Live in togsh-song title:Ouspensky's baby(Zic)

Live in togsh-with Odaka.K(Drum)
2009-2014
song title:Ouspensky's baby
Band:zizek in coma
Lyrics;
Mother got it in her womb.
in crisis morning.
it meets Ouspensky,
with Sai-Furenzok-ron.
Cut about superstring.

The baby who can't cry.
The baby who never cry.
The baby who never cry.

It's son of platonic synergy.
The son's in charge of supersymmetry.
It's Ouspensky's baby.
Ouspensky's baby.
It's Ouspensky's baby.
Ouspensky's baby.


It's son of platonic synergy.
The son's in charge of supersymmetry.
It's Ouspensky's baby.
Ouspensky's baby.
The baby who never cry.
The baby who never cry...

ερξεναναρεΔξισρΔισ

Οι Πινκ Μαρτίνι (αγγλ.: P M) είναι ένα δωδεκαμελές μουσικό συγκρότημα από το Πόρτλαντ του Όρεγκον των ΗΠΑ. Δημιουργήθηκαν το 1994 από τον πιανίστα Τόμας Λάουντερντέιλ. Συνδυάζουν τέτοια διάφορα είδη της μουσικής, όπως: λάτιν, λάουντζ, κλασσική, και τζαζ.

Πίνακας περιεχομένων [Απόκρυψη]
1 Η ιστορία των Πινκ Μαρτίνι
2 Μέλη του συγκροτήματος
2.1 Στις περιοδείες
3 Δισκογραφία
4 Εξωτερικές συνδέσεις
Η ιστορία των Πινκ Μαρτίνι[Επεξεργασία | επεξεργασία κώδικα]
Αρχικά μαζεμένοι στο Πόρτλαντ, οι Πινκ Μαρτίνι έκαναν το ντεμπούτο τους στην Ευρώπη, στο Φεστιβάλ των Καννών. Το 2003, περιόδευσαν σε διάφορες χώρες, όπως σε: Γαλλία, Ισπανία, Πορτογαλία, Βέλγιο, Ελβετία, Μονακό, Ελλάδα, Τουρκία, Ταϊβάν, Λιβάνο και ΗΠΑ, όπου εμφανίζονταν είτε μόνοι τους, είτε συνοδευόμενοι από διάφορες ορχήστρες.

Το πρώτο άλμπουμ των Πίνκ Μαρτίνι, Sympathique (που εκτός των άλλων περιελάμβανε διασκευή του Παιδιά του Πειραιά, και μάλιστα στα ελληνικά), κυκλοφόρησε από την Heinz Records το 1997, πουλώντας πάνω από 1,3 εκατομμύρια αντίγραφα παγκοσμίως.

Τον Οκτώβριο του 2004, κυκλοφόρησαν τη δεύτερη δουλειά τους, Hang on Little Tomato. Το εξώφυλλο του δίσκου έδειχνε έναν άντρα να σηκώνει ψηλά ένα χαρούμενο παιδί μπροστά σε ένα μπλε φόντο. Τη εισιτήρια για τη συναυλία της παρουσίασης του CD τους ξεπουλήθηκαν τόσο γρήγορα, που το συγκρότημα ανήγγειλε μια δεύτερη συναυλία.

Το 2007 κυκλοφόρησαν το τρίτο τους άλμπουμ Hey Eugene!.

