Alexander McQueen
Shoe. autumn / winter 2010-11
Nylon composite painted silver and cream leather embroidered in silver
thread.
" Oyster" Dress ,Irere , spring / summer 2003
Ivory silk
" Working in the atelier
Because I was a tailor, I did't totally understand softness ,or lightness.
I learned lightness at Givenchy. I was a tailor at Savile Row. At Givenchy
I learned to soften. For me ,it was an education. As a designer I could have
left it behind. But working at Givenchy helped me learn my craft."
Dress , Sarabande, spring / summer 2007
Nude silk embroidered with silk flower and fresh flower.
" Remember Sam Taylor-Wood's dying fruit? Thing rot......
I used flower because they die. My mood was darkly romantic at the time.
Dress , Widows of culloden, autumn / winter 2006-7
Cream silk and lace with resin antlers
" When we put the antlers on the model and then draped over it the lace embroidery
that we had made, we had to poke them through a 2000 pond piece of work.
But then it worked because it looks like she's rammed the piece of the lace with
her antlers. There's always spontaneity . You've got to allow for that in my shows. "
ALEXANDER McQUEEN
SAVGE BEAUTY
THE METROPOLITAN MUSEUM OF ATR, NEW YORK
＊永遠の美＊ Rose Royce Skull Flying Lady with Cross spring / summer 2010
オート＊クチュール ＜製造番号＞NO 2 現在２点の作品が製造されております。
その内、一つは某ミュージシャンの胸に、捧げられております。
letabou official site
http://www.letabou.com
SAVAGE BEAUTY
Ensemble , The Horn of Plenty , autumn / winter 2009 -10
Jacket of black leather,black fox fur, and silver metal , skirt of black leather.
"I think there has to be an underlying sexuality .
There has to be a perverseness to the clothes.
There is hidden agenda in the fragility of romance.
It's like the Story of O. I'm not big on women looking naive.
There has to be a sinister aspect ,where it's melancholy or sadomasochist.
I think everyone has a deep sexuality ,and sometime it's good to use a little of it,
-and sometime a lot of it-ike a masquerade."
House of Givenchy Haute Couture autumn / winter 1997-98
" In this collection , my idea was this mad scientist who cut all these women up
and mixed them all back together"
I don't think like the average person on the street.
I think quite perversely sometime."
Dress ,VOSS spring / summer 2001
Red and black ostrich feather and glass medical slides painted red.
" There's blood beneath every layer of skin "
ALEXANDER AcQUEEN
SAVAGE BEAUTY
THE METROPOLITAN OF ART , NEW YORK
letabou official site
http://www.letabou.com
想像力とは、一つの作品を生む、それは誰もが意識下に存在する世界。
我故に、誰もが表現していない、デサイン＜映像＞を描く、それは、あらゆる意識下に
ある想像性への挑戦、想像を超えて、始めて作品となり、だれもが踏み入れていない
存在感。
Baba & Pirate
Rose Royce Skull flying lady clear with sell beads, spring / summer 2011
SILVER MATERIAL ／
素材はクリスタルで、作品を創ろうと、そこに作りやすい素材レジンで実験。ポリエステル系／
こんなに美しいアクセサリーが出来た２０１１年。素材の旅は好奇心をそそられるのです。
同素材のレジン。
letabou official site
http://www.letabou.com
Costume Jewelry とは、あらゆる可能性を秘めている。装飾品の世界は奥が深い。
SAVAGE BEAUTY
Shoes , autumn/ winter 2010 -11
Nylon composite painted gold ,plastic beads ,and gemstone.
Dress , plato's Atlantis ,spring / summer 2010
Silk printed in the a jelly-fish pattern and embroidered with blue enamel
paillettes in a honeycomb pattern.
今日はお盆の送り火、、、亡き父、友、そして、、、亡くなった人を、大麻を焚いて
送らせてもらいました。愛すべき故人とは、自分が影響を受けた人々で、過去や現代に
関わらず、先祖であり、血の繋がり、そして、意識下に存在する人達、、、、、、、、
Alexander McQueen The Metropolitan Museum of Art
letabou official site
http://www.letabou
Alexander McQueen
" Alien " Shoe , Plate's Atlantis,spring/ summer 2010
Resin painted iridescent white
Headpiece * Dia Ress / brown leather Headdress * Philipe Treacy / Parrot feathers
Nose Bar * shaun Leane / Silver
letabou official site
http://www.letabou.com
オートクチュールの世界、そこには非日常、現実から飛ばされる映像や刺激、のデサインが、未来
に夢を与えてくれる。現代のプレタポルテも、過去の歴史の焼き直し、そこには未来や夢はなく
、２１世紀、、不毛の時代に終止符を打つ、、、時代に来ている。
世界に一人でも、審美に感動してくれる理解者がいる限り。想像は止まず、、、、