The Gentlemen no login
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casts=Jeremy Strong
USA
An American expat tries to sell off his highly profitable marijuana empire in London, triggering plots, schemes, bribery and blackmail in an attempt to steal his domain out from under him
tomatometer=8,5 of 10
scores=65359 Votes.
If you think this is a representation of British class structure. I assume you have never visited Britain 👀.
This needs to have it's own category for Horror. I'm still mad about Quarantine ruining REC.
Level 1 Doesn't reply to PMs. Moderator of r/MovieDetails, speaking officially Score hidden · 3 days ago · Stickied comment Upvote this comment if this is a Movie Detail Downvote this if you feel that it is not. If this comment's score falls below a certain number, this submission will be automatically removed. These votes are in a trial run period, give your feedback here: level 1 I mean the scene Fletcher is pitching the entire movie so far to a Guy Ritchie stand in. It's not so much an easter egg but just a blatant set dressing. It's cool that it's being kinda meta, but this isn't a hidden secret. level 2 The casual viewer ain't picking that up and there isn't really a better flair so I dunno man, sorry I guess. level 1 Comment deleted by user 3 days ago ( More than 2 children) level 1 I means theres putting eater eggs in your movie then theres just Michael bay levels of ego of just product placement. Details in Movies, Movie Details! Reddit Inc © 2020. All rights reserved.
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Looks SICK AF.
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This film was actually great fun. If you want consistent laughs then u should go see it but avoid if u are easily offended.
That is so sad.
Bruce Banner meets Andy Dufresne.
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After how he royally screwed Alladin, I hope the director Guy Ritchie doesnt tank Matthew
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I'm gonna guess this is Matthew Mcconaughey's character imagining things during the conversation.
Not one of these new movies look good. What's up Hollywood? 😞
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SPOILER ALERT Understanding the Moist Mind My prediction of his rating based on his argument: 80% Edit: His rating: 85% One step closer to comprehending the high level IQ of the moisture scale.
Nothing too unexpected here, but it's funny and hugely entertaining The Gentlemen is a return to the London gangster milieu where writer/director Guy Ritchie first made his name with films such as Lock, Stock and Two Smoking Barrels (1998) and snatch. (2000). And yes, the film seems stuck in the last decade in more ways than one, it's highly questionable that the only gay character is a slimy man-whore into S&M, its only female character barely even manages to rise to the level of tokenism, and Ritchie does absolutely nothing new here, but The Gentlemen is still hugely entertaining. Most of the jokes land, the dialogue is as sharp and expletive-laden as ever, the cast are having a ball, and the self-reflexivity works well for the most part. The plot is as derivative as it gets, but Ritchie has injected real verve into it. The Gentlemen won't change your life, but it will make you laugh. The film begins as sleazy private eye Fletcher (Hugh Grant) arrives unannounced at the home of Ray (Charlie Hunnam), right-hand man to Mickey Pearson (Matthew McConaughey), an Oxford-educated American ex-pat who controls a huge marijuana empire in London. Several months prior, Fletcher was hired by tabloid editor Big Dave (Eddie Marsen) to dig up dirt on Pearson, and Fletcher has written a screenplay based on his investigation, telling Ray that unless Pearson pays him £20 million, he will hand over everything he has to Dave. Meanwhile, Pearson has decided to sell his whole operation, but when word gets out, all hell breaks loose, as the various interested parties vie for advantage. Most of the subsequent film takes the form of Fletcher narrating his exploits to Ray, explaining how he learned so much about Pearson and what he does. Aesthetically, The Gentlemen is very much in the mould of Ritchie's previous gangster movies. Because Fletcher frames his narration as a screenplay, it allows Ritchie to employ a multitude of self-reflexive devices – a smash cut coinciding with Fletcher asking Ray to visualise a smash cut; on-screen captions telling us who's who; animated maps; freeze-frames; rewinds; a shot of film running through a projector etc. At one point, Fletcher is discussing the merits of anamorphic over 1. 