Scrounge の新作 | ロキノンには騙されないぞ

ロキノンには騙されないぞ

主に海外音楽雑誌、メディアの評論家たちが高評価をつけている新譜アルバムをチェックしていくblog。日本のインディー興味深い作品も。

Scrounge
Sugar, Daddy

 

Loud and Quiet ga 90点相当

 

ep扱いのところもあるよう。

 

疾走感はあるが、

エモというわけでもなく、

若干、ポストパンク的なところもあるが、

わかりにくい作りでもない。

 

良いバランスに出来上がってるように思う。

 

 

 

South-east London guitar/drums two-piece Scrounge have presented Sugar, Daddy as a “mini-album”, which, on a purely technical level, is absolutely right – its eight songs here fly by in 23 minutes. That positioning, however, does a crucial disservice to a record that has just as much urgency, energy and richness as anything twice its size, and its acute density – album-sized thrills compressed into a tight space like some cornered wild animal – makes it even more compelling, with a size-to-weight ratio that means violent explosions of noise hit harder, thunderclap drums rattle heavier, and Lucy Alexander’s stories of anger,  weariness and corporeal distress cut deeper.

サウス イースト ロンドンのギター/ドラムのツーピース