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  • 6,8 / 10 star

  • Genre - Sci-Fi

  • Release year - 2019

  • runtime - 1 hours 51 minute

  • directed by - Richard Stanley

Color Out of spades.
By Metascore By User Score.
Posted on Saturday, September 21st, 2019 by
(Welcome to  The Fantastic Fest Diaries, where we will be chronicling every single movie we see at the United States largest genre film festival. )
Welcome to Fantastic Fest 2019, day two. In this entry, Reflections of Evil is one of the most insane movies ever made, The Death of Dick Long is a surprisingly tender movie about idiots, and Color Out of Space is the wild H. P. Lovecraft movie weve been waiting for.
Reflections of Evil
How do you even begin to describe Reflections of Evil, a movie that has no right to exist, let alone be newly restored by the American Genre Film Archive? Writer/director/star Damon Packard made this cinematic mental breakdown after inheriting 500, 000 following the death of a relative and the resulting 137 minutes are better witnessed/endured than written about. This is outsider art at its most extreme and great trash at its most obnoxious and impenetrable. And yet (and thats a big “and yet”) those who find themselves on the same wavelength as Packards stream-of-consciousness ode to chaos will find an oddity worth embracing.
Made in 2002 (a bus shelter ad for Miss Congeniality has enough screen time to be worthy of a supporting player credit) Reflections of Evil follows Bob (Packard) an obese wreck of a man who spends his days selling watches on the streets of Los Angeles, gorging himself on junk food, and generally losing his shit at anyone and everything that has the misfortune of crossing his path. Theres no story here, no structure, and absolutely zero discipline behind the camera. And yet (yep, this movie is a whole lot of “and yet”) there is indeed a vision at work, something spectacular and unique and wholly original to Packard. Theres nothing like this movie in existence, for better and worse. Its a singular scream of anger and rage that quickly bites off more than it can chew and then spends close to two and a half hours dribbling all over your face with a primal scream.
Prepare for vomit. Prepare for gruesome head injuries. Prepare for an extended flashback sequence where a young Steven Spielberg causes a mass death on a film set. Prepare for horror sequences that look like high school experiments from the likes of Sam Raimi and Peter Jackson. Prepare for cults and cult leaders who literally throw bags of PCP to strangers across suburbia. Prepare for Fox News clips and stock footage of airplanes leaving chemtrails. Prepare for Packard interacting with real people unfortunate enough to wander into his shots. Prepare for brazen copyright infringement, as footage from 2001: A Space Odyssey, Star Wars Episode II and Close Encounters of the Third Kind invades the story for reasons beyond comprehension. Prepare for dogs barking too loudly for too long. And most importantly, prepare for an extended climax shot guerilla-style at Universal Studios Hollywood and Six Flags Magic Mountain, including a nightmarish trek through the E. T. Adventure Ride queue that will leave your jaw hanging on the ground (Packard was ultimately banned from Universal Studios in real life.
But really, you are not prepared for Reflections of Evil. Having seen it, I feel less prepared than ever.
/Film Rating. out of 10
The Death of Dick Long
If I were to spoil the entirety of The Death of Dick Long right here and right now, youd probably roll your eyes, dismiss it as a one-note joke, and vow to never see it. But a plot synopsis cannot tell you about tone, and this a movie that walks a high-wire, avoiding mockery and condescension and easy low-blows to tell a riotous story of southern life and astonishing idiocy. Like Fargo before it, here is a movie that taps into an under-explored corner of the United States to tell a specific and human story thats gruesome, surprising, and, when you least suspect it, tender as hell.
As the title implies, The Death of Dick Long opens with, well, the demise of one Richard Long, who is abandoned at a small-town Alabama E. R. by his two best friends and bandmates. He soon dies. The doctors are baffled by his shocking injuries. The police are on the case. And Dicks buddies try everything they can to cover up what happened to him, even though they happen to be terrible liars, making the kind of bumbling mistakes an ordinary human being would make if forced to cover up something truly awful. The tension does not arise from quick-witted criminal geniuses matching wits with sharp cops. The tension comes from ordinary folks with badges butting up against immensely guilty, frequently good-hearted dummies who have never been tasked with keeping a secret this big in their lives.
Yes, you eventually learn what happened to Dick Long. Its in the title. And youll gasp and laugh and probably look around the room and mouth “Is this actually happening? ” to your fellow moviegoers. But director  Daniel Scheinert refuses to let his film be a series of shocking revelations. Yes, this is a movie about bad decisions made by people who really didnt think things through, but its also a movie deeply in love with its characters and affectionate for its rural southern setting. Alabama never becomes a joke and the jaw-dropping revelations arent reduced to gags. This is a movie powered by affection and empathy, tossing you in the deep end of something horribly uncomfortable and demanding that you know actually look these human begins in the eyes rather than just guffaw.
The Death of Dick Long sent my body into deep stress convulsions – my skin tingled and my face twisted as I tried to come to grips with the incredible discomfort the film asks you to deal with. But that discomfort was tempered by a cast who refuse to treat their characters like jokes and a filmmaker interested in the human side of increasingly poor and downright baffling decisions rather than just waiting for the dominos to tumble. The stakes are small here, but they burn with the fires of shame and yes, the understanding that all mistakes arise from the fact that were only human. Youll never have a more memorable time attempting to find empathy for people who, when reduced to a newspaper headline, would become a one-note joke.
/Film Rating: 8 out of 10
Color Out of Space
Nearly a century after his death, H. Lovecrafts influence looms large over genre storytelling even as too many filmmakers fail to grapple with (or simply ignore) his basic horror philosophies. Stuart Gordon turned his work into black comedy. Others simply make memes about tentacles. But director Richard Stanley, returning after decades away in the wilderness, understands that Lovecraft is less about ancient gods and monsters and more about a universe that wont acknowledge your pain and suffering, not because its evil, but because its indifferent. Your human suffering is nothing when placed alongside the vastness of the cosmos. The unspeakable threats that lurk beyond the stars, beyond the threshold of our understanding, dont seek out to harm us as much as they simply brush against us, unaware of the chaos they create because human life and all of its seeming complexities are but insects hovering around an elephant. The elephant flicks its tail and entire worlds burn.
Color Out of Space isnt a wholly faithful adaptation of Lovecrafts famous short story about a rural family torn to pieces by an extraterrestrial sickness that arrives at their farm via a meteorite. Stanley infuses Lovecrafts work with his own sensibilities, taking the source materials science fiction perversion of the Book of Job and transforming it into an allegory for family dysfunction in the 21st century. But it works: Stanley moves the setting from the early 1900s to modern day and refuses to act like every original beat would remain relevant in a world dominated by television and the internet. What remains untouched, and what remains refreshing for Lovecraft readers so used to shallow cinematic takes on his work, is Stanleys focus on how our pain means nothing to the cosmos, to an entity that cant even stoop to acknowledge our lives behind being hunks of meat on which it can casually feed. The titular monster here isnt even a monster – how do you define something so alien that it cant be fought, cant be reasoned with, and can break any brain that dares to look for a moment too long?
Thats not to say Color Out of Space doesnt deliver the midnight movie goods. It does. This is a gooey movie, filled with all kinds of body horror nastiness and creature designs that go beyond the text and feel more like they were borrowed from John Carpenters The Thing. And anyone hoping for star Nicolas Cage to go to 11 will be happy to know that he manages to go to 14 – its the kind of swing-for-the-fences performance that defines modern Cage, something so big that itll elicit chuckles from some but so earnest that you cant argue with his decisions. That feels right in the end. Stanleys touch here is nothing if not earnest, presenting Lovecraft without a wink of post-modern irony. Either you buy into it or you dont. Quite frankly, I bought it hook, line and sinker.
Stanley knows his audience, filling the film with winks and references to Lovecrafts larger, witch-haunted Massachusetts. The easter eggs are a hoot and suggest that an entire line-up of modern takes on this seminal corner of genre fiction would be more than welcome. But this is less about pandering to the nerds and more about recognizing that Lovecraft and his world is so rarely done justice on the screen. For all of its imperfections, Color Out of Space is the kind of big swing that avoids being a home run but manages to deliver a rougher, more intriguing play that will leave people chatting for far longer than something smoother and more wrinkle-free.
/Film Rating: 7. 5 out of 10
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Is it available online to stream anywhere? Any help is appreciated, thanks! level 2... good use of Elder Things that he finds 4 points 3 months ago Appreciate the pooper scooping efforts: I'm probably going to have to pirate it being an Antipodean colonial but when there is a way to throw money at the makers I'll be making sure they know it. The feedback from Lovecraft fans was glowing. At night. Trees moving without wind. level 2 Deranged Cultist Original Poster 1 point 18 days ago It's playing in some of my local independent theaters now! I would check yours as well if you have any nearby.


