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Hansal Mehta
The film is a unique social comedy based in a small town of Uttar Pradesh directed by Hansal Mehta. It stars Rajkummar Rao and Nushrat Bharucha. It is co-produced by Ajay Devgn, Luv Ranjan and Ankur Garg
Stars - Mohammed Zeeshan Ayyub, Rajkummar Rao
(🙅Katavo Ki Aabadi Worldwide Problem's 😡.
Who is waiting for the world tv premier?😜😜.
Fans: THIS MOVIE IS TRASH, WHERE ARE THE SONGS AND CHARACTERS, Lmao.
Nawazuddin Siddiqui's acting is the best mind blowing very talented and natural actor.
Legend come back.
Finally she got work! Good.
Ek THAPPAD hi to Mara nai maar sakta.
November 23, 2018
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Photo: Rajkummar Rao heads to Delhi to start shooting for Hansal Mehta's Turram Khan
After giving us amazing films like Shahid, Citylights, Aligarh and Omerta, Rajkummar Rao and Hansal Mehta will work again for Turram Khan. The actor heads to Delhi to commence the shoot.
Become a member Sign in Bud Perrin Aug 14, 2019 · 1 min read The film is a unique social comedy based in a small town of Uttar Pradesh directed by Hansal Mehta. It stars Rajkummar Rao and Nushrat Bharucha. It is co-produced by Ajay Devgn, Luv Ranjan and Ankur Garg. Turram Khan is an upcoming Indian Hindi -language social comedy film directed by Hansal Mehta starring Rajkummar Rao and Nushrat Bharucha. [1] It is produced by Ajay Devgn, Luv Ranjan and Ankur Garg. [2] [3] Turram Khan reunites Hansal Mehta and Rajkummar Rao. [4] The film produced by Ajay Devgn FFilms and Luv Films, is set in a small town of Uttar Pradesh. [5] download Turram Khan (2019) India Written by Bud Perrin Write the first response Discover Medium Welcome to a place where words matter. On Medium, smart voices and original ideas take center stage - with no ads in sight. Watch Make Medium yours Follow all the topics you care about, and we’ll deliver the best stories for you to your homepage and inbox. Explore Become a member Get unlimited access to the best stories on Medium — and support writers while you’re at it. Just $5/month. Upgrade About Help Legal.
Already recognised as one of India’s best known theatre personalities and India’s youngest Padma awardee in theatre, playwright-director-actor Mohammad Ali Baig has received multiple national and global honours and awards. This time, beginning August first week, his well-known play, “Quli: Dilon ka Shahzaada”, as well as his new production “1857: Turrebaz Khan” have both been invited to the Edinburgh Fringe Festival 2016. While “Quli” has already seen several productions across the world, “Turrebaz Khan” will be premiering at the Edinburgh Fringe Festival, before travelling to London and then returning to Hyderabad.
Excerpts from an interview:
Tell us about your new play, “1857: Turrebaz Khan”, and its central character?
Turrebaz Khan was a heroic figure in Deccan history, known for his valour and courage. There is a slang in Hyderabad folklore, a positive one — “Turram Khan”. When you call someone that, you are calling him heroic. That comes from Turrebaz Khan’s name. He was a revolutionary figure freedom fighter, who revolted against the ruling design of the 4th Nizam of Hyderabad and the British. He attacked the British residency, which now houses the women’s college in Koti in Hyderabad, to free his comrade who was detained on charges of treachery without a fair trial by the British. He was caught and detained, but even the jail he was put in couldn’t hold him. After a year, he escaped, and then was caught in the forest of an area called Toopran, near Hyderabad. The man who caught him, Qurban Ali Baig, was the talukdar there. Turrebaz Khan was kept in captivity, then shot, and then his body was hanged in the centre of the city to prevent further rebellion. That is his story.
When you read about 1857, places like Delhi, Meerut, Lucknow, Jhansi and Mysore, all of them are mentioned, but Hyderabad isn’t. This is because the Nizams were allies of the British, and there was no reason to fight. But with Turrebaz Khan, there came a brief period when Hyderabad joined the struggle, the uprising.
Does the play follow Turrebaz Khan’s life?
No, the structure of the play is very interesting actually. It follows the last one hour of his life in captivity, and that one hour is also the duration of the play. It shows the difference between the man who has been captured, and his captor, Ali Baig. They are both sons of the same soil, are of the same colour, but they stand on opposite sides. Ali Baig has allied with the British. He is a man who is privileged in more ways than one, and he has no problem with who his allies are — Indians, British, French. His life is about his own family and prosperity. From his point of view, Turrebaz is “naïve”, and immature. For Turrebaz, Ali Baig has a self-serving agenda.
How does the play deal with this clear difference between the two men?
There are two people, one placating the system, another one going against it in the name of his motherland. Neither one is shown as the villain. Both are victims of their situation.
