IDLES
TANGK
50--100点相当
God Is in the TV が満点
メディアの扱いの数が多いｗ
彼らの作品の中ではすごく音楽的になっている感じ。
コアでシンプル、ストレートな面が好きなリスナーからは、
複雑な感じになっているのかも。
「IDLES」という見方、偏見等がなければ
結構楽しめそうな作品
PVのこれ、そのまんまColdplayじゃないか？ｗ
口ぴったりだけどｗ なんでや！ まぁ名曲やけどｗ
https://www.nme.com/reviews/album/idles-tangk-album-review-lyrics-3586056
“I want to make people dance,” Idles’ Joe Talbot told NME last year of his vision for the Bristol noiseniks’ fifth album. “I want people to feel the love that I need in my life.”
In these times of division, derision and destruction, what’s wrong with a little peace, love and understanding? The image of Idles as barking and finger-wagging ‘punks’ for 6 Music dads has softened, too. The band themselves were all too-aware when they made the punchy and defiant ‘Ultra Mono’ – written as a “caricature” of themselves “intentionally to kill it”, as they put it. The expansive ‘Crawler’ followed – a bright new dawn after the storm.
But what to do after zero hour? Why not shake your tush? The kinetic lead single ‘Dancer’ (aptly and subtly assisted by tour buddies James Murphy and Nancy Whang of LCD Soundsystem) is the manifestation of what anyone who’s been to an Idles show has always known: theirs is a world of togetherness and movement. Likewise, ‘Gift Horse’ still rumbles and booms with that feral menace you love them for, but it’s got its collar-popped and “sinew exploding from chrome hooves”. ‘Hall & Oates’ ain’t no ‘I Can’t Go For That’ tribute and instead, jagged riffs compete with each other for an undeniable celebration.
The record comes with three production credits: guitarist Mark Bowen (who cuts to the soul of the band), Kenny Beats (who brings out the colour and keeps things popping) and longtime Radiohead collaborator Nigel Godrich (who does, well, that magical thing he always does). There’s full-bodied ‘In Rainbows’ vibes on ‘Jungle’, the ultimate ode to Talbot seeing the light: “Save me from me – I’m found, I’m found, I’m found”.
5th
202402推し