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Charles Randolph
Release date - 2019
Genre - Biography, Drama
Actors - Margot Robbie
Canada, USA.
1) this story being told, thank god 2) this cast looks brillant.
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The traits that Roger Ailies possesses are those of an abuser/ are not gender specific. A predator/abuser is a predator/abuser. If Mr. Aillies were a woman, the behavior would be the same. Love the interview. Yes, more men are guilty of the behavior, but abuse is about control.
Ugh imagine all those before who were accommodating or made the offer to the old pathetic grease ball.
3:33 very intelligent lady. That is what reasonable people do.
I believe it.
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One thing you can't deny, Margot Robbie is a goddess
Here come all the mad republicans...
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Hilary B. Gayle/Lionsgate via AP There is a great story to be told about the downfall of Roger Ailes. “Bombshell, ” the recently released movie directed by veteran filmmaker Jay Roach, is not it.
The dramatization of the downfall of the late former Fox News executive Roger Ailes is buoyed by terrific performances from Margot Robbie and John Lithgow. They overshadow a talented cast and share the films most visceral and disturbing moment. Nicole Kidman also stands out for her portrayal of former Fox host Gretchen Carlson.
However, these performances have not been enough to help “Bombshell” at the box office. It has recouped only 20 million of its 32 million production budget since premiering nationwide on Dec. 20. The reviews have not been stellar either. There are reasons for that.
Disappointingly, Charlize Therons turn as Megyn Kelly is more distracting than anything else. The actor gets the mannerisms correct, but her attempt to sound like Kelly is unintentionally comical. Kelly has a deep, baritone voice. Theron does not. In an effort to imitate the former prime-time host, Theron badly overshoots "husky" and lands somewhere between Elizabeth Holmes and the Cookie Monster. If you have ever wanted to hear an Academy Award-winning actor talk like the disgraced Theranos founder for two hours, “Bombshell” is the movie for you.
Although the script by Oscar-nominated screenwriter Charles Randolph has its bright spots, at times it seems bipolar.
The screenplay flips constantly from subtle and insightful to preachy and ham-handed. Characters are also written unevenly, including the fictitious one played by Robbie, who is presented first as a somewhat sheltered Christian millennial with a strong right-wing pedigree before the film lands her in bed with a lesbian co-worker (Kate McKinnon) immediately after their meeting. The paradox is that the movie actually tries to be fair and balanced. But like the network it covers, that effort is thwarted constantly by the ideological blinders of its creators.
The films use of character voice-overs is also hit-or-miss. In one great scene, for example, reporter Rudi Bakhtiar (Nazanin Boniadi) is propositioned by one of her Fox superiors. Bakhtiars panic in that scene is conveyed poignantly by her internal monologue. It is a solid narrative choice. Other scenes that use the voice-over device, however, including the films closing moments, come off as hokey and whimsical, almost as if we are watching an episode of “Sex and the City. ”
I am also still trying to figure out the point of McKinnons character. Is she intended to be a composite of closeted liberal lesbians who work at Fox and live in constant fear of being discovered? Having been around the network for several years, including in 2016, when the storys action takes place, I can assure you that there are openly gay people who work there – and that network employees are not expected to be hard-core right-wingers or even conservative. I am not sure what purpose McKinnon is supposed to serve other than being a lazy dig against a version of Fox that does not exist.
The films greatest failing is that it tells the wrong story. The chief focus of “Bombshell” is Megyn Kelly. It wants to tell the tale of her eventual decision to accuse Ailes of sexual misconduct. But the hero of the real-life story – and the woman with the most to say – is Gretchen Carlson. Yet Carlson plays only a supporting role in a narrative she orchestrated. It is true that her lawsuit against Ailes ended with a settlement and the signing of a non-disclosure agreement, but there is still plenty of publicly available material to make a movie about the woman most responsible for the disgraced media tycoons defeat.
