Oren Ambarchi
Shebang
70--81点相当
単純な Minimal ではないみたいだが、
Minimal ということのよう。
https://pitchfork.com/reviews/albums/oren-ambarchi-shebang/
As a composer, Oren Ambarchi tends to think like a drummer. That’s what he started out as, before an encounter with the noise titan Keiji Haino inspired him to pick up the guitar. For the past decade, most of the Australian musician’s solo recordings—which are in fact often densely collaborative affairs—have been headlong tumbles into spirals of texture and groove. The first of these pieces was “Knots,” the 33-minute centerpiece of 2012’s Audience of One: He began by asking drummer Joe Talia to play an extended sequence in the style of legendary jazz drummer Jack DeJohnette, then recorded himself in conversation with Talia’s playing, laying down cascades of feedback. Over the years, “Knots”—which he and Talia debuted on the 2011 live album Hit & Run—has continued to unspool, yielding two live albums (one with orchestra) and supplying the flexible backbone of virtually all his longform studio work. Quixotism, Hubris, Simian Angel, and now Shebang have all been modeled after its sprawl.
