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$PDF$/READ/  Quentin Tarantino: Poetics and Politics of Cinematic Metafiction | Quentin Tarantino&#8217s films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification. Covering all eight of Quentin Tarantino&#8217s films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films&#8217 poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality).Roche sets Tarantino&#8217s films firmly in the legacy of Howard Hawks, Jean-Luc Godard, Sergio Leone, and the New Hollywood, revising the image of a cool pop-culture purveyor that the American director cultivated at the beginning of his career. Roche emphasizes the breadth and depth of his films&#8217 engagement with culture, 
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