“Bombshell” prefers to focus on Kellys 2016 battle with Donald Trump. “Bombshell” is obsessed with Kelly's thoughts, her feelings, her family, her desire to be taken seriously in a man's world, etc. “Bombshell” wants to paint Kelly as a heroic and selfless figure, which is why it makes no mention of the fact that she leveraged her public opposition to Trump and Ailes into a three-year 69 million contract with NBC. Details of Kellys move to broadcast network television after she came out on the right side of a story that was put into motion already by more daring players are omitted in favor of scenes of her thinking hard about what it means to stand in solidarity with other women. Or whatever.
There is an exciting and meaningful story behind Ailes' downfall. It is the one where Gretchen Carlson risks the late news executives legendarily vindictive wrath to build a David vs. Goliath lawsuit against him, including secretly recording their meetings. Instead, “Bombshell” is a movie about Megyn Kellys decision to follow Carlsons lead. That should not have been main story material. It would have made a compelling footnote to a better movie. T. Becket Adams is a senior commentary writer for the Washington Examiner.
Her performance as Aileen Wuornos was outstanding, I'm sure playing Megyn Kelly was a cake walk in comparison.
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Megyn Kelly was flattered when she heard Charlize Theron was going to play her in a movie, until she sees Theron needs to make herself ugly to play her.
Obama Clinton and obomaite only started this war! They shouldn't of under estimated President Trump, he hired Barr and Durham.
Charlize as Megyn looks promising.
I dont think thats entirely accurate. The character Kayla is an amalgam of real life characters
Charlize Theron, Nicole Kidman, and Margot Robbie in Bombshell.
Photo: Courtesy of Lionsgate
Kate McKinnon and Margot Robbie end up in bed together not long into Bombshell. Its one of the movies few genuine surprises, one I suppose Ive just spoiled, though any astonishment it generates has more to do with daring than with plot. Bombshell, about the women whose sexual-harassment allegations led to the 2016 ouster of Fox News chairman and CEO Roger Ailes, does not exactly have daring to spare. Its a misbegotten hybrid of the flat political dramas that director Jay Roach makes for HBO and the didacticism of writer Charles Randolphs earlier effort, The Big Short. The tone starts off as knowingly satirical and ends on an unearned note of inspirational earnestness. A character talks to the camera in the beginning, but then that stops as though its a bit she forgot she was doing. While Charlize Theron does an eerie, prosthetics-aided impersonation of Megyn Kelly, Nicole Kidman just dons a wig to play Gretchen Carlson, and the script cant get enough of a handle on either of the former Fox News anchors to give the actresses, who only share two scenes, much to work with.
And yet, you can occasionally see flashes of the better, sharper movie Bombshell could have been, and while there arent many of those moments, there are enough that it cant be written off entirely. In these scenes, Bombshell seems to understand that what its telling is not so much a proto–Me Too story as it is one about conservative white feminism, and about the ideological Jenga of trying to push back at a particular form of oppression while trying to leave all the structures that support it undisturbed. Its something you see in the post-coital chat that McKinnon and Robbies characters, both fictionalized producers, have about their relationships with Fox News culture. Robbies character, Kayla Pospisil, is a self-described “influencer in the Jesus space” who aspires to become on-air talent, while McKinnons character, Jess, is a closeted lesbian and liberal. Its understood that they have no future together beyond their work friendship — Kayla might have sex with women, but she dates men, and the idea of tamping down ones political affiliation is more alien to her than repressing aspects of ones sexuality, which seems to be just par for the course. “My parents would be horrified if I went home with a Democrat! ” she giggles.
She understands how to be a good conservative, but has to learn that thats not the same thing as being a Fox News employee. Being a good soldier at Fox News means wearing short skirts at clear desks — theres a sequence of younger hosts like Abby Huntsman (Ashley Greene) and Ainsley Earhardt (Alice Eve) squeezing into Spanx and spike heels while insisting to reporters on the phone that of course theyre allowed to wear pants. It means that challenging Donald Trump s behavior toward women, the way Megyn does at the August 2015 debates at the start of the film, gets you hung out to dry by your boss because “our audience loves Trump a hell of a lot more than the Murdochs realize. ” It means that Ailes doesnt tell everyone what to say on air, because, as Kelly explains in a fourth-wall-breaking introductory monologue, “He doesnt have to. ” And it means that sometimes Ailes will ask for a sexual favor and will frame it as a gesture of loyalty — the way he does to Kayla in the movies most uncomfortably framed scene — and saying no means that suddenly opportunities dry up.
