2002年公開のアメリカ映画。ボブ・フォッシーによるトニー賞受賞作『シカゴ』を映像化した作品、アカデミー賞を受賞した映画版『シカゴ』はロブ・マーシャル監督●レニー・ゼルウィガー（ロキシー・ハート）●キャサリン・ゼタ＝ジョーンズ（ヴェルマ・ケリー）●リチャード・ギア（ビリー・フリン）
All That Jazz//アンド・オール・ザット・ジャズ
(ANNOUNCER)
5, 6, 7, 8!
(VELMA)Come on babe Why don't we paint the town?
And all that Jazz
I'm gonna rouge my knees And roll my stockings down
And all that jazz
Start the car I know a whoopee spot
Where the gin is cold But the piano's hot
It's just a noisy hall Where there's a nightly brawl
And all That Jazz
(COMPANY)Skidoo!
(VELMA)And all that Jazz
(COMPANY)Hotcha! Whoopee!
(VELMA)And all that Jazz
(COMPANY)Ha! Ha! Ha!
(VELMA)So lick your hair And wear your buckle shoes
And all that Jazz
I hear that Father Dip Is gonna blow the blues
And all that Jazz
Hold on, hon We're gonna bunny hug
I bought some aspirin Down at United Drug
In case you shake apart And want a brand new start
To do that-
(ROXIE)
J---a----z---z---
(VELMA)Find a flask We're playing fast and loose
(ALL)And all that jazz
(VELMA)Right up here Is where I store the juice
(ALL)And all that jazz
(VELMA)Come on, babe We're gonna brush the sky
I bet you luck Lindy Never flew so high
'Cause in the stratosphere How could he lend an ear
to all that Jazz?
(VELMA)Oh, you're gonna see your sheba shimmy shake
(COMPANY)And all that jazz
(VELMA)Oh, she's gonna shimmy 'till her garters break
(COMPANY)And all that jazz
(VELMA)Show her where to park her girdle Oh, her mother's blood'd curdle
(COMPANY)If she'd hear her baby's queer
For all that jazz
(VELMA)And all that jazz And all that jazz
Come on babe Why don't we paint
The town?And all that jazz
I'm gonna Rouge my knees
And roll my Stockings down
And all that jazz
Start the car I know a whoopee spot
Where the gin is cold But the piano's hot
It's just a noisy hall Where there's a nightly brawl
And all that-
(COMPANY)jazz
(VELMA)No, I'm no one's wife But, Oh, I love my life
And all that Jazz!
(COMPANY)That Jazz!
Funny Honey//ファニー・ハニー
For her first number, Miss Roxie Hart would like to sing a song
of love and devotion dedicated to her dear husband Amos.
[roxie]Sometime's I'm right Sometime's I'm wrong
But he doesn't care He'll string along
He loves me so That funny honey of mine
Sometime's I'm down Sometime's I'm up
But he follows 'round Like some droopy-eyed pup
He love me so That sunny honey of mine
He ain't no sheik That's no great physique
Lord knows, he ain't got the smarts
Oh, but look at that soul I tell you, the whole
Is a whole lot greater than The sum of his parts
And if you knew him like me I know you'd agree
What if the world Slandered my name?
Why, he'd be right there Taking the blame
He loves me so And it all suits me fine
That funny, sunny, honey Hubby of mine
[amos (spoken)]A man's got a right to protect his home And his loved ones, right?
[fogarty (spoken)]Of course, he has.
[amos (spoken)]Well, I came in from the garage, officer, and i See him coming through the window. with my Wife roxanne there, sleepin'...like an angel...
[roxie]He loves me so That funny honey of mine
[amos (spoken)]...an angel!
[amos (spoken)]I mean supposin', just supposin', he had violated
Her or somethin'...you know what I mean...Viloated?
[fogarty (spoken)]I know what you mean...
[amos (spoken)]...or somethin'. think how terrible that would have been.
It's a good thing I came home from work on time, I'm tellin' ya that! I say I'm tellin' ya that!
[roxie]He loves me so That funny honey of mine
[fogarty (spoken)]Name of deceased... fred casely.
[amos (spoken)]Fred casely. how could he be a burglar? My wife knows him! he sold us our furniture!
