S.G. Goodman の新作 | ロキノンには騙されないぞ

ロキノンには騙されないぞ

主に海外音楽雑誌、メディアの評論家たちが高評価をつけている新譜アルバムをチェックしていくblog。日本のインディー興味深い作品も。

S.G. Goodman
Teeth Marks

 

リリースは、2022.6月

 

76--90点相当

 

Uncut が22年-年間36位選出

 

聞き逃していた。

年間の50位以内となると何とも言えないが、

なかなか良い作品。

 

オルタナカントリー系

 

 

The South loves to make heroes and legends of its own kind, to spin the tales of rather ordinary people until they acquire a kind of mythic permanence. The Kentucky songwriter S.G. Goodman, though, requires no fabulists to be compelling. She is 33 and from a small Mississippi River town so emblematic of rural America its slumping population statistics betray a war of economic attrition. From a lineage of sharecroppers, she talks in interviews about cavorting in creeks and gigging for gar, then sings of her complicated love for the dollar-store economy and her adoration of Spanish moss sanctuaries. In a region where being gay can mark you for ostracization or damnation, coming out nearly killed her. “Space and Time,” the first song on her 2020 debut, even read like her farewell to the world. She sings not just of a progressive South but of shrugging off capitalism at large, of dismantling the systems that still make the place so difficult. It is apt that Kentucky novelist Silas House penned a recent magazine profile of Goodman; she knows the truth of her home but also eternally reimagines its future, epitomizing our shared New South dreams.

ケンタッキー州のssw

2nd