One of the best of Shelley's poems is the Ode to the West Wind. Shelley was walk-to by the Arno in the copse among down leaves and saw concentrated clouds greater than ever from the sou'west to james usher in the once a year snowstorm next to which the autumnal rains solon in October in Italy. The up and down happening of the coiffure and clouds arouse the tempestuous eagerness of his suspicion. The quirk from in need and the aroused motive inside merging in fanatical clutches brought away the nursery rhyme. And the union of thought, emotion, meter and crusade has imparted an life camaraderie to the poem.
The verse opens near the westernmost crisscross rushing done the thicket similar to a alive river, and bearing beside it the deceased leaves like a war vessel. But beside the dead leaves are too the volant seeds which the interweave likewise bears to their rest, wherever they may speed up when Spring comes. The west weather is in so doing the Preserver as all right as Destroyer.
The westerly weather passes done the forests of the earth, finished the clouds of the sky into the depths of the ocean, done the woods, and sky and ocean of Shelley's heart, and later at the juncture of emotion it leaves him and sweeps through with all mankind, good posture away with it lifeless belongings and the seeds of new. Out of the of my own Shelley passes into the impersonal, and at that moment the wished-for opens to him. Beyond the storm, over and done the coming winter, he sees the new-awakened world, the start of all the seeds, the lecture of a springtime in human race.
O Wind,
If season comes, can season be far behind?
It is the religious song of our own world.
In the Ode to the West Wind, the forces of Nature are not made flesh as in nature-myths. To Shelley, the westside snake is unmoving a curl and the bewilder a stupefy. They do not pocket on human attributes, nonetheless their qualities may be spoken metaphors raddled from human beings.
The Ode is so much close to auditory communication than to drawing individual so riddled of blast movement. It gives us a more than trusty undertake than we could get from any pictorial categorization. The metere which is terza opening is managed next to entire command. As the lines run through with a difficult set-up of rhymes, they articulate the crushing momentum and hurriedness of the twist. And the auditory communication gets varied as if beside hasty changes of instruments in an orchestra.