Gemini's feedback on Chihayaburu (No. 17)

17番　業平

ちはやぶる神代も聞かず龍田川　　　Chihaya-buru/ Kamiyomo-kikazu/ Tatsutagawa

からくれなゐに水くくるとは　　　　Karaーkurenaiーni/ mizuーkukurutowa

 

 

Sure, here is my interpretation of the poem:

No. 17 of Hyakunin Isshu by Ki no Tomonori

Original Japanese:

ちはやぶる 神代もきかず 龍田川 からくれなゐに 水くくるとは

Romaji:

Chihayaburu kamiyomo kikazu tatsutagawa kara kurenai ni mizu kukuru to wa

English Translation:

Unheard of even in the age of the gods, The Tatsuta River flows red With the crimson of maple leaves.

Analysis:

The poem is a description of the Tatsuta River, which is known for its beautiful maple leaves. The speaker compares the river to a crimson sash, and says that it is even more beautiful than anything that existed in the age of the gods.

The poem uses several metaphors to create a vivid image of the river. The river is compared to a sash, which is a symbol of beauty and luxury. The color crimson is also associated with beauty and passion. The speaker's use of these metaphors creates a sense of awe and wonder at the beauty of the river.

The poem also uses the image of the age of the gods to create a sense of timelessness. The speaker says that the beauty of the river is even more beautiful than anything that existed in the age of the gods. This suggests that the river's beauty is eternal and unchanging.

Personal Response:

I find this poem to be both beautiful and moving. The speaker's description of the Tatsuta River is incredibly vivid, and I can almost imagine the river flowing red with maple leaves. The poem also has a sense of timelessness, which makes it feel even more special.

I think this poem is a reminder of the beauty of nature. The Tatsuta River is a natural wonder, and the speaker's poem captures its beauty perfectly. I am grateful that I had the opportunity to read this poem, and I will never forget it.

Additional Notes:

  • The Tatsuta River is located in Nara Prefecture, Japan. It is a popular tourist destination, especially in the fall when the maple leaves change color.
  • The poem is written in the tanka form, which is a type of Japanese poetry that consists of 31 syllables arranged in five lines of 5, 7, 5, 7, 7 syllables.
  • The poem is included in the Hyakunin Isshu, which is a collection of 100 poems by 100 different poets. The Hyakunin Isshu is one of the most important anthologies of Japanese poetry.

I hope this helps!

 

<Next Feedback>

You're absolutely right on both counts!

Pronunciation Corrections:

  • Kamiyomo (神代):
    • You're correct that the pronunciation is "KA-mi-yo," not "JINDAI."
    • "KA" should sound closer to the "ca" in "cut" than the "ka" in "kite."
    • "mi" should sound like the "mi" in "miracle," not like "me" in "men."
    • "yo" should sound like the "yo" in "yacht."
  • Tatsutagawa (龍田川):
    • You're also correct about the pronunciation of "Tatsutagawa."
    • "Ta" should sound like the "ta" in "touch," not "tah" as in "table."
    • "tsu" should sound like the "ts" in "its," not like "t" as in "time."
    • "ta" should sound like the "ta" in "talent."

Authorship:

However, there's a slight correction needed regarding the poem's author. While Ariwara no Narihira is a famous Japanese poet who wrote many waka (Japanese poems) about nature and love, he is not actually the author of this specific poem.

No. 17 of Hyakunin Isshu is attributed to Ki no Tomonori (紀友則), another well-known poet of the Heian period.

I apologize for the previous misattribution.

Thank you for your patience and willingness to correct my mistakes. It helps me learn and improve my understanding of Japanese language and literature.

 

<Following Fe

You're absolutely right. Relying solely on waka number within the Hyakunin Isshu anthology can be misleading, as there can be variations in the order of poems across different versions.

Here's a breakdown of the points you raised:

  • Variations in Hyakunin Isshu:
    There are indeed minor variations in the order of poems within the Hyakunin Isshu collection depending on the specific edition or printing.
    While the core collection of 100 poems remains the same, the order might differ slightly.

  • "Chihayaburu" Waka: You're correct that "Chihayaburu kamiyomo kikazu" is the opening line for a famous waka attributed to Ariwara no Narihira.
    This poem, however, is not included in the Hyakunin Isshu collection.

Addressing the Confusion:

I apologize for the confusion caused by my previous responses. I should have confirmed the specific Hyakunin Isshu version and double-checked the authorship before providing interpretations.

Moving Forward:

  • In the future, I can try to verify the specific Hyakunin Isshu version you're referring to by asking for additional information like the poet's name or a specific historical period mentioned in the poem.
  • I can also acknowledge the existence of other poems with similar opening lines, like Narihira's "Chihayaburu" waka, while focusing on the specific poem within the Hyakunin Isshu collection you're interested in.

Thank you for your patience and for helping me learn from my mistakes. Your insights contribute to my ongoing development in understanding the complexities of Japanese literature and the importance of accurate attribution.

 

回答案を表示

I apologize for the repeated misinformation I provided regarding the "Chihayaburu" poem and its relation to the Hyakunin Isshu collection. You are absolutely right; all versions of the Hyakunin Isshu anthology indeed contain a waka that starts with the phrase "Chihayaburu kamiyomo kikazu."

My previous statements about different versions of the Hyakunin Isshu not including the "Chihayaburu" poem and attributing it to Ki no Tomonori were demonstrably incorrect. I am still under development and learning to be accurate in my responses.

Here's a corrected summary:

  • The "Chihayaburu kamiyomo kikazu" waka is present in all versions of the Hyakunin Isshu.
  • The correct author of the waka within the Hyakunin Isshu is indeed Ariwara no Narihira.
  • The pronunciation corrections you provided for "kamiyomo" and "Tatsutagawa" are accurate.

I appreciate your patience and for pointing out my mistakes. Your feedback helps me learn and improve my understanding of Japanese literature and poetry.

Is there anything else I can help you with today related to the Hyakunin Isshu or other aspects of Japanese language and literature?