[roxie]Lord knows he ain't got the smarts
[amos (spoken)]She lied to me. she told me he was a burglar!
[fogarty (spoken)]You mean he was dead when you got home?
[amos (spoken)]She had him covered with a sheet and she's givin'Me that cock and bull story abou this burglar, and I ought to say that I did it 'cause I was sure to get off.
Burglar, huh!
[roxie]Now, he shot off his trap I can't stand that sap
Look at him go Rattin' on me
With just one more brain What a half-wit he'd be
If they string me up I'll know who Brought the twine
[amos (spoken)]And I believed her!That cheap little tramp.
So, she's two-timing me, huh?Well I'm through for protecting her now,
she can swing for all I care.Boy, I'm down at the garage,
Working my butt off fourteen hours a day and she's up mucnhin' on bon bons
and tramping around like some goddamn floozy.Thought you could pull a war by
I wasn't born yet I tell you there's something a man just can't take
This time she pushed me too far.That little chiseler.Boy, what a sap I was!
That scummy, crummy
Dummy hubby of mine!
When You're Good To Mama//ホウェン・ユーアー・グッド・トゥ・ママ
And now, ladies and gentlemen The Keeper of the Keys
The Countess of the Clink The Mistress of Murderers' Row
Matron Mama Morton!!!!
Ask any of the chickies in my pen
They’ll tell you I’m the biggest mother hen
I love them all, and all of them love me
Because the system works: the system called reciprocity
Got a little motto, always sees me through
When you’re good to Mama, Mama’s good to you
There’s a lot of favors I’m prepared to do
You do one for Mama, she’ll do one for you
They say that life is tit for tat, and that’s the way I live
So I deserve a lot of tat for what I’ve got to give
Don’t you know that this hand washes that one, too?
When you’re good to Mama, Mama’s good to you!
If you want my gravy, pepper my ragout
Spice it up for Mama: she’ll get hot for you
When they pass that basket, folks contribute to
You put in for Mama, she’ll put out for you
The folks atop the ladder are the ones the world adores
So boost me up my ladder, kid, and I’ll boost you up yours
Let’s all stroke together, like the Princeton crew
When you’re strokin’ Mama, Mama’s stroking you!
So what’s the one conclusion I can bring this number to?
When you’re good to Mama, Mama’s good to you!
Cell Block Tango//セル・ブロック・タンゴ
(Liz) Pop!
(Annie) Six!
(June) Squish!
(Hunyak) Uh-uh
(Velma) Cicero
(Mona) Lipschitz!
And now The six merry murderesses of the Cook County Jail
In their rendition of The cell block tango
(Liz) Pop!
(Annie) Six!
(June) Squish!
(Hunyak) Uh-uh
(Velma) Cicero
(Mona) Lipschitz!
(Liz) Pop!
(Annie) Six
(June) Squish
(Hunyak) Uh-uh
(Velma) Cicero
(Mona) Lipschitz!
(Liz) Pop!
(Annie) Six
(June) Squish
(Hunyak) Uh-uh
(Velma) Cicero
(Mona) Lipschitz!
(Liz) Pop!
(Annie) Six
(June) Squish
(Hunyak) Uh-uh
(Velma) Cicero
(Mona) Lipschitz!
(Liz) Pop!
(Annie) Six
(June) Squish
(Hunyak) Uh-uh
(Velma) Cicero
(Mona) Lipschitz!
(all)
He had it coming He had it coming He only had himself to blame
If you'd have been there If you'd have seen it
(Velma) I betcha you would have done the same!!!
(Liz) Pop!
(Annie) Six
(June) Squish
(Hunyak) Uh-uh
(Velma) Cicero
(Mona) Lipschitz!
(Liz)
You know how people have these little habits that get you down?
Like Bernie. Bernie liked to chew gum.
No, not chew: pop!
So I came home this one day and I am really irritated And I'm looking for a bit of sympathy And there's Bernie, lyin' on the couch Drinkin' a beer and chewin'
No, not chewin': poppin'!
So, I said to him,I said, "You pop that gum one more time...."
And he did.
So I took the shotgun off the wall And I fired two warning shots
...in-to his head.