Is Bombshell hard enough on Fox News? Difficult to gauge, because its so much more focused on the internal culture than the product they put out in the world, which we only see snippets of (one of them Kellys infamous “ Santa is white ” remark. The film presents familiar figures as waxlike caricatures — Alanna Ubachs dogged Jeanine Pirro is especially funny, while Bree Condon, playing Kimberly Guilfoyle, stalks the edges of the screen like a grimacing fembot. But those are easy points to score. When it comes to Trump, the movie is oddly unspecific about the role Fox News played in the election. Trumps ascension to Republican nominee underlies the main action of the film, and the betrayal that its trio of main characters feel at how women at their workplace have been treated runs parallel to that workplaces gradual alignment with the now-president. But the film never paints them as complicit, even making a point of showing Kelly to be shocked at the random hostile encounters she has in public with men who declare their allegiance to Trump. Its more comfortable treating its characters as having been left behind by the turn their party has taken than having been compliant in its propping up of patriarchy, among other things, until this point.
Bombshell is, at its best, like an attempt to tell The Handmaids Tale by way of only the Aunts and Wives. At its worst, it presents the story as a triumph of women who, in the words of a closing voice-over, “got the Murdochs to put the rights of women above profits, however temporarily” — an incredibly sunny spin on a conclusion thats a lot darker than the film itself seems to realize. Ailes, as we know, gets the boot. Rupert Murdoch (Malcolm McDowell) arrives in the newsroom like the next boss in a video game — sons Lachlan and James (played by IRL siblings Ben and Josh Lawson) flanking him — as he takes a call from “Donald. ” Nothing is actually going to change, internally or externally (and as if to underscore that, another Fox News host filed a sexual-harassment lawsuit yesterday. Bombshell nevertheless has its fictional lead Kayla walk out with her head high, dumping her ID badge as she goes. If it understood her at all, itd cut to her on her new YouTube channel talking about how migrant children are actually at fault for ending up in cages. But again, this isnt a movie with an excess of daring. By that point, any boldness it had displayed had long ago run out.
Does Bombshell Understand That Its About White Feminism.
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This was a raw look into the emotions that accompany sexual harassment. The actors did a great job & Theron was excellent as Kelly. Worth it.
Encourage, persuasive, outstanding storytelling. 📚 🎥
Make-up Department is paramount. 💄 💇
Safe work-environment first. Whistleblowers save the World. 🌎.
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I think her combination of being beautiful, humble and confident its so rare, that makes her quite unique. Maybe there are a lot of women like her out there, but since she is in the spotlight, she brights over other actresses.
I wished she had spoken up.
But a grasshopper was the villain in A Bug's Life.
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This is a perfect trailer! Gives almost nothing away and thats refreshing.
According to Robbie, I know this doesnt come into play in the movie, I just need to know what happens to Kayla.
Margot Robbie, Kate McKinnon, “Bombshell” Lionsgate
Its been an interesting few months for mainstream movies and promises of LGBTQ+ representation, from “Avengers: Endgame” and its blink-and-you-miss-it “gay moment” to “Star Wars: The Rise of Skywalker” and its also blink-and-you-miss-it (and cut out of its Singapore release) same-sex kiss to whatever the MCU is doing with a future trans character. Jay Roachs Roger Ailes scandal piece “ Bombshell ” is not on the scale of those movies nor was it ever promoted with the promise of similar inclusion, but after a Variety cover story with one of the films stars, Margot Robbie, it has technically joined the conversation of hypothetical representation in film.
In “Bombshell, ” Robbies Kayla Pospisil sleeps with Kate McKinnon s closeted lesbian character Jess Carr after a drunken night at the bar. In the aftermath, Kayla tells Jess, “Oh, Im not a lesbian! ” What could easily have been just a throwaway line, however, ended up being a line that Robbie spent quite a bit of time focusing on when creating the character for her own portrayal.
