Charlotte Day Wilson の新作 | ロキノンには騙されないぞ

ロキノンには騙されないぞ

主に海外音楽雑誌、メディアの評論家たちが高評価をつけている新譜アルバムをチェックしていくblog。日本のインディー興味深い作品も。

Charlotte Day Wilson
Cyan Blue

 

 

Spill Magazine 90点相当

Exclaim! 80点相当

 

女性だが、中性的な声が特徴。

 

サウンド手法自体は、なんだか聴いたことあるなぁという

感じではあるが、

それでもまぁ、そこそこ心地よい。

 

 

 

With the release of her second full-length album, Charlotte Day Wilson provides a captivating musical production, one that is as engaging as it is sonically mesmerizing. Fans of the Toronto native have been eagerly awaiting the follow-up to her 2021 release Alpha, and thankfully she rewarded such patience with Cyan Blue, an album very much worth the wait. Packed with a spectacular range of entrancing melodies and a rather peachy rhythmic groove, this new release marks a significant sonic achievement.

Nothing sparks a soulful record quite like a well-orchestrated rhythm section. The pulsating groove confidently established throughout Cyan Blue sets the perfect backdrop for Wilson’s atmospheric vocal performance. The album opens with “My Way”, a driving tune where the underlying rhythm courses along a distinct current, teasing what is to come with a gospel-like flare. The shimmering guitar sprawled out over the infectious bass in “Do You Still” demands attention and stimulates the listener, hooking them into Wilson’s refreshing musical discourse. The dynamic range in Cyan Blue isn’t gigantic but it is staggeringly impactful. Floating away from the pulsating groove of the livelier songs, she delivers many moments where tracks are stripped down and this is where the album truly begins to glow.

トロントで生まれのSSW

プロデューサー、マルチ・インストゥルメンタリスト

2nd

プロデューサーは、Leon Thomas 他

 

 

 

 

 

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