(all)
He had it coming He had it coming He only had himself to blame
If you'd have been there If you'd have heard it
I betcha you would have done the same
(He had it coming)(He had it coming)
(Annie)
I met Ezekiel Young from Salt Lake City about two years ago
And he told me he was single And we hit it off right away.
So, we started living together.
He'd go to work, he'd come home, I'd fix him a drink, we'd have dinner.
And then I found out,"Single" he told me?
Single, my ass.
Not only was he married, oh no He had six wives; one of those Mormons, you know.
So that night, when he came home, I fixed him his drink as usual.
You know, some guys just can't hold their arsenic.
(all)
He had it coming (Pop, six, squish) He had it coming (uh-uh, Cicero, Lipschitz)
He took a flower in its prime (Pop, six, squish)
And then he used it, and he abused it (uh-uh, Cicero, Lipschitz)
It was a murder but not a crime! (Pop, six, squish)(uh-uh, Cicero, Lipschitz)
(June))
Now, I'm standing in the kitchen, carvin' up the chicken for dinner,
Minding my own business,And in storms my husband Wilbur in a jealous rage.
"You been screwin' the milkman," he says.
He was crazy and he kept screamin',
"You been screwin' the milkman."
And then he ran into my knife.He ran into my knife ten times
(all)
If you'd have been there If you'd have seen it I betcha you would have done the same!
(Hunyak)
Mit keresek, én itt? Azt mondják, hogy a híres lakem lefogta a férjemet én meg
Lecsaptam a fejét. De nem igaz, én ártatlan vagyok.
Nem tudom miért mondja Uncle Sam hogy én tettem. Probáltam a rendõrségen megmagyarázni de nem értették meg.
(Roxie) Yeah, but did you do it?
(Hunyak) Uh-uh, not guilty!
(all)
He had it coming...He had it coming...
(Velma)
My sister, Veronica and I had this double act
And my husband, Charlie, traveled around with us.
Now, for the last number in our act We did 20 acrobatic tricks in a row
One, two, three, four, five, splits, spread eagles,
Back flips, flip flops, one right after the other.So this one night we were in the hotel Cicero,
The three of us, boozin', havin' a few laughs And we run out of ice, so I go out to get some.I come back, open the door And there's Veronica and Charlie
Doing Number 17: the spread eagle
Well, I was in such a state of shock I completely blacked out, I can't remember a thing.
It wasn't until later, When I was washing the blood off my hands I even knew they were dead.
They had it coming (they had it coming) They had it coming (they had it coming)
They had it coming all along (they had it coming all along)
I didn't do it (she didn't do it) But if I'd done it (but if she'd done it)
How could you tell me that I was wrong?
They had it coming (they had it coming) They had it coming (they had it coming)
They had it coming all along (they took a flower in its prime)
I didn't do it (and then they used it) But if I'd done it (and they abused it)
How could you tell me (it was a murder) That I was wrong? (but not a crime)
(Mona)I loved Alvin Lipschitz more than I can possibly say He was a real artistic guy
Sensitive, a painter But he was always trying to find himself
He'd go out every night looking for himself And on the way he found Ruth
Gladys Rosemary And Irving
I guess you can say we broke up because of artistic differences
He saw himself as alive And I saw him dead
(all)The dirty bum (bum, bum, bum, bum) The dirty bum (bum, bum, bum, bum)
(all)They had it comin' (They had it comin') They had it comin' (They had it comin')
They had it comin' (They had it comin') All along (all along)
'Cause if they used us ('Cause if they used us)
And they abused us (And they abused us)
How could you tell us (How could you tell us)
That we were wrong? (That we were wrong?)
He had it coming He had it coming He only had himself to blame.
If you'd have been there If you'd have seen it I betcha you would have done the same!
(Liz) You pop that gum one more time!
(Annie) Single my ass.
(June) Ten times!
(Hunyak) Miert csukott Uncle Sam bortonbe.
(Velma) Number 17: the spread eagle.
(Mona) Artistic differences.
(Liz) Pop!
(Annie) Six
(June) Squish
(Hunyak) Uh-uh
(Velma) Cicero
(Mona) Lipschitz!