“I wanted to deliver that completely genuinely, not being ironic, not being sarcastic, ” Robbie said. And while the movie doesnt address Kaylas sexuality moving forward, for Robbie, that “huge aspect of her story and emotional journey thats unresolved — I couldnt just let that be. ” When mapping out the rest of Kaylas life, Robbie told Variety that she saw Kayla as the type of person who “compartmentalizes” her attraction to women, adding that “she is not going to acknowledge it until shes 60. ”
Robbie added, “I secretly want a spinoff movie where Kayla and Jess go on a road trip with their opposing political views and blossoming romance. ”
But people probably shouldnt hold out hope for Robbies Kayla — who is an original character created by screenwriter Charles Randolph for the movie, a composite of real women at FOX News — getting that spin-off movie (unlike how Robbies Harley Quinn did post-“Suicide Squad”. Robbie noted that she actually told “Bombshell” director Jay Roach her belief that Kayla would end up with a woman.
“Jay was probably a little surprised, but entertained by that, Im sure, ” she said. “I was like, ‘I know this doesnt come into play in the movie, I just need to know what happens to Kayla.
According to Robbie, “A character always starts off as just this bit of writing on the page. And then by the end of it, shes such a real person to me. ”
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It is so mind boggling that people cannot grasp what Trump put her through. I guess that is too uncomfortable for them.
Dude when Charlize said “But am I THE Drakes Type! 😂😭😭.
Harley Quinn and batman's ex girlfriend lol.
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I love the natural look. This is beautiful! I cant wait for the nudes of new york palette to come out so I can purchase it. Maybelline came through as always! I cant wait what maybelline has in store for 2020! 😘😍.
No don't wear underwear next time either. you are beautiful woman all over...
Everyone who follows news and headlines and political stories knows about the tales and supposed happenings at the "FOX News Channel. No matter your political stance or leanings if you've ever watched the channel over the years you've clearly seen that most all of the female news anchors and reporters were hot and very sexy really some eye candy for any viewer. This picture from director Jay Roach in which I describe somewhat drama, dark comedy, bio type is one revealing brash sexy look at an atmosphere and culture of a good old boys club and how their leader the powerful Roger Ailes(John Lithgow) conducted dirty laundry type business with his female employees behind closed doors.
The focus and wild card players here are top news anchors and reporters Megyn Kelly(in a fine and near real look alike performance from Charlize Theron) and Gretchen Carlson(Nicole Kidman) who after years of apparent sexual harassment blow the lead off of his powerful company. As it was exposed the network was a toxic culture for most all of it's female employees. Most catching is seeing Kayla(the sexy Margot Robbie I love her in that sexy black strapless bra scene) a fictional composite character which was inspired by many of Roger's supposed accusers, as Kayla is the poster girl and foot solider employee one who marches along with the network's message of values, faith, morals, and right wing politics only she's soon exposed to the backroom advances of sexual misconduct.
Thru the film it's filled with much drama and fun black heart like humor like scenes of "FOX" News employees in meetings and spotlighted is Kelly's war of words with Trump during his 2016 presidential run. And the scenes of Roger in his office with females is certainly interesting and really a spin for four play and get under the sheets advances. The film is also revealing especially when you see the scene when it swoops in on the chatter and showcased chaos of the ladies' wardrobe room at "Fox News" it's clear that all are news Barbies and sexy colored bra wearing ladies. This was the way that big Rog wanted it as good looks shined and made his network a media ratings darling, as all viewers saw the eye candy of lady anchors and reporters in short skirts.
Aside from that this movie is a wake up call for women as each lead character finally has the courage and voice to speak and fight power and get moral justice as this was just another step that would help power the "Me Too Movement. As it's footage and real news reports takes you the viewer back to these tense and groundbreaking times of scandal and downfall. The chemistry and performances from the cast is all pro and in top notch form from Lithgow, Kidman, Robbie, and Theron as they each feed off each one's emotions and story. The style of the film is sexy, tabloid like he said she said still the big weapon is that all of the ladies use their world of mouth and collected stories from past supposed victims of Roger's to speak and bring truth to power as each had a right to do so as exposure and feeling compensated belonged to each of them.
Bad guy? Really.
I see 3 generations.
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Charlize looks like a tomboy, Nicole made of wax, and Margot natural.