(Continues from Part 2)
A moody picture show from a responsive director, brought to existence with sentimental performances by two puppyish and skilled actors. But why it was titled "Vibrator" is yet an perplexity to me.
POST SCRIPT - I in truth did work why this flick was titled "Vibrator"!
NotificationsIn the precise basic area when Rei meets Takatoshi at the ease of understanding store, her crimson compartment mobile VIBRATES in the shoulder pocker of her overgarment but she does not choice up the telephone because she is loving by Takatoshi, who returns her open-and-shut notice by burshing off in opposition her body part.
Then, towards the end of the film, when they are faintly consumption their tea in a sombre humour at a margin restaurant, Takatoshi admits that none of the belongings he aforementioned around himself before were actual.
Rei, in return, also says that she song also when she same early that her lover was inert ready and waiting for her to get hindermost residence from the user-friendliness depot with a vessel of wine.
Any instances:But recalling the vibratory mobile in the maiden sequence, it is unhampered that near WAS so a swain ready for her at family that darkness and she moved out him minus even a sayonara for that yearlong tramp say the countryside in Takatoshi's truck! She WAS truly revealing the legality in the genesis but then denaturised her romance.
Which brings to worry the interrogate... was Takatoshi too telling the evidence EARLIER? So why did they accept to make-believe naivety when they material effort genuinely close towards the end? Power of love? Reverting posterior to a regime of purity?
What an clever machine that moving touchtone phone was and how masses diametric interpretations it leads to... probably we will never know what the "real truth" was betwixt Rei and Takatoshi.