ロキノンには騙されないぞ

ロキノンには騙されないぞ

主に海外音楽メディアの評論家たちが高評価をつけている新譜アルバムをチェックしていくblog。日本のインディー興味深い作品も。cpu のグ

SSWを志す時期あり。センスを磨くため好みに関係なくさかのぼって名盤を聴くようになる。渋爺の著作やクロスビート、ロキノンの合評を図書館でさかのぼったり。ロキノンは6年ほど購読。やがて嗜好も変化。ネットの時代に突入し、ロキノンが扱うアーティストと現地音楽誌での扱い、温度差、評価の差異をはっきりと知る。ノン・ロキノンへ。 RSS フィード http://rssblog.ameba.jp/stamedba/rss20.xml
す そい おん 2487498

Oscar Farrell
Birds Fly In

 

 

 

 

80点相当  Clash

 

 

 

 

https://www.clashmusic.com/reviews/oscar-farrell-birds-fly-in/

 

There is a truly tangible quality to Farrell’s work. His music, while on paper is primed for the club, tenders a malleable quality, one of melancholy and meditation. Across ‘Birds Fly In’, Farrell utilises a diverse sonic palette; the drums cut like a hot knife through butter, complimented with dizzying beds of synthesis that feel both familiar and warped at the same time. It’s a rare feat for a track – let alone multiple – to sit so firmly and comfortably between the club and easy listening, but somehow Farrell achieves this with a maturity and dexterity usually unseen from someone so early in their career.

‘Burning From’, featuring Goya Gumbani, is addictive and unrelenting, rigid drums chasing the unstable bassline and Gumbani’s urbane, seamless flow. ‘Reversing (Phonox Mix)’, with its heavy layers contorting in unison, ebbs and flows, refusing to open up into traditional electronic euphoria; instead it retains a hypnotising idiosyncrasy, Farrell’s processed vocals a repetitive and disorienting mantra. Across ‘Birds Fly In’, Farrell’s vocals feel more confident, emotive and assured, his abilities as a vocalist perforating more noticeable than ever.

Oscar Farrell is managing both quantity and quality. ‘Birds Fly In’ is yet another right step for the artist, six singular tracks that will surely push him further into the electronic zeitgeist.

 

イギリスのエレクトロニック・ミュージック界で最も魅力的で個性的なアーティストの一人

アルバムデビュー前のよう

 

 

 

Oscar Farrell

I've Already Called