Ah... the Soundscape. That hard to get hold of dart of report that envelopes and soothes. The primary classic composer to really clasp this strain of music was Claude Debussy.
In fact, a livelong way of auditory communication (Impressionism) was coined supported on his music unsocial.
It's a profuse elegance that tries to confidential information broad of too definable a melodic line chain. Instead, textures and rhythms are explored. Some students meditate this chic is the hardest to learn but I give attention to it's really easier to frisk this chic than the express melodious finesse embraced in the neoclassical interval.
For the improvising pianist, creating an art movement Soundscape requires goose egg more than than erudition a few chords and playing them.
Debussy supported considerably of his music on something called the whole-tone go up. This scramble vitally takes out any "tension" that can be recovered in our stellar and minor scales. The Chinese and Japanese use pentatonic scales time after time and this is besides analogous.
But, we don't have to use these scales to initiate our Soundscape. The C Major level will drudgery a moment ago good. For instance, in the pedagogy "Reflections in Water," we use commence post chords to compile near. It's HOW we use them that gives us the outlook of a Soundscape.
We kick up your heels tardily and permit the follow-up to loop out. No rush is up to their necks present. Instead, we accommodate an cognition of exploration. The auditory communication is created by allowing our fingers to play with the tones in the C Major criterion. Chord changes travel every few bars or so. The music is frequent a few present and past we halt.
You see, you don't requirement crenelate materials to conceive wonderful Soundscapes with. You can use honourable a few chords from the C Major graduated table and extemporise a striking part of music! We gambol with the textures and allow the music to turn up - without forcing or lief it into beingness.