Kokoko! の新作 | ロキノンには騙されないぞ

ロキノンには騙されないぞ

主に海外音楽雑誌、メディアの評論家たちが高評価をつけている新譜アルバムをチェックしていくblog。日本のインディー興味深い作品も。

Kokoko!
BUTU

 

 

 

70--80点相当
 
ちょっと、リズム重視の方向へシフトした感じになっている。
キャッチーでポップ Vo要素を残してほしかったかな。
 
 

 

Kokoko! hail from the Democratic Republic of Congo (formely Zaire), and specifically from Kinshasa, a source over the years of a great deal of irresistible dance music. On their second album, more electronic than the last (Fongola -2019), traces of bouncing soukous music, mixed with the old-style house delights of Milwaukee-based DJ and producer Thomas Xavier, make for a heady brew.

In sharp contrast with West African music, langourous High Life, elegant Manding praise songs, and the intricate polyrhythms of Afro-Beat, the music of Kokoko! draws energy from the ancient forests’ spirits, or ‘nkisi’, immensely powerful forces that inhabit trees and soil, the darkness of the rainforest.  They have adopted many ways of the city, indeed the whole planet, but remain rooted in an incantatory casting of spells, a magic all of its own. The late Hadj Miliani, a brilliant Algerian sociologist and an authority on Rai, would talk about rurban music and culture, a combination of down-home country-style (rural) and city cool (urban).  Kokoko are well-described in those terms. It could indeed be said that much contemporary African music fits that label, and Afro-Atlantic music as well. The Chicago “urban” blues drew the heart of its strength from the deep South, and yet lifted the music into another plane by electrifying it and playing loud.

コンゴ民主共和国/キンシャサに拠点を置グループ