色について、学べば学ぶほど
光の大切さを感じます
光がなければ、色は識別できないのですね
当たり前すぎて、忘れてしまっていることが
ここにもありました
写実的な作品を見て、
どうしてこんなにそっくりに描けるんだろう？ばかり
考えていた私です
しかしそもそも物体をなぞるという意識よりも
光を描くという感覚の方が強いのだとしたら…
見たままに光を描き出して浮かび上がったものが
人であり、物体なのではないか
なんてイメージで見てみると
三次元以上の迫力をもって
絵が迫ってくる気がします
My favorite painting was drawn by Casper David Friedrich.
The first meeting of this work was in Finland.
He was a landscape painter of the nineteenth-century
German Romantic movement.
The title of this painting is The Wanderder above the Mists 1817-18.
(Reprinted from http://www.caspardavidfriedrich.org/)
The harder I look at colors, the more important of light I know.
We can't recognize color variation without light, you know.
It's so natural that we run to forget the fact.
Why can he/she do realistic paintings, everytime I appreciate them.
However he/she may regard drawing light as important than
tracing objects.
The outcome which is shown by his/her touching off light are
exactly the person or objects, I guess.
With such imagination, the paintings speak to me
over three-dimensional world.
Now in Kobe city museum, my friend, Rirue's paintings are displayed
at the permanent historic section.
You can watch a part of her works→tamayura 日和
In addition, Masterpieces of French Paintings
from the State Pushkin Museum of Fine Arts, Moscow is exhibited.
Please check it!!