78:1, and the film's aspect ratio changes accordingly. At another, he's arguing for the merits of 35mm celluloid over digital, and the film duly switches formats. Such playfulness means that it never for a second takes itself too seriously, and it remains immensely fun, with the more you know about the mechanics of assembling a film, the more humorously self-reflexive the film becomes – Fletcher even acknowledges his own role as an unreliable narrator. In terms of themes, the most obvious is the idea that the economic divide between gangsters and aristocrats masks their practical similarities. The smooth running of Pearson's business depends on both classes – the aristocrats who he needs to grow his product and the gangsters who distribute that product. The clash between the pompous insularity of the English upper class and the perceived uncouthness of the lower class has been done to death in both literature (Wuthering Heights (1847) springs to mind) and film (Performance, for example), and although Ritchie doesn't say anything even remotely new about it, it still forms an interesting textural background – gentrification is ever-present; there are ironic references to the posh areas of Croydon; Ray, a working-class Newcastle native, is a cleanliness freak who eats wagyu steak and lives in a mansion, and when he's dispatched on a mission to an uncivilised working-class area, he explains he "just hates them junkies, " seeing them as very much his social inferiors. One of the most central scenes sees Ray and his mn clash with a gang of machete-wielding thugs on a council estate, and there's a real sense of old vs. new – traditional gangsters fighting it out with internet-savvy hoodlums who don't give a damn about tradition or respect. There are a lot of laughs to be had with these issues, such as Ray and Coach (a scene-stealing Colin Farrell) having problems pronouncing the name Phuc. And again, none of this is presented as even remotely serious. The biggest problems with the film are probably its lack of depth, and the familiarity of the presentation, characters, and milieu – there's nothing here you haven't seen in previous Ritchie films. And as you would expect, there isn't much in the way of emotional maturity or narrative complexity. It's all very surface-level, and it makes no apologies for such. Nevertheless, I thoroughly enjoyed The Gentlemen. It's a funny as hell caper and the actors are clearly having terrific fun. It might be formulaic and overly familiar, but it's also immensely enjoyable.
Latest Articles
Movie Details
Watch the Hollyweed Artist Create the World's First Weed Movie Poster for The Gentlemen
Jan 24, 2020 Artist Zach Fernandez aka Jesushands creates likenesses of the cast of The Gentlemen in a movie poster using pot art.
Can The Gentlemen Give Bad Boys 3 a Good Run at the Weekend Box Office?
Ryan Scott Jan 22, 2020 STX's The Gentlemen Universal's The Turning and RLJE's Color Out of Space open at the box office this weekend.
The Gentlemen Review: A Moderate Buzz from British Weed Gangsters
Julian Roman Jan 22, 2020 Guy Ritchie's return to the British gangster genre has memorable characters, but a meandering plot.
The Gentlemen Trailer #2 Brings a Stern Warning from Matthew McConaughey
Kevin Burwick Dec 23, 2019 Guy Ritchie is back to familiar territory with The Gentleman after taking a breather to work on Disney's live-action take on Aladdin.
First The Gentlemen Clip Has McConaughey Caught in a Weed Gold Rush
Ryan Scott Dec 13, 2019 STX Films has released a new clip from The Gentlemen, the latest from director Guy Ritchie.
The Gentlemen Trailer: McConaughey Is Up to No Good in Guy Ritchie's Ensemble Action Movie
Ryan Scott Oct 2, 2019 Guy Ritchie's latest The Gentlemen trailer is featuring an all-star cast including Matthew McConaughey, Charlie Hunnam, Colin Farrell, Hugh Grant and more.
Here movie trailers timelapse: 0:00 - Ghostbusters Afterlife (Summer 2020) 2:28 - Antlers (Tbd 2020) 4:41 - Free guy (July 2020) 7:42 - In the heights (Summer 2020) 10:04 - 6 Underground (Now in netflix) 12:08 - Wonder woman 1984 (June 2020) 14:32 - Promising young woman (April 2020) 16:56 - Line of descent (2020) 18:33 - Inside the rain (2020) 20:45 - Dont be a duck about it (2020) 22:16 - The host (2020) 24:17 - The whistlers (2020.
Will you review Sonic the Hedgehog when it comes out.
Dating advice: Just be yourself. Reality: Just be physically fit and excellent Fat guys: Ignored Fit guys: women SCREAMING. So much for being egalitarian.
