Guitar shredding in Japan -5ページ目

Guitar shredding in Japan

.... well, sort of.....

I write a new post on the blog to release something I was working on lately.

As many young women like her, my sister is a fan of the Manga/Anime/Movie series "Nana" from Ai Yazawa.... for this reason, some time ago I watched the anime and the movie with her as she forced me against my will. I have to admit that it is not that bad.... even if I definitely cannot be described as a "fan".
BTW, few weeks ago I was able to watch the second part of the movies that have beer realized up to now and I found a rather interesting song, which is the closing titles score as well as the last song that you hear played by the "Black Stones" the fictional band featured in the movie. The song I am taking about is "Hitoiro" (一色) performed by Nakashima Mika (中島美嘉). I embed here a video I found on the youtube:



What stroke me most was the incredibly beautiful lyrics of this song; I don't know how to explain how you perceive japanese lyrics as a foreigner but I simply loved them... Moreover, while watching the movie I was just playing some riffs on my guitar on the background and I had the idea (bad) to try and transcribe it. So i looked for software for writing the guitar tabs of this song.

To make the story short, I used TuxGuitar (an Open source software I will try to review) to create some readable tabs.... and now I want to share my "effort" with you all. Remember that this transcription, almost "sucks" as the duration of the notes is quite random. I was not able to obtain an exact copy but the chords are all there....and the song sounds more or less like the original. Let your hears guide you: it is up to you to experiment! I uploaded both the rhythm and the lead guitar even if the second one will probably need some addition. BTW the song is so easy that I suppose you can just get by yourself the missing parts.

Here is the tab file for the Rhythm guitar:  Hitoiro - Rhythm

Here is the tab file for the Lead guitar: Hitoiro - Lead

If you appreciate these tabs, please drop a line in the comments! Thanks!
Have fun!!!
After a brief pause I took for actually practicing with my guitar (instead of only writing about that) I get back to this blog to write about the amp I am using right now.

When I bought the ZO-3 I thought it would be unnecessary to buy any amp as it ships with its own integrated speaker. Well, of course if you think you can live just with that you are wrong. The basic model (which I have) only has clean sound and it is quite limited regarding the volume it can produce. Of course you have to understand that it is powered with a 9V battery and the amp cone is roughly 6 cm in diameter...
The guitar allows for the use of external effects when you buy an Y stereo cable that you can use for driving the sound out from the guitar through the effect chain and back inside.... however I think that the result may not be as satisfying as a real amp. For these reasons I opted for the real thing.

I found an offer in a used shop here in Kobe that was so good I was not able to resist and I bought this Marshall amp:

http://www.marshallamps.com/product.asp?productId=165

The model I have is the MG15CF and is really really good for the price I paid, especially if you think that the guy who bought it before me only used it for 2 months... In fact, I can say it is new.

The amp is a 15W with one speaker that is 20 cm wide and weights like a box of stones... 7.4 kg! It took me a good amount of strain to walk it up to the 6th floor after having to move it from Sannomiya to my house. But the reward I had when I first switched it on was unbelievable. This thing has an amazing sound. No, I'm not exaggerating the things: it is awesome. No real surprise though.... it is a Marshall after all. If you add the build quality to the sound quality, you get an amazing carbon fiber clad amp! カッコイイ!
The amp has two channels, the clean and the drive one.... if you switch it to the overdrive channel you get a wonderful distortion which almost makes my Boss XT-2 pedal (I'll review it) vanish in shame. The only problem is that you have to press a switch to turn it on and there is no external activation port. This is a real pity especially if you think to use it as your standard distortion.
The equalizing controls you can find in the amp are the standard Bass - Mids - Treble combo so that you can fine-tune the sound to meet your needs. Not that the use of an external equalized could not improve it.... but it is just quite versatile even in this way.

An interesting feature of this amp is that it also has a separate port for inputting the line from your pc or mp3 player to play along your favorite track... I find it very very useful when you need to train or when you just want to watch the TV and train your guitar skills together... You put the headphones on, you plug the guitar and the TV, regulate the volumes and enjoy!

For concluding this small (very small) review, I have to say that I still have to try to blow it too full volume as I live in a condo where musical instruments are forbidden so I don't know if you can think about using it live in small bar or similar.. it actually is so small that I bet you cannot but you never know. Anyway, it still remains a perfect practice amp and for the price I paid I am completely satisfied. If this is the distortion that made Marshall famous, I only wish I can get a big one in the future.... but I still don't have a band to play with so it is still a dream..

