China’s B.O. gross swept past $2 billion for the first

time in 2011, according to the head of the country’s

film bureau, a 29% hike on the previous year.


The record figure marks another muscular

performance by the Chinese biz, which has grown

by more than 25% every year since 2003.


Tong Gang, head of the film bureau at the State

Administration of Radio, Film and TV was quoted

by the official Xinhua news agency saying that B.O.

receipts were 13 billion yuan ($2.07 billion) in 2011.


James Cameron’s  “Avatar” made $210 million in

China, and success like that has prompted

renewed urgency in Hollywood to break into the

market, despite Beijing’s quota system of 20

foreign films Imported annually on a revenue-

sharing basis, and the fact that the cut of the

revenue it gets back is lower than elsewhere at

around 15%. Censorship is also a significant

barrier to entry for many U.S. shingles.


The booming biz is driven by massive expansion

in the number of cinemas, as the growing middle

classes add filmgoing to their lifestyle options.


Last year more than eight new cinema screens

were added every day in China. By the end of the

year than number of screens in cities nationwide

had exceeded 9,200, up 33%, while the number of

cinemas increased 29% to 2,800.


of the 803 cinemas that opened last year, 90%

were equipped with digital projectors.


Tong side 791 local films were released in 2011,

earning $1.11 billion at the box office, about

53.6% of total ticket sales.


The figure for local movies was given a big boost

late in the year by the success of Zhang Yimou ’s

“The Flowers of War,” starring Christian Bale.

The Flowers of War“ opened on Dec. 16 and took

$78 million by the end of the year.


“Domestic production of blockbusters has become

more mature, with remarkable improvements in

quality,” Tong said.


Tong stressed how low-and-medium budget

domestic pics were carving out a greater market

share, adding that 20 domestic films made over

100 million yuan ($16 million).


Although the report stressed the success of the

domestic market, it was a big year again for

overseas pics.


“Transformers: Dark of the Moon” took a hefty

$170 million, making it the biggest-earning movie

in China last year, followed by “Kung Fu Panda 2,”

witch took $95 million, according to Entgroup,

which compiles B.O. data in China.


Around 50 foreign movies unspooled in China last

year, 20 under the quota system and the remainder

on a flat-fee basis.


Among the big local performers was the $1.6

million-budget romantic comedy “Love is not

Blind,” which took $43 million. Tong described it as

a “box office miracle.”


“The rise of small-and medium-budget films is

challenging the dominance of blockbusters in

CHINE film market,” he said. “A group of young

filmmakers has stood out as a strong power and is

contributing to the industry.”


China still has a large rural population and the

government organized more than eight million film

screenings in rural areas.


Tong said that this year there would be renewed

focus on releasing better and more timely B.O.

information, although he did not give any details.


He said the film bureau will “sternly penalize”

theaters that manipulate B.O. revenue for their own

interests, and anyone committing major

transgressions or fiddling B.O. data could lose

their licence.


The film bureau will also issue ticket pricing

guidelines for cinemas in 2012, setting a maximum

price and encouraging cinemas to increase half-

price deals.


The most recent data on ticket prices is for 2010,

when the average cost of a ticket was $5.30, a

hefty 2% of the average city-dweller’s monthly

income.


TOP 25 FILMS BY ADMISSIONS IN CHINA



  1.トランスフォーマー/ダークサイド・ムーン

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  2.カンフー・パンダ2 (🇺🇸)                 16,104,737人

  3.パイレーツ・オブ・カリビアン/生命の泉 (🇺🇸)

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  4.赤い星の生まれ/建党偉業 (🇨🇳)     11,634,000人


  5.金陵十三釵 (🇨🇳🇭🇰)                            10,978,780人

  6.ハリー・ポッターと死の秘宝 PART2
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  7.失恋の33日 (🇨🇳)                             10,015,938人
  8.ドラゴンゲート 空飛ぶ剣と幻の秘宝 (🇨🇳)
                                                                     9,014,545人
  9.ワイルド・スピード MEGA MAX (🇺🇸)

                                                                     7,879,688人

10.世界戦略 ロサンゼルス決戦 (🇺🇸)      7,062,500人

11.スマーフ (🇺🇸)                                       6,637,105人

12.盗聴犯 狙われたブローカー (🇨🇳🇭🇰) 6,143,235秘密

13.猿の惑星:創世記 (ジェネシス)

                                                             (🇺🇸) 5,907,419人


14.新少林寺/SHAOLIN (🇨🇳🇭🇰)  5,903,611人

15.Eternal Moment(🇨🇳)                           5,532,286人

16.My Own Swordsman (🇨🇳)                  5,444,444人

17.白蛇伝説 〜ホワイト・スネーク (🇨🇳)

                                                                      5,114,545人

18.捜査官X (🇨🇳🇭🇰)                                  5,005,000人

19.All’s Well, Ends Well 2011  (🇭🇰🇨🇳)    4,850,882人

20.三国志英傑伝 関羽 (🇨🇳🇭🇰)                 4,629,118人

21.Mural (🇨🇳🇭🇰)                                        4,525,455人

22.Moon Castle : The Space Adventure (🇨🇳)

                                                                     4,489,032人

23.さらば復讐の狼たちよ (🇨🇳🇭🇰)          4,292,105人
24.項羽と劉邦/White Vengeance

                                                             (🇨🇳) 4,230,303人

25.チャイニーズ・ゴースト・ストーリー (🇨🇳🇭🇰)

                                                                      4,145,000人


                                                        SOURCE:VARIETY