All I Care About//オール・アイ・ケア・アバウト
[Girls]We want Billy Where is Billy? Give us Billy We want Billy B-I-double-L-Y.
We're all his He's our kind of a guy
And ooh what luck 'Cause here he is...
[Announcer]Ladies and gentlemen Presenting the silver-tongue,The prince of the courtroom The one, the only Billy Flynn
[Billy]I don't care about expensive things Cashmere coats, or diamond rings
Don't mean a thing All I care about is love
[girls]That's what he's here for
[Billy]That's what I'm here for
I don't care for wearin' silk cravats Ruby studs, satin spats
Don't mean a thing All I care about is love
[girls]All he cares about is love
[Billy]Give me two Eyes of blue
Softly saying, "I need you"Let me see her standin' there
And honest, mister, I'm a millionaire
I don't care for any fine attire Vanderbilt might admire
No, no, not me All I care about is love...
[girls]All he cares about is love
That's what he's here for All he cares about is love
[Billy]Show me long raven hair Flowin' down, about to there
Let me see Her runnin' free Keep your money, that's enough for me
I don't care for drivin' Packard cars Or smoking long buck cigars
No, no, not me All I care about is Doin' the guy in Who's pickin, on you
Twistin' the wrist That's turnin' the screw All I care about is love!
[girls]All he cares about is love!
We Both Reached For The Gun//ウィ・ボース・リーチト・フォー・ザ・ガン
Mr. Billy Flynn in the press conference rag Notice how his mouth never moves, almost
[REPORTERS]Where'd you come from?
[BILLY (as Roxie)]Mississippi
[REPORTERS]And your parents?
[BILLY (as Roxie)]Very wealthy.
[REPORTERS]Where are they now?
[BILLY (as Roxie)]Six feet under.
[BILLY]But she was granted one more start
[BILLY (as Roxie)]The Convent of The Sacred Heart!
[REPORTERS]When'd you get here?
[BILLY (as Roxie)]1920
[REPORTERS]How old were you?
[BILLY (as Roxie)]Don't remember
[REPORTERS]Then what happened?
[BILLY (as Roxie)]I met Amos And he stole my heart away
Convinced me to elope one day
[MARY SUNSHINE (spoken)]Oh you poor dear, I can't believe what you've been through
A convent girl! A run-away marriage!Now tell us, Roxie.
[REPORTERS]Who's Fred Casely?
[BILLY (as Roxie)]My ex-boyfriend.
[REPORTERS]Why'd you shoot him?
[BILLY (as Roxie)]I was leavin'.
[REPORTERS]Was he angry?
[BILLY (as Roxie)]Like a madman Still I said, "Fred, move along."
[BILLY]She knew that she was doin' wrong.
[REPORTERS]Then describe it.
[BILLY (as Roxie)]He came toward me.
[REPORTERS]With a pistol?
[BILLY (as Roxie)]From my bureau.
[REPORTERS]Did you fight him?
[BILLY (as Roxie)]Like a tiger.
[BILLY]He had strength and she had none.
[BILLY (as Roxie)]And yet we both reached for the gun
Oh yes, oh yes, oh yes we both Oh yes we both Oh yes, we both reached for
The gun, the gun, the gun, the gun Oh yes, we both reached for the gun For the gun.
[BILLY AND REPORTERS]
Oh yes, oh yes, oh yes they both Oh yes, they both Oh yes, they both reached for
The gun, the gun, the gun, the gun,Oh yes, they both reached for the gun for the gun.
[BILLY]Understandable. understandable Yes, it's perfectly understandable
Comprehensible. Comprehensible Not a bit reprehensible It's so defensible!
[REPORTERS]How're you feeling?
[BILLY (as Roxie)]Very frightened
[REPORTERS]Are you sorry?
[ROXIE]Are you kidding?
[REPORTERS]What's your statement?
[BILLY (as Roxie)]All I'd say is Though my choo-choo jumped the track
I'd give my life to bring him back
[REPORTERS]And?
[BILLY (as Roxie)]Stay away from
[REPORTERS]What?
[BILLY (as Roxie)]Jazz and liquor
[REPORTERS]And?
[BILLY (as Roxie)]And the men who
[REPORTERS]What?
