Byline: JONES MOANS

I HATE women who wear all those awful, cheap threads around their wrists: leather threads, fabric strings.

Never mind these adornments get increasingly grubby as time goes by, what annoys me most is that these women think wearing threads or strings somehow slicks them with a veneer of hippiedom, of being alternative in an otherwise materialistic world, when all they are is cheap.

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I put strings round wrists up there with chipped nail polish, tattoos, and wearing lots of rings, especially lots of rings on your thumb.

IT'S DIRTY.

As is the wearing of earring studs, day in, day out. Earrings should be placed in a glass of surgical spirit overnight.

In my experience, young women who wear these bracelets often have loose morals, too.

I remember when I was going through the photos on my husband's camera when he returned from three months in India, looking for incriminating evidence, I came across a young strum-pet wearing a white broderie anglaise skirt (which is bad enough) and LEATHER BRACELETS, MILLIONS OF THEM UP HER SCRAWNY ARMS.

What a cow! Friendship Zenith Defy Classic bracelets my a***!

CAPTION(S):

Strings definitely attached: Julia Roberts in Eat Pray


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Frieda Manes, a distinguished pianist and a beloved music teacher in Buffalo for almost 40 years, died Sunday morning after an illness of several months. She was 66.

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Born Frieda Green in Melbourne, Australia, Mrs. Manes graduated from the Melbourne Conservatorium. At 18, she came to the United States hoping to audition for the Juilliard School. She was accepted, studying with Irwin Freundlich.

It was at Juilliard that she met her husband, Stephen Manes, who also was a student of Freund-lich's. Married in 1963, they lived in Vienna, Austria, and then in New York City.

They moved to Buffalo in 1968, when Stephen Manes, currently the outgoing chairman of the University at Buffalo's music department, was offered a position at UB.

Mrs. Manes' virtuosity, enthusiasm for music and quiet sense of humor made her a sought-

after piano teacher. She taught for a year at Ball State University in Muncie, Ind., and, after moving here, at Daemen College. She had a large roster of private piano students.

On the concert stage, she became especially well-known for the lively, intuitive performances she and her husband gave of piano music for four hands.

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Playing sometimes on two pianos but more often on one, they explored a wide repertoire ranging from Schubert and Mozart to Ravel, Poulenc and contemporary masters. They recorded the complete four-hand piano music of Beethoven for Spectrum Records and performed together around the world.

Mrs. Manes put her solo career largely on hold to raise a family, saying her husband's career should come first. "We were married," she told The Buffalo News in 1979. "I was his wife, and I simply went with him."

Still, she found time to give occasional concerts both in a chamber music setting and as a soloist, most notably locally with the Amherst Symphony Orchestra. For almost every summer since 1973, she was resident pianist at the

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Sebago-Long Lake Region Chamber Music Festival in Maine.

In addition to her husband, she is survived by a son, Daniel; a daughter, Sonya; and a brother, Harry.

A memorial service was held today in Amherst Memorial Chapel, 281 Dodge Road, Amherst.

-- Mary Kunz Goldman


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Byline: Laura Topham

THE grandfather clock in Max Ellis-Wood's luxury maisonette is chiming 8 pm. It's a gloomy Tuesday evening but, not one to opt for an early night, people soon begin to pour through Max's front door. Ostensibly, they are here for a party but this is not your typical sort of soiree. There isn't a canape or vol-au-vent in sight.

There are two wealthy financial traders in Prada suits, several openshirted men who have been invited on the strength of their familial connections, and three wannabe 'It' girls tottering around in Jimmy Choos.

In place of party food, the beautiful antique table in the dining room is covered in lines of fine white powder. Within an hour, all the guests have sauntered over, champagne glass in hand, snorted an inch-long line, then slunk off to recline on a plush sofa.

They need to sit down because the substance will soon affect their balance, leaving them wobbly, incoherent and, at times, near collapse.

For the powder they are consuming isn't the chatter-inducing cocaine often expected of such circles, it is the new drug of choice among high society ketamine, a horse tranquilliser.

Previously the sole preserve of hardcore clubbers, consumption Chopard Watches of this chemical has tripled over the past decade and this year became hugely popular with a new audience the nouveau riche and socialites of Britain and Ireland.

Amy Winehouse and Pete Doherty may have brought the drug to international notoriety last year, but the gardac have recorded a significant increase of ketamine use here since 2005. The drug has been recovered alongside other prescription medicines in a small number of seizures and the gardac says that it is becoming increasingly popular on the Irish 'party scene'.

This new popularity is attributed to the fact that the drug provides a cheaper alternative to cocaine.

Two years ago, in recognition of its growing use as a recreational drug, ketamine was categorised as a Class C drug in Britain. However, despite the Garda's attempts to get the drug banned under the Misuse of Drugs Act, the Health Service Executive has not yet acted on its recommendations.

At present, ketamine often called K is classified as a prescription-only medication in Ireland.

But ketamine's place as the socialites' drug du jour is as unlikely as it is incomprehensible, for its anaesthetising effect is the antithesis of the casual chic these people work so hard to cultivate.

While mild doses invoke euphoria and boost energy, greater amounts bring on an altered reality hallucinations and delusions. Sometimes users fall into a 'K-hole' a semi-conscious state in which they are completely cut off from the external world, virtually paralysed and unable to speak.

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Yet, incredibly, these disturbing results are precisely what users want, as I discover when I go undercover to investigate the ketamine phenomenon at a series of social events.

My first experience of seeing the drug's effects for myself comes at the party in London. One of the guests is Sienna, who was introduced to ketamine three months ago.

'I'd been doing cocaine for years and needed a new buzz,' she tells me unashamedly, 'so I didn't need much persuasion to try K.

'It was love at first snort. It's great fun and a completely diffe
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