1010benja の新作 | ロキノンには騙されないぞ

ロキノンには騙されないぞ

主に海外音楽雑誌、メディアの評論家たちが高評価をつけている新譜アルバムをチェックしていくblog。日本のインディー興味深い作品も。

1010benja
Ten Total

 

 

 

Pitchfork 86点相当

 

Kendrick Lamar、Anderson .Paak みたいな部分もあるし、

でももう少し、歌的にポップ。

 

そこまで独創的な感じではないかなぁ。

 

 

 

The first sound you hear on Benjamin Lyman’s debut album as 1010Benja, Ten Total, is either a throat clearing or a deadpan laugh, an announcement or a provocation. A symphony of programmed horns and strings comes in and Benja begins barking and cooing, sheeshing and coughing, shouting ad-libs—“Hey, man! Hey!”—and unleashing a string of effortless vocal runs. A gunshot pops; an engine revs. Then sirens and bit-crushed battlefield FX swallow the song, leaving nothing but shrapnel. Playful, strange, and surprisingly moving, it’s the perfect introduction to Benja’s oddball brilliance: a world-weary optimist and DIY maximalist with a sinewy, astonishing voice meant for the mainstream yet made for the arthouse.

Ten Total delivers on years of anticipation and promise for a transcendent talent who’s remained mostly anonymous since the start of his career. When Pitchfork called the Kansas City singer and producer “one of 2018’s most promising artists,” he’d only put out three songs. His first EP, Two Houses, released on the heels of this acclaim, suggested a burgeoning star on the cusp of his best work. But as quickly as Benja appeared, he vanished. He’s dropped a few singles in recent years, but the initial hype, faintly redolent of House of Balloons-era the Weeknd and Nostalgia, Ultra-era Frank Ocean, has all but dissipated. It’s easy to conclude that the 34-year-old Benja missed his moment.

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