Hubert Bognermayr&Chip Orchestra

Hubert Bognermayr (6 April 1948 – 17 March 1999), was an Austrian composer and pioneer of electronic music.
Born in Linz, Bognermayr was one of the founders of the Ars Electronica festival in 1979. He was also founding member of the Austrian rock band Eela Craig, and founder of the Blue Chip Academy.
Starting from 1973 he held many live performances in opera houses and on classical festivals, some even premiered live on TV. At these occasions he often collaborated with well-known orchestras (e.g. Zurich, Vienna Festival, Hamburg State Opera, Salzburg). For Herbert von Karajan he created sound effects for use in opera productions (e.g. electronic bells in Parsifal, Salzburg 1980).[1]
One early noteworthy production was the album 'Missa Universalis' (with Eela Craig, 1978). It was a concept album with complete music and texts for a Christian mass. Composition style was similar to Anton Bruckner, but using elements of modern Rock music and electronic music. It premiered highly acclaimed during the Brucknerfest in Linz.
Together with Harald Zuschrader he composed the work Erdenklang - computerakustische Klangsinfonie (Sound of Earth - computer acoustic sound symphony). It was performed entirely on the Fairlight CMI, and premiered during the Ars Electronica 1982, using five musical computers live on stage, together with a ballet.[2]
The LP featured enthusiastic liner notes by Wendy Carlos, stating:[3]
With the appearance of Erdenklang by Bognermayr and Zuschrader the medium of electronic music has crossed another threshold ... To me it has been a long tedious way for this to happen ... More than a medium is advanced. We might say that the symphony itself has come of age...
In 1984, Mike Oldfield noticed the ongoing success of the Erdenklang album and contacted him to help in sound programming for the Discovery tour.[4]
Blue Chip Orchestra is the project of Austrian-born keyboardist Hubert Bognermayr (active since the 1970s), helped out by guitarist Harald Zuschrader. Bognermayr originally specialized in electronic versions of classics, on Blue Chip Orchestra (Erdenklang, 1988) and Blue Danube (Erdenklang, 1991). Whiter River Red Spirit, reissued as Red Sky Beat (Hearts of Space, 1998), was inspired by Native American music.

Francisco López

Francisco López is an avant-garde experimental musician and sound artist.
He has released a large amount of sound pieces with record labels from more than fifty countries and realized hundreds of concerts and sound installations worldwide; including some of the main international museums, galleries and festivals, such as: P.S.1 Contemporary Art Center (New York City), London Institute of Contemporary Arts, Paris Museum of Modern Art, National Auditorium of Music, Reina Sofia Museum of Modern Art, Barcelona Museum of Contemporary Art, Buenos Aires Museum of Modern Art, International Film Festival Rotterdam, Sónar, Darwin Fringe festival, Kitakyūshū city art museum.
He made a double sonic intervention created for the Spanish Pavilion of the Expo 2008.[1]
In 2006, López won the First Prize for the Sound Art Competition of the Museo de Arte Contemporáneo de Castilla y León.[2] He has received honorable mention of the Prix Ars Electronica on three occasions[3](1999, 2002, 2007) and is the recipient of the Qwartz Award 2010 for best sound anthology.
He is director and curator of the sound archive SONM.[4]

Seven Mary Three

Formation and members[edit]
Seven Mary Three formed in 1992 when Jason Ross and Jason Pollock met while attending The College of William & Mary in Williamsburg, Virginia.[1] Originally an acoustic duo, Ross and Pollock split song-writing duties and performed with Ross singing and Pollock playing guitar. Later, drummer Giti Khalsa and bassist Casey Daniel joined the band, and the foursome played coffeehouses and clubs. Paul Smith of Megaphone contributed guitar tracks to Seven Mary Three's second and third studio albums (Rockcrown, and Orange Ave.), and toured as an additional guitarist with the band in support of both albums.
The present members of the band are Casey Daniel, Jason Ross, Thomas Juliano, and Mike Levesque. Giti Khalsa has stopped touring with the band, but still performs on studio recordings.
Origin of group name[edit]
Jason Pollock revealed in The Cavalier Daily that they came up with the name while watching the 1970s TV series CHiPs. '7 Mary 3' was the call sign for Officer Jon Baker, who was played by actor Larry Wilcox. (7M3: police radio call sign; 7 designates the patrol beat, M for Mary designates that he is a motorcycle unit and 3 is his unit number.) Pollock noted, "There's no great significance or anything. We were just tired of trying to think of a cool name."[2]
Mainstream success[edit]
1994's album Churn, a self-produced independent release garnered the band airplay on an FM rock station in Orlando, Florida for the future hit single "Cumbersome".[3] Given this minor success, the band relocated to the Orlando area where they continued to expand their fan base. This regional success soon caught the attention of major-label scouts. In May 1995, Ross, Pollock, and Khalsa graduated from William & Mary and moved to Florida. The band signed with Mammoth and rerecorded the songs on Churn, plus two new ones, to create the commercially successful American Standard in 1995. Despite criticism of mimicking Pearl Jam and other alternative rock acts, only seven months after its release, American Standard achieved platinum status. This accomplishment can certainly be attributed to the success of "Cumbersome," which was a Top 40 hit, as well as another popular single, "Water's Edge" and "My My".
After touring throughout 1996, the band returned to the studio for a follow up to American Standard. During this time, Mammoth and Atlantic split, forcing Seven Mary Three to sign with Atlantic Records, releasing RockCrown in 1997. The album saw the band deemphasize hard rock, focusing more on acoustic folk rock and a "traditional singer/songwriter" style.[2] Rock Crown did not match fan expectations, reaching No. 75 on the Billboard 200 and failing to match the success of its predecessor.
A second effort under Atlantic, Orange Ave. debuted the following year and charted considerably lower; although, its single "Over Your Shoulder" performed exceptionally. In an interview with Rolling Stone, Giti Khalsa explained the differences between the albums as a result of the band's maturity and position in life:
"We made American Standard when we were fresh out of college, and it represented that time. With Rock Crown, it was very much a response to going from playing bars and fraternities to getting a record deal to selling a million records in a year. And Orange Ave. is a response to the last few years and us being a little further away than at the beginning and being able to look back and go, 'Okay, I get it now.'"[2]
In 1999 guitarist Jason Pollock left the group and was replaced by Thomas Juliano. In the summer of 2001, Seven Mary Three returned to Mammoth Records and producer Tom Morris. The resulting efforts became The Economy of Sound. This fifth studio album includes the single Wait, a catchy track that reached No. 7 on Hot Mainstream Rock Tracks and became among the most well known songs of Seven Mary Three. The track demonstrated Seven Mary Three's evolving style and also served as the lead single from the Crazy/Beautiful film soundtrack.
After The Economy of Sound, the group shifted once again to DRT Entertainment and, in 2004, released Dis/Location. Their sixth studio album, it failed entirely to chart as did its only single. However, four years later, Seven Mary Three proved their resiliency by presenting a seventh album, day&nightdriving, under Bellum Records.
In December 2008, the group re-released their long out-of-print debut album Churn. On February 9, 2010, Seven Mary Three released the live acoustic album Backbooth.
Discography[edit]

