Peter Gabriel の新作 | ロキノンには騙されないぞ

ロキノンには騙されないぞ

主に海外音楽雑誌、メディアの評論家たちが高評価をつけている新譜アルバムをチェックしていくblog。日本のインディー興味深い作品も。

Peter Gabriel
i/o

 

60‐‐100点相当が出ている

The Independent 含む3メディア以上の満点

 

兄が、So を持っていたので

そこらあたりから存在を知って、名盤追いで、genesis関連で再び知って

90年代初期に、Come Talk To Me がチャートに入っきて

再び存在を確認。

 

もともと、あまりよさがわからない部類の人になるのだが、

今作も何がそこまで良いのかよくかわからない。

 

Peter Gabriel hid I/O, his first album in 21 years, in plain sight. Over the course of 2023, he released every one of its 12 songs as a single, each in two separate mixes (one "Bright," one "Dark"), and then toured the record -- all before its December release. A steady drip of singles didn't build anticipation for I/O -- many of the tracks didn't attract much chatter -- so much as get his audience accustomed to listening to new Peter Gabriel music again, allowing them to focus on a song at a time instead of immediately immersing themselves in an album that has its own intricate clockwork. Gabriel took his time crafting I/O, so listening to it slowly and steadily lets the record unfold and lets the distance between the decades narrow. In many ways, I/O picks up where Up ended, sounding a bit like a relic from the height of the CD era when albums were crafted as a long, continuous experience showcasing the outer limits of high-end audio. It also follows a recognizable template, balancing its innate moodiness with a few sprightly numbers that relieve the tension -- a blueprint that's been in place since So. The familiar approach helps illuminate how I/O does mark an emotional progression, finding Gabriel curiously optimistic as he searches for new beginnings, discovering glimmers of hope within the darkness. 

 

 

 

 

名盤級アルバム

 

So

 

 

Peter Gabriel

 

 

Genesis
The Lamb Lies Down on Broadway