[BILLY (as Roxie)]Play for fun
[REPORTERS]And what?
[BILLY (as Roxie)]That's the thought that
[REPORTERS]Yeah
[BILLY (as Roxie)]Came upon me
[REPORTERS]When?
[BILLY (as Roxie)]When we both reached for the gun!
[MARY SUNSHINE]Understandable, understandable
[BILLY AND MARY SUNSHINE]Yes, it's perfectly understandable
Comprehensible, comprehensible Not a bit reprehensible It's so defensible!
[REPORTERS]Oh yes, oh yes, oh yes, they both Oh yes, they both Oh yes, they both reached for The gun, the gun, the gun,
[BILLY (spoken)]Let me Hear it!
[REPORTERS]The gun Oh yes, they both reached For the gun For the gun.
[BILLY (spoken)]A little louder!
[REPORTERS]Oh yes, oh yes, oh yes, they both Oh yes, they both Oh yes, they both reached For the gun, the gun
[BILLY (spoken)]Now you got it!
[REPORTERS]The gun, the gun Oh yes. They both reached
For the gun For the gun.
[BILLY AND REPORTERS]Oh yes, oh yes, oh yes, they both Oh yes, they both
Oh yes, they both reached for The gun, the gun, the gun,the gun
Oh yes, they both reached for the gun.
Oh yes, oh yes, oh yes, they both Oh yes, they both Oh yes, reached for
The gun, the gun, the gun,the gun The gun, the gun, the gun,the gun
The gun, the gun, the gun,the gun The gun, the gun, the gun,the gun.
[BILLY]Both reached for the... gu-----------------n
[REPORTERS]
The gun, the gun, the gun, the gun The gun, the gun, the gun, the gun
The gun, the gun, the gun, the gun The gun, the gun, the gun, the gun
Both reached for the gun!
Roxie//ロキシー
[roxie]The name on everybody's lips Is gonna be roxie
The lady rakin' in the chips Is gonna be roxie
I'm gonna be a celebrity That means somebody eveyone knows
They're gonna recognize my eyes My hair, my teeth, my boobs, my nose
From just some dumb mechanic's wife I'm gonna be roxie
Who says that murders not an art?
And who in case she doesn't hang Can say she started with a bang?
Foxy roxie hart!
[roxie (spoken)]
You wanna know something? I always wanted to be in Vaudeville. and now that I'm a celebrity, i'm Gonna have me a swell act, too. yeah, I'll get a boy
To work with- someone who can lift me up, show me off-
Oh hell, I'll get two boys. it'll frame me better.Think "big", roxie, think "big."
I'm gonna get a whole bunch of boys.
The name on everybody's lips Is gonna be
[boys]Roxie
[roxie]The lady rakin' in the chips is gonna be
[boys]Roxie. she's gonna be a celebrity
[roxie]That means somebody everyone knows
[boys]They're gonna recognize her eyes Her hair. her teeth...
[roxie] ...my boobs, my nose
From just some dumb mechanic's wife I'm gonna be
Sing it!
[boys]Roxie
[roxie]Who says that murder's not an art?
[boys]And who in case she doesn't hang
[roxie]Can say she started With a bang?
[roxie and boys]Foxy roxie hart
[boys]They're gonna wait outside in line To get to see roxie
[roxie]Think of those autographs I'll sign"good luck to you, roxie"
And I'll appear in lavaliereThat goes all the way down to my waist
[boys]Here a ring, there a ring Everywhere a ring a ling
[roxie]But always in the best of taste Oooh I'm a star.
[boys]And the audience loves her.
[roxie (spoken)]And I love the audience. and the audience loves me
For loving them. and I love them for lving me. and We jus tlove each other. that's because none of us Got any love in our childhood.
[boys (spoken)]That's right.
[roxie (spoken)]And that's show biz, kid.
[boys]Oh yeah.She's giving up here humdrum life
[roxie]I'm gonna be
[boys]Roxie.She made a scandal and a start.
[roxie]And sophie tucker will shit, I know To see her name get billed below
[all]Foxy roxie hart!
[boys]Chuh, chuh, chuh, etc...
[roxie (spoken)]Those are my boys.