Take care!
As I am moving on with the set-up of my gear, I will cover here another important step of the guitar preparation: how to set the intonation.

Usually you may think that, as you have set the strings to tone, the guitar will play the proper sounds in all the conditions. But then, you engage in a solo and, you cannot understand why when you play from the G string to the B, the notes sound "shifted".... out of place. This actually happens very often with newbies and to the trained hears it is the direct evidence that your guitar is not well set-up, i.e. you have to set it to the proper intonation.

Why is the intonation changing? What is the intonation? And how to set the right intonation for your guitar?
Well, the intonation almost never changes as it represent an intrisic characteristic of the strings you are using coupled with your guitar. This means that it is most likely to change when you re-string your guitar, especially if you change the brand/gauge. This will be immediately clear if you understand something more about the intonation concept itself. Take a look at this (terribly awful) scheme I have drawn:


In the drawing you can see a schematic representation of a guitar. The string (whatever you prefer) runs from the nut to the bridge saddles and when you pick it, it takes the traditional sinusoidal shape depicted above. Of course that is a simplification as it vibes with a milti wave pattern but bear with me.... The middle of the sinusoidal wave (green in the picture), happens to fall exactly above the 12th fret (red line) so, if you put your finger on the string without pressing and pick it, you hear that characteristic "high pitch" sound that is called an "harmonic". In the case where, like the picture above, the middle of the string (i.e. the middle of the wave) does not fall on the 12th fret, your guitar is not intonated. You may tune it how many times you like but when you lower to the 12th fret and below, it will progressively shift to the bad.

The good news are that when you buy a new guitar, it is very likely that they set it up for you and if they did not, it just takes you 10 minutes to bring it to the right tone. Here is what you should do to intonate your guitar:

- Tune the guitar
First of all, you need to tune your guitar. This is very important and cannot be left behind. Start with a perfectly tuned guitar. One thing to note. If you have ever taken you guitar outside in winter, for example for playing with friends, you have probably noted that the guitars are extremely sensitive to the temperature and humidity variations. You get to the studio/friend's house, tune the guitar and... in 5 minutes you end up with awful sounds coming at you from your amp... the worst point is that all the strings detune differently and the result is terrible. You know what I mean....
For this reason, you have to play your guitar thoroughly before proceeding to set the intonation, just to avoid this problem.
I used the Behringer TU300 pedal tuner described in this post.

- Check if it is already intonated.
As I said, it is very likely that your guitar is already intonated but to ascertain this, there is no other thing to do that actually check it with the tuner plugged in.
Place your finger slightly touching the string right above the 12th fret and pick it. The tuner should show the same letter of the string you are playing (E for the E, A for the A, well, you got it). If it does so for all the strings, than you don't need to intonate the guitar. If it doesn't, then proceed to the modification explained hereafter.

- Saddles regulation
The technique I explain here is for those bridges that resemble the Fender Stratocaster "tremolo" type and it does not work for the Gibsons.... sorry. It should work with some modifications in the Floyd Rose types too but you should then look for the screws to move for the settings. Here is a picture of the bridge on the ZO-3.


The factory settings looked good as you can see that both the thick 3 lower strings and the 3 thin ones are placed with this jigged pattern 3 by 3. However, checking with the tuner 3 strings were slightly off. If you find one that is not intonated you just have to screw or unscrew the corresponding saddle's screw to get the total length shorter or longer depending on the situation. If the note is higher than the needed, you have to tighten the screw (make the string longer). If the note is lower then you just unscrew to shorten the overall length. Doing this you will have to tune back the string so you can check how it sounds. You should proceed by trial and error until you get the right pitch in the harmonic when the string is properly tuned.

This is all you need to know about how to intonate a guitar and it indeed is an easy task that everybody can do. Remember that if you have an intonated guitar and you proceed to lower its action, no guarantee is given that it will still be intonated after. As a general rule, every time you fiddle with the bridge, restring or change the guitar action, an intonation check is recommended but otherwise, being it a physical characteristic of the guitar/string combo itself, it is not affected by environmental changes so you will not need to intonate it when you go to play out. Lucky!