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A meteorite, strange vegetation, a colour: an experimental take on H. Lovecraft's spiral into madness, shot with a vintage camera on truly unique LomoChrome 16mm film. This is a beautiful exercise in the surreal.
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Release Date: 18 August 2017 (USA)
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Also Known As: The Colour Out of Space
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Quality:
HD
Title: Color Out of Space
Director:
Richard Stanley.
Writer:
H. P. Lovecraft.
Release: 2019-09-24
Country:
Malaysia, Portugal, United States of America.
Language:
English.
Runtime: 111 min.
Genre:
Horror, Science Fiction, Thriller.
Production Company:
SpectreVision, ACE Pictures Entertainment, XYZ Films, BRO Cinema
Popularity: 42. 55
Homepage:
Synopsis
Watch full movie online Color Out of Space (2019) in HD quality. Movie Color Out of Space (2019) was released in September 24, 2019 in genre Horror. Movie Color Out of Space (2019) is movie directed by Richard Stanley. and starring by Nicolas Cage. Movie Color Out of Space (2019) tell story about The Gardner family moves to a remote farmstead in rural New England to escape the hustle of the 21st century. They are busy adapting to their new life when a meteorite crashes into their front yard, melts into the earth, and infects both the land and the properties of space-time with a strange, otherworldly colour. To their horror, the family discovers this alien force is gradually mutating every life form that it touches—including them.


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