太陽の中の生活はThe Back Hornの新アルバム。前作のHeadphone Childrenに比べ、さらに音質は落ちている。しかも、Headphone childrenも音質がいいとはいい難かったのでかなりショック。とくにボーカルはひどい。人間プログラムの頃のあの独特的なリードシンガーの声はアルバムでは既に過去のものになってしまったのか。楽器の音もペラペラ。
"Taiyou no naka no seikatsu", is The Back Horn's latest album. Compared to "headphone Children", their previous release, the sound quality has gotten worse. And Headphone Children was not a good recording. Sigh*. The vocals are especially bad. It seems that the one of a kind voice during "Ningen Program" is a past memory. The instruments are also very two-dementional.
ただ、曲はかなり良い。「証明」「ホワイトノイズ」「ブラックホールバースディ」「浮世の波」「始めての呼吸で」等、さすがバックホーンといえる出来の良い曲が盛りだくさん。それ以外の曲もどれも良く、"詰め物"的な曲は存在しない。ボーカルの色づけがうまいATH-ES7で聴くと太陽の中の生活 は化けます。ほんとに。
However, the songs are good. The album is full of songs that can be expected from The Back Horn. Shomei, White Noise, Black Hole Birthday, Ukiyo no nami, Hajimete no Kokyude, are all awesome songs. I can say that none of the songs are just filler. "Taiyou no naka no seikatsu" morphs into another beast when listening from the ATH-ES7, which is adept at colourizing the vocals.
"Taiyou no naka no seikatsu", is The Back Horn's latest album. Compared to "headphone Children", their previous release, the sound quality has gotten worse. And Headphone Children was not a good recording. Sigh*. The vocals are especially bad. It seems that the one of a kind voice during "Ningen Program" is a past memory. The instruments are also very two-dementional.
ただ、曲はかなり良い。「証明」「ホワイトノイズ」「ブラックホールバースディ」「浮世の波」「始めての呼吸で」等、さすがバックホーンといえる出来の良い曲が盛りだくさん。それ以外の曲もどれも良く、"詰め物"的な曲は存在しない。ボーカルの色づけがうまいATH-ES7で聴くと太陽の中の生活 は化けます。ほんとに。
However, the songs are good. The album is full of songs that can be expected from The Back Horn. Shomei, White Noise, Black Hole Birthday, Ukiyo no nami, Hajimete no Kokyude, are all awesome songs. I can say that none of the songs are just filler. "Taiyou no naka no seikatsu" morphs into another beast when listening from the ATH-ES7, which is adept at colourizing the vocals.