I Can't Do It Alone//アイ・キャント・ドゥ・イット・アローン
Ladies and gentleman Miss Velma Kelly in an act of desperation
(Velma)
My sister and I had an act that couldn't flop,
My sister and I were headed straight for the top,
My sister and earned a 'thou' a week at least, oh yea
But my sister is now unfortunately deceased,
I know its sad of course But a fact is still a fact
And now all that remains is the remains,Of a perfect... double... act
Watch this!Now you have to imagine it with two people,Its swell with two people,
First I'd, Then she'd Then we'd
But I can't do it alone
Then she'd Then I'd Then we'd
But I can't do it alone
She'd say what's your sister like I'd say men,
She'd say you're the cats meow Then we'd wow the crowd again
When she'd go I'd go We'd go
Then those ding dong daddies started to roar Whistled, stomped, stamped on the floor,
Yelling, screaming, begging for more, And we'd say
Ok fellas, keep your socks on, Cause you ain't seen nothing yet
But I simply cannot do it alone
So what'd ya think huh?Come on you can say
(Roxie blows a raspberry)
(Velma)I know you're right the first part is shit
But the second part, the second part is really nifty,
(takes a deep breath) OK
She'd go I'd go We'd
Then those two-bit johnny's did it around
To cheer the best attraction in town They nearly tore the balcony down,
And we'd say: OK boys we're going home,But before we go here's a few more partin' shots,And this, this we did in perfect unison
Now you see me going through it You make think there's nothing to it
But I simply cannot do it... alone
Mister Cellophane//ミスター・セロファン
If someone stood up in a crowd And raised his voice up way out loud
And waved his arm And shook his leg You'd notice him
If someone in a movie show Yelled "fire in the second row,
This whole place is a powder keg!" You'd notice him
And even without clucking like a hen Everyone gets noticed, now and then,
Unless, of course, that personage should be Invisible, inconsequential me
Cellophane Mister Cellophane
Should have been my name Mister Cellophane
Cause you can look right through me Walk right by me And never know I'm there
I tell ya Cellophane Mister Cellophane
Should have been my name Mister Cellophane
Cause you can look right through me Walk right by me And never know I'm there
Suppose you was a little cat Residin' in a person's flat
Who fed you fish and scratched your ears You'd notice him
Suppose you was a woman wed
And sleepin' in a double bed beside one man for seven years You'd notice him
A human being's made of more than air With all that bulk, you're bound to see him there
Unless that human bein' next to you
Is unimpressive, undistinquished You know who
Should have been my name Mister Cellophane
Cause you can look right through me Walk right by me And never know I"m there
I tell ya Cellophane Mister Cellophane
Should have been my name Mister Cellophane
Cause you can look right through me Walk right by me And never know I'm there
Never even know
I'm there
Razzle Dazzle//ラズル・ダズル
(singing)Give 'em the old razzle dazzle Razzle dazzle 'em
Give 'em an act with lots of flash in it And the reaction will be passionate
Give 'em the old hocus pocus Bead and feather 'em
How can they see with sequins in their eyes?
What if your hinges all are rusting? What if, in fact, you're just disgusting?
Razzle dazzle 'em And they'll never catch wise!
Give 'em the old
（Billy and Company） Razzle dazzle Razzle dazzle 'em
Give 'em a show that's so splendiferous
（Billy） Row after row will crow vociferous
（Billy and Company） Give 'em the old flim flam flummox Fool and fracture 'em
（Billy） How can they hear the truth above the roar?
（Billy and Company）
Throw 'em a fake and a finagle They'll never know you're just a bagel,
（Billy） Razzle dazzle 'em And they'll beg you for more!
（Billy and Company）
Give 'em the old double whammy Daze and dizzy 'em
Back since the days of old Methuselah Everyone loves the big bambooz-a-ler
Give 'em the old three ring circus
Stun and stagger 'em When you're in trouble, go into your dance
Though you are stiffer than a girder They let you get away with murder
Razzle dazzle 'em And you've got a romance
（Billy and Company） Give 'em the old Razzle dazzle
（Billy）Razzle dazzle 'em Show 'em the first rate sorcerer you are
（Billy and Company）
Long as you keep 'em way off balance How can they spot you got no talents?
