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“The image looked great on that little flip-up LCD monitor, it’s really a necessity to be able to reconfigure it in any direction these days,” Chamberlain said. “I tried an external aftermarket LCD monitor but discovered it was more hassle than it was worth. I liked how the Canon LCD monitor interacted with camera, and having the controls right on top in case I needed to get into anything quick made sense to me. I was able to confidently determine my exposure from the LCD monitor, and used the zebras to help me know when I was losing highlight information. It was really comfortable to work with.”
In addition to its zebra bar feature, the EOS C300 with battery such as Asus A42-W1 Battery , Asus A42-W3 Battery , Asus ACGACCBATTL8400 Battery , Asus BA-04 Battery , Asus L5800 Battery , Asus L5900 Battery , Asus PST-84000 Battery , Asus S2691061 Battery , Asus S5NBTB1A Battery , Asus S5NBTW1B Battery can also display a waveform monitor, vectorscope, and other displays for adjusting picture quality. Visual focusing aids on the external LCD monitor include two peaking modes, a magnified focus-assist function, and an edge-monitor focus assist.
Another feature of the Canon EOS C300 Chamberlain had special praise for was its Cinema Locked Mode, which enables Canon-Log gamma, a recording format designed to provide the utmost quality for creative post production color-grading processes.
“With the C300’s Cinema Locked Mode it was nice to be able to set it and free my mind from the technical details and still be confident that I was getting as much information as possible for the final color correction,” Chamberlain explained. “As a cinematographer, I don’t want to be bogged down on set with things that are better left for post. I like knowing that the camera is simply capturing as much information as it can about the image, leaving me to concentrate on the creative aspects of lighting, blocking, camera angles, exposure, and storytelling. That’s where your mind needs to be. We were working so fast, I didn’t have the opportunity to look at many of the dailies. With the C300, however, I never had to fret about what some stray camera setting was doing to the image. It gave me the freedom to work creatively with the director, and that kind of freedom is a lot of fun.”
Virgin Produced serves as the film and television development, packaging and production arm of the Virgin Group. Led by co-founders, CEO Jason Felts and CCO Justin Berfield, Virgin Produced is breaking old Hollywood models by providing a collaborative environment that embraces talent so they can best create and inspire. With an equal focus on television and film, Virgin Produced in its inaugural year, gained swift traction on the film front with their multi-year first look deal with Relativity Media, claiming two back to back #1 box-office successes with LIMITLESS and IMMORTALS. Unique only to Virgin Produced, its content is cross-marketed to consumers across the brand’s transportation, mobile, health club, hotel, retail, and social media platforms. Virgin Produced plans to produce 6-8 films over the next two years with upcoming film releases including The Farrelly Bros’ MOVIE 43 and 21 & OVER.