Rema の新作 | ロキノンには騙されないぞ

ロキノンには騙されないぞ

主に海外音楽雑誌、メディアの評論家たちが高評価をつけている新譜アルバムをチェックしていくblog。日本のインディー興味深い作品も。

Rema
HEIS

 

↓「押せば」 と聞こえる。ダチョウ的な動画ネタで使えそう

 

 

80‐⁻100点相当

NME が満点

 

 

「Calm Down」 の人

 

↑ここまでの陽キャッチーな曲は、今回のアルバムにはない感じ。

 

アルバムの方も、全体的に前作比で 陰、ダークな感じ。

 

ただ、

アフロビート の心地よさを感じられる作品

 

 

https://www.clashmusic.com/reviews/rema-heis/

 

The rise of afrobeats – and its myriad offshoots – as a truly global force is one of 21st century’s defining music impulses. Yet shattering the glass ceiling can present a few problems – after all, how do you retain control of the lens your art is viewed through? Take Rema. The star packed out the O2 Arena in London, but visuals that referenced beliefs and traditions from his native Benin City were misconstrued. As such, new album ‘HEIS’ represents an attempt to tap back into his foundation, to re-assert his core values.

11 tracks, no filler. Only a handful of guests, and all of them close to Rema. ‘HEIS’ feels like his true testament, his autobiography, unfiltered and true. ‘MARCH AM’ is a blasting opener, a statement of muscular ambition that refuses to cowtow to expectations. ‘AZAMAN’ ratchets the energy up even further, while the delirious ‘HEHEHE’ merges braggadocio to wicked afrobeats production to create something infectious but also unsettling – Rema wants you on the edge of your seat, permanently.

ナイジェリアの歌手兼ラッパー

2nd (ep集除く)

 

 

1st

Rave & Roses

世間的に長く好まれるのはこっちになると思われる。