Albums[edit]
Title Release date Record label U.S. Billboard 200 peak position
Churn 1994 5 Spot Records -
American Standard September 5, 1995 Mammoth 24
RockCrown June 3, 1997 Atlantic 75
Orange Ave. July 14, 1998 121
The Economy of Sound June 5, 2001 Mammoth 178
Dis/Location May 11, 2004 DRT -
Day & Nightdriving February 19, 2008 Bellum -
Backbooth (live album) February 9, 2010 Settle Up -
[3]
Singles[edit]
Year Song US US Main US Mod CAN Alt Album
1996 "Cumbersome" 39 1 7 8 American Standard
"Water's Edge" 46 7 37 -
"My, My" 62 19 - -
1997 "RockCrown" 99 17 - - RockCrown
"Make Up Your Mind" 104 - - -
"Lucky" 91 35 19 24
1998 "Over Your Shoulder" 82 7 16 - Orange Ave.
"Each Little Mystery" 124 - - -
2001 "Wait" 50 7 21 - The Economy of Sound
"Sleepwalking" 100 39 - -
2004 "Without You Feels" 117 - - - Dis/Location
2008 "Last Kiss" - - - - day&nightdriving
EPs[edit]
B-Sides & Rarities (1997) Seven-cut promo EP issued by Atlantic Recording Corp. and Mammoth Records. PRCD 8339-2
Weed, CA (2002)
Welcome Race Fans (2003)
Compilation and soundtrack contributions[edit]
"Shelf Life" – The Crow: City of Angels (1996 soundtrack)
"Blackwing" – MOM: Music for Our Mother Ocean (1996 Surfrider Foundation benefit album)
"My, My" – Milk It for All It's Worth (1996 compilation)
"My, My" – ESPN Presents X Games Volume 1: Music from the Edge (1996 compilation)
"Blackwing" – Hurricane Streets (1998 soundtrack)
"Lucky" – Pepsi Pop Culture (1998 compilation)
"Lucky" – 101.5 KZON The Zone Collectibles: Volume Six (1998 compilation)
"Wait" – Crazy/Beautiful (2001 soundtrack)
"Cumbersome" – Live in the X Lounge IV (2001 charity album)
"Sleepwalking" – 8 Ways to Rock: A Mammoth Records Thriller (compilation)
"Laughing Out Loud" – Paste Magazine Issue 40 CD Sampler (20