This looks like a total ripoff of the original, which is a masterpiece. Just watch Force Majeure, which is streaming on Kanopy for free.
Film Geeks be like WAAH, it's a REMAKE, it's not an original concept, that's an affront to all culture! and meanwhile Broadway Geeks be like: Well, I liked both Patty and Emma in their respective versions of the role, but I think the 2004 revival had better staging.
What if Uncut Gems also refers to the movie having first time actors who are actually doing a great job on screen.
“You see, I understand you Klatoonians were just playin’ around, but the Baby Yoda, he just doesn’t get it. Course, if you were all to apologize…”
The Gents gather in the Lounge to talk seriously about the latest chapter in the Star Wars universe before the next chapter hits theaters. The Mandalorian! Baby Yoda shirts available in the lobby.
I want to try all this bulges 4 guys on 1 yeeeeeees.
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Storyline
An American expat tries to sell off his highly profitable marijuana empire in London, triggering plots, schemes, bribery and blackmail in an attempt to steal his domain out from under him.
Plot Summary
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Taglines:
Criminal. Class.
Motion Picture Rating
( MPAA)
Rated R for violence, language throughout, sexual references and drug content
See all certifications »
Details
Release Date: 24 January 2020 (USA)
See more »
Also Known As: The Gentlemen
Box Office
Budget: $22, 000, 000
(estimated)
Opening Weekend USA: $10, 651, 884,
26 January 2020
Cumulative Worldwide Gross: $102, 344, 183
See more on IMDbPro »
Company Credits
Technical Specs
See full technical specs »
Did You Know?
Trivia
The pint glasses in the film bear the name "Lore of the Land, " a pub owned by director Guy Ritchie (with footballer David Beckham) in Fitzrovia, central London. See more »
Goofs
In the first scene we meet Rosalind there is a shot of her entering her car garage from behind, in this shot the red soles of her Christian louboutin stilettos are clear for all to see, moments later when she leaves her office, she is wearing what appear to be the same stilettos but they seem to now be black/normal on their underside. See more »
Quotes
Dry Eye:
The young succeed the old!
Crazy Credits
The MMA students' music video plays during the closing credits. See more »
Connections
References The Long Good Friday (1980)
Soundtracks
Vitamin C
Performed by Can
Written by Can See more »
Frequently Asked Questions
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Why am I thinking of Pennyworth when i watched this trailer cool.
If you're a fan of Guy Ritchie films, this one is for you. Can really tell it's a Ritchie film, the sheer amount of profanity and style of film demonstrates it's a Ritchie film all over.
Fantastic cast, but the standout was Hugh Grant. He really elevated in this film and his ability to use a completely different accent is top notch.
Worth seeing this for the accents alone. Michelle Dockery and Hugh Grant nailed their accents.
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As a regular movie goer, I'll jump to the point and say this: definitely go see The Gentleman. Guy Ritchie nails it with this one. I was roped in, hook, line and sinker from the start and that's what it needed to do. All 113 minutes keeping you attentively sucked into the little twists and turns.
Usually it doesn't take much to annoy me when it comes to narration, but this is a story - and a story told well. It's clever, it keeps pace, it doesn't stop. And it was more than I expected. Where it succeeds is holding you captive to the wonderment of anticipating every characters' next move on the plot chessboard that unfolds before you.
The acting is great; I can't fault anyone in performance or their placement in their roles. Putting this film I am just stubbornly refusing to give it the perfect 10 in my assessment as a 9. but it's just shy of being a modern theatrical masterpiece.
If you get bored, somehow lose it along the way. blame me. But I don't think you'll have regrets giving 113 minutes of your time away for this one.
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Erin Brocko-Witches li'l bastard brother. I'm in. True events or not - I'm in, for Mark. And Roberts Hathaway, of course 😄.
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How this movie was amazing is beyond me. Legit astonishing. People aren't fucking around, it's stressful and intense from start to finish. 10/10.
Fractured is suspiciously similar to another movie, but I forget it's name. 🤔
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0:09 you got me at this point.
2:45 At least he was wearing a helmet
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