Wallows の新作 | ロキノンには騙されないぞ

ロキノンには騙されないぞ

主に海外音楽雑誌、メディアの評論家たちが高評価をつけている新譜アルバムをチェックしていくblog。日本のインディー興味深い作品も。

Wallows
Model

 

 

 

70--80点相当

 

元々ポップ系だが、

いくつかの楽曲は、

ストロークスをもっとポップ寄りにしたような仕上がり。

 

 

https://www.clashmusic.com/reviews/wallows-model/

 

Back with their fourth album, ‘Model,’ Wallows are opening up a darker side of themselves as they channel a 2024 retelling of what the early ‘00s sounded like. The latest addition to their discography sees Wallows stray away from the bedroom-indie-pop that they have become intrinsically linked with, yet their newest record is a matured version of it. 

The trio, who are based in Los Angeles, pay homage to the band’s origin as their SoCal feel never really leaves their DNA, which is especially noticeable in ‘Calling After Me.’ Coming up with the likes of Clairo and Declan McKenna, it seems as if Wallows have continued to grow alongside their peers and are now stumbling into the the most interesting part of their career yet. Switching between laid-back nonchalance and emotional switch-ups, ‘Model’s’ excellence lies in its instrumentals. 

ロサンゼルスを拠点とする3人組

4th