（Billy）Razzle dazzle 'em
（Company）Razzle dazzle 'em
（Billy）Razzle dazzle 'em
（Billy and Company）And they'll make you a star!
Class//クラス
VELMA
Whatever happened to fair dealing?
And pure ethics And nice manners?
Why is it everyone now is a pain in the ass? Whatever happened to class?
MATRON
Class.
Whatever happened to, "Please, may I?"
And, "Yes, thank you?" And, "How charming?"
Now, every son of a bitch is a snake in the grass Whatever happened to class?
VELMA AND MATRON
Class!
Ah, there ain't no gentlemen To open up the doors
There ain't no ladies now,There's only pigs and whores
And even kids'll knock ya down So's they can pass Nobody's got no class!
VELMA Whatever happened to old values?
MATRON And fine morals?
VELMA And good breeding?
MATRON Now, no one even says "oops" when they're
Passing their gas Whatevcer happened to class?
VELMA Class
VELMA AND MATRON
Ah, there ain't no gentlemen That's fit for any use
And any girl'd touch your privates For a deuce
MATRON And even kids'll kick your shins and give you sass
VELMA And even kids'll kick your shins and give you sass
VELMA AND MATRON Nobody's got no class!
VELMA
All you read about today is rape and theft
MATRON Jesus Christ, ain't there no decency left?
VELMA AND MATRON Nobody's got no class!
MATRON Every guy is a snut
VELMA Every girl is a twat
MATRON Holy shit
VELMA Holy shit
MATRON What a shame
VELMA What a shame
VELMA AND MATRON What became of class?
Nowadays (Roxie)//ナウアデイズ (ロキシー)
Ladies and gentlemen,Ms. Roxie Hart says goodbye
ROXIE It's good, isn't it?Grand, isn't it?Great, isn't it?Swell, isn't it?Fun, isn't it?
Nowadays
There's men, everywhere Jazz, everywhere Booze, everywhere
Life, everywhere Joy, everywhere
Nowadays
You can like the life you're livin' You can live the life you like
You can even marry Harry But mess around with Ike
And that's
Good, isn't it?Grand, isn't it?Great, isn't it?Swell, isn't it?Fun, isn't it
But nothing stays
You can like the life you're livin'You can live the life you like
You can even marry Harry But mess around with Ike
And that's
Good, isn't it?Grand, isn't it?Great, isn't it?Swell, isn't it?
(That's great, we'll be in touch)
Nowadays/Hot Honey Rag//ナウアデイズ|ホット・ハニー・ラグ
Ladies and Gentlemen, the Chicago Theater is proud to announce a first.
The first time, anywhere there's been an act of this nature.Not only one little lady, but two!You've read about them in the papers and now here they are!
Chicago's own killer dillers those scintillating sinners
Roxie Hart and Velma Kelly!
Roxie and Velma:
You can like the life you're living You can live the life you like You can even marry Harry
But mess around with Ike
And that's
Good, isn't it?Grand, isn't it?Great, isn't it?Swell, isn't it?Fun, isn't it?
But nothing stays
In fifty years or so It's gonna change, you know But, oh, it's heaven
Nowadays
ANNOUNCER
Okay, you babes of jazz. Let's pick up the pace.
Let's make the parties longer.Let's make the skirts shorter.
Let's all go to hell in a fast car and KEEP IT HOT!
Roxie and Velma:
And all that Jazz!
I Move On//アイ・ムーヴ・オン
Velma:
While truckin down the road of life Although all hope seems gone
I just move on
Roxie:
When I can't find a single star To hang my wish upon
I just move on I move on
Velma:
I run so fast A shot gun blast Can hurt me not one bit
Roxie:
I'm on my toes Cause heaven knows A moving target's hard to hit
Both:
So as we play An ex-ballet
We're not the dying swan We just move on We move on
Roxie:
Just when it seems We're out of dreams And things have got us down
Velma:
We don't despair We don't go there We hang our bonnets out of town
Both:
So there's no doubt We're well cut out To run life's marathon
We just move on We just move on
So light of foot
We can't stay put We just move on Yes, we move on