venue: Next to Hojo Komuten
Guest:
Yasutaka Hayashi (Chim ↑ Pom)
Roger McDonald (AIT) * Online
Shinya Watanabe (Independent Curator)
Moderator: Kazufumi Suzuki (Shigakogen Roman Museum)
Artists:
Riki Akahoshi
Shu Isaka
Hiroyuki Oki
Junichi Kakizaki
Sung Nam HAN
Yoshiya Hirayama
Ayako Mino
Observer: Everyone who gathered at the venue
Yasutaka Hayashi from Chim↑Pom
Courtesy of the ANOMALY and MUJIN-TO Production
Photo: Memi Kakizaki
Roger McDonald (AIT)
*Online
Shinya Watanabe
Indipendent curator
*Anyone can participate (limited to the first 50 people). *On the day of the event, as a measure against corona, admission will be restricted flexibly so that visitors will not be crowded. Also, be sure to wear a mask and disinfect your fingers.
Yutaka Matsuzawa 《Psi Corpse from The Whole Works》 1964
Chim↑Pom from Smappa!Group : Happy Spring In collaboration with Junichi Kakizaki
The retrospective exhibition "Chim ↑ Pom: Happy Spring" at Mori Art Museum starts on Friday February 18, 2022, Junichi Kakizaki will be exhibiting two works of "Radiation-Exposed Flowers Harmony" photograph and "Radiation-Exposed Flowers Harmony" sculpture, which I co-produced with Chim ↑ Pom in 2011. Please see the passage of time for 10 years since then.
Build-Burger 2018 Mixed media (3 layers of concrete floors cropped from “Ningen Restaurant,” various furniture and objects from each floor of the building) 400 x 360 x 280 cm (left), 186 x 170 x 155 cm (right) In cooperation with Ningen Restaurant, Smappa! Group, Koto Hiroya Private collection (left) Courtesy: ANOMALY, Tokyo Installation view: Grand Open - Marvelous Liberation -, ANOMALY, Tokyo, 2018 Photo: Morita Kenji
Period
2022.2.18 [Fri] - 5.29 [Sun]
Open every day
Open Hours
10:00-22:00 (Last Admission: 21:30）
* 10:00-17:00 on Tuesdays (Last Admission: 16:30)
* Open until 22:00 on Tuesday, May 3, 2022 (Last Admission: 21:30)
Venue
Mori Art Museum (53F, Roppongi Hills Mori Tower) et al.
Admission
[Weekdays]
Adults 1,800 yen (1,600 yen)
Students (University/Highschool) 1,200 yen (1,100 yen)
Children (Age 4 through Junior High School Students) 600 yen (500 yen)
Seniors (Ages 65 and over) 1,500 yen (1,300 yen)
[Saturdays, Sundays and Holidays]
Adults 2,000 yen (1,800 yen)
Students (University/Highschool) 1,300 yen (1,200 yen)
Children (Age 4 through Junior High School Students) 700 yen (600 yen)
Gold Experience 2012 Tarpaulin balloon, mixed media 650 x 800 x 600 cm Courtesy: ANOMALY and MUJIN-TO Production, Tokyo Installation view: Chim↑Pom, PARCO Museum, Tokyo, 2012
The "Chim ↑ Pom: Happy Spring" is a truly rich and unusual exhibition, and I am proud of being an exhibitor. Junichi Kakizaki is exhibiting only two works, but I would like everyone to take a look at the entire exhibition, follow in the footsteps of Chim ↑ Pom, deepen their understanding, and experience its grandeur.
“A Drunk Pandemic” 2019-2020 Private collection Commissioned and produced by Manchester International Festival and Contact, 2019 Curated by Contact Young Curators Courtesy: ANOMALY and MUJIN-TO Production, Tokyo Photo: Michael Pollard
U.S.A. Visitor Center (from the project "The other side") 2017 Giclee print 66 x 100 cm Collection: Miyanomori Museum of Art, Sapporo Courtesy: ANOMALY and MUJIN-TO Production, Tokyo Photo: Matsuda Osamu
About the Exhibition
Title
Chim↑Pom: Happy Spring
Organizer
Mori Art Museum
Grants from
Nippon Donation Foundation The Obayashi Foundation
Corporate Sponsors
YOSHINO GYPSUM CO.,LTD. regist ART / Jitsugyo no Nihon Sha, Ltd. adidas Japan K.K. GO inc. PARCO CO., LTD. The Royal Park Canvas - Ginza 8 UPDATER, Inc. (Minna-Denryoku)
Production Support
MAEDA ROAD CONSTRUCTION CO., LTD.
Patron
Nakao Koji
Curated by
Kondo Kenichi (Senior Curator, Mori Art Museum)
Street 2017-2018
On-site installation Dimensions variable Courtesy: ANOMALY and MUJIN-TO Production, Tokyo Installation view: Asian Art Biennial 2017, National Taiwan Museum of Fine Arts, Taichung, 2017-2018 Photo: Maeda Yuki
May, 2020, Tokyo (Hey-rasshai) - Drawing a Blueprint - 2020 Cyanotype print, gelatin, canvas, iron frame 175.5 x 352.3 x 4.5 cm Takahashi Ryutaro Collection, Tokyo Courtesy: ANOMALY and MUJIN-TO Production, Tokyo Production view: Shinjuku, Tokyo
Don’t Follow the Wind 2015- Courtesy: Don’t Follow the Wind Committee
Making the Sky of Hiroshima "PIKA!" 2009 Lambda print, video 66.7 x 100 cm (photo), 5 min. 35 sec. (video) Courtesy: ANOMALY and MUJIN-TO Production, Tokyo Photo: Cactus Nakao
LEVEL 7 feat. “Myth of Tomorrow” 2011 Acrylic on paper, PVC panel, video and others 84 x 200 cm (painting), 6 min. 35 sec. (video) Courtesy: ANOMALY and MUJIN-TO Production, Tokyo
SPEECH (from the project “Thank You Celeb Project I’m BOKAN” ) 2007 Video 1 min. 53 sec. Courtesy: ANOMALY and MUJIN-TO Production, Tokyo
《酔いどれパンデミック》 2019-2020年 個人蔵 委託制作：Manchester International Festival and Contact, 2019 企画：Contact Young Curators Courtesy: ANOMALY and MUJIN-TO Production（東京） 撮影：Michael Pollard