The play is about discrimination and about oppression, two issues that are relevant anywhere in the world. It can be discrimination of blacks and whites, of haves and have nots, east and west. The play brings both sides of the story out by bringing out both characters. There is very interesting wordplay between the two, philosophical debates which explore different sides of the story. At one point, Ali Baig says to Turrebaz that you talk about leaving your home to fight for your motherland, but what about your own mother at home? What about your aging father, who needs you? Before you, there have been so many others who tried to revolt against the British empire, and look what happened to them.
To this, Turrebaz replies that his motherland is more important to him than his mother; that if he is killed, the world will remember him. No one will remember Qurban Ali Baig.
There are many such debates and wordplay between the two characters and the play is an intense drama. I’ve used live percussion— marfa, dhol, etc. — to complement the dialogues.
The research must have been challenging. Do you supplement it with a lot of fiction?
A lot of research went into this play. It is definitely a challenge, because you can’t fictionalise plays like these too much. You have to pay due respect and maintain sanctity, when you portray these historical figures, since there is no one around to correct the errors. Forget political correctness, you have a responsibility of not putting them in a light that is not morally and ethically right. You can’t sit in judgement. For this play, we have picked the aspects of the story that are relevant to today’s global scenario, since it has to make sense to lot of audience everywhere.
My wife, Noor, who is also my co-playwright, has done most of the research, and a lot of it is also based on research by authorities who have written on Turrebaz.
You spoke about the need to make your play’s relevance to audience across the world. Tell us about the responses you get from these audience? How do you see them connecting to your work?
If you take “Quli”, which is the legendary love story on which Hyderabad is supposed to be founded, or “Spaces”, which is about the thought of sticking to your home and heritage, and about traditionalism versus modernism; both could be about people and lives anywhere in the world. We don’t stick to judgement; we don’t say who is right and who is wrong. Our purpose is to bring out an issue, and let the audience decide their own views.
I’ve taken these plays to English, Turkish, Romanian, Bosnian, Iranian, American audiences, to name a few. “Spaces” moves them to tears; many of them come backstage to me and tell me that this is their story. “Quli” too, sees the audience connecting to it. When they are moved, it moves me as a playwright; it shows me that the kind of theatre I believe in is working, that despite the barrier of language and context, people can connect with these plays. I hope that “1857: Turrebaz Khan” will do that same.
Your productions, held in forts and ruins, are known for usually being larger than life. How difficult is it to travel with these productions?
The earlier plays that I mounted were really huge and I was stuck with own vision of them, so we couldn’t travel. But since the last few plays, like “Spaces”, “Quli” and now “Turrebaz”, I’m still mounting them on a big scale, but I’ve tried to make them production sensible. I keep the portability in mind, so that now we are travelling light, but the end result is still grand. Of course, adapting a play I stage in forts and ruins to a festival setting is difficult, but so far, we have managed to do it successfully.
She fights alone against Bollywood, she fights alone against nepotism, she fights alone against so called Liberals, She is not only an actress but a responsible public figure, She is the daughter that every parents want. let's support Kangana by watching her movie and making it a big hit 😍.
Script also wrongly delivered to akshay Instead of aaushman Just joking 😂😂.
Kangana is a real queen, not showpiece. Best of luck.
In this poster, we can see the actor sleeping in a red tracksuit by using a football as his pillow. He is surrounded by a group of school students and the female lead Nushrat.
Once legend said: emergency ka time tha sarkar logo ke land kaat ke le jaarelii thi. 😂😂😂😂😂 Artist: Ganesh Gaitonde.
Why akshay is playing old character, y he is ruining his image
Athiya surprised me😃.
Khan academy.
Kisko kisko lgta hai movie flop ho jaayegi. gareebYT.
I'm not a DC fan, but this trailer looks fantastic! Looking forward to seeing this.
She has improved her acting skills. that's good
Khanacademy.
After effect of emergency.
Superhit.
Hahaha this looks like my story lol
That's is truly right, weather it's your husband or anyone else he has not right to play with your self esteem, and a thapaad it's a big things.
I just say a picture of Gal in a magazine and this song started playing in my head... this trailer works too well.
Superhit Ajay sir.
Reallty about Black Coffee 2:16 Lol.
Klan 1.7.
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Welcome back audience. Come on Hit the LIKE BUTTON FOR RAJKUMAR RAO. ITS. YOUR TURN.
The evil lady is the one from Memoirs of Geisha! Still looks badass.
Taapsee : Women Issue Aayushman : Men's Issue Akshay : Social Issue Salman : No Issue 😎.
Tbh surprised by Athiya's amazing acting in Motichoor Chaknachoor! Wonderful coordination with the legend Nawazuddin ♥️👏.
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0:38 Johnny sins be like : that's my boy 😂😂😂.
Hats off to the deep thought and observation behind this story.
Info: Jai Hind