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Creator: Rebecca Pahle
Bio: Deputy Editor at @BoxOffice. Cape-obsessed madwoman behind @acapeaday. rebecca.pahle@gmail.com

Rating: 8,5 / 10;
cast: Mary Astor;
creators: William Ludwig;
19100 Vote;
genre: Comedy.
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Meet me in stLouis = fu* ing incredible.
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Reviewer:
bela_vrana
-
favorite favorite -
April 7, 2008
Subject:
BIG playback glitch
Before listening, I wondered how anyone could give any cylinder recording only one star based on sound quality- I mean, come on, it's a freakin' cylinder, right? Well, The problem with this one is the HUGE problem with playback early in the song, more so than overall sound quality. Enough of Murray's voice comes through to know it's him, at least. But talk about scratchy, yes. It is. But that big total interruption of sound, that's bad. Still, I'll give it a 2 based on it having MOST of the song audible.
Robin_1990
favorite -
February 1, 2008
Damn It!
It's a nice song, But the sound quality stinks! I've heard better sound quality in DuMont-TV programs. The sound quality is so bad it's impossible to listen to. That's a shame, Since most of the other Billy Murray records on IA tend to have pretty good sound quality considering how old they are.


Totally agree. My father is a singer. On long road trips to see our Grandparents in the Sault, we would practice harmonizing... I have 2 sisters and dad would tell us what notes to to breath. We loved it. He was always singing walking around the house too. We have a recording from when I was maybe 6 years old and you can hear dad singing in the background. People who grow up without music are missing out, truly.


Сент-Луис. 1903 год. Алонсо Смит, преуспевающий бизнесмен, живет со своей женой Энн, дочерьми Эстер, Тути, Роуз, Агнесс, сыном Лоном, капризным дедушкой и служанкой. Дочь Роуз кокетничает с одним кавалером дома и переписывается с другим, уехавшим в колледж, а Эстер помолвлена с мальчиком, живущим в соседнем доме. Когда Алонсо получает повышение по службе и ему необходимо переезжать в Нью-Йорк, чего никто из членов семьи никак не желает, начинаются неприятности.
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Мать Маргарет О’Брайэн требовала для дочери более крупного гонорара за роль Тутти. На студии пожали плечами и решили снять в этой роли дочь осветителя. Под неё уже перешили костюмы, когда кто-то передумал, и роль вернули Маргарет О’Брайэн. В какой-то момент в процессе съёмок осветитель умышленно уронил на сцену тяжёлый софит, чуть не придавив юную актрису. Впоследствии он провёл некоторое время в клинике для умалишённых.
В новелле «Весёлого тебе Рождества» Джуди Гарлэнд (1922-1969) наотрез отказалась петь Маргарет О’Брайэн первую строчку «Весёлого тебе Рождества, вдруг оно окажется последним».
Джуди Гарлэнд к моменту начала съёмок исполнился уже 21 год, и появляться на экране в очередном образе девочки-подростка ей очень не хотелось. Убедил её сыграть Эстер режиссёр Винсент Миннелли (1903-1986). Впоследствии Гарлэнд называла эту роль одной из самых своих любимых.
Джуди Гарлэнд терпеть не могла репетиций и нередко с них сбегала. Винсенту Миннелли приходилось звонить из павильона на проходную студии, чтобы там не выпускали автомобиль актрисы.
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I wonder if it was scripted or improv when Judy messes up her hair just slightly - brilliant move.
I grew up watching this in the early 60's.  What a gas it was. I was in kindergarten and tried to sing along with Mitch and the gang all the time.  They just don't make programs like this anymore.
I was wondering if they did their own singing.


Wonderful. It brings tears to my eyes. L


Yesterday I watched Meet me in and it is such a wonderful story about family, life and love and simply growing up. Even though it's November I felt like it was Christmas time. I really loved it and especially the scene where Judy is singing Have yourself a merry little Christmas. I felt like she gave her heart and soul to this song. Amazing.
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I never was the biggest Judy Garland fan but no can sing this song like she does it was made for her & how she says “once in a lullaby” is so angelic & pure.
Julian sent me here.
Really? This is what I was waiting for? This film is just a bunch of clichés strung together with some macabre elements.

I thought it would be a postcard to St. Louis, but it could have taken place anywhere. The World's Fair was barely relevant.

The men were all stereotypes; the lordly-yet-foolish money-focused father who is changed by his family's warmth. The awkwardly formal men, the candied turn-of-the-century nostalgia. Other than Judy Garland's desire to extract a kiss out of her neighbor, the whole film is a silly tribute to normative culture. I guess that's what they hoped the boys fighting in Europe and Asia in 1944 wanted to see.

This whole Ivy League worship was nauseating. "I'm talking to a Yale man in New York. Princeton is a peach of a school. and the safe "Smith" like names. The father wanting to move to NY for "money" even though they look pretty damn well off. The oldest sister's beau bursting into their house angrily and demanding that she marry him and he won't take no for an answer or whatever. Then walking out. A masturbatory fantasy for one-dimensional women.

The only interesting point was the little sister's mischievousness. It was dark and playful part of an otherwise pointless costume drama.


This is absolutely and clearly one the cinema's greatest vocal performances. it leaves you with chills.


 


Before I was born, nevertheless, I simply adored this Song and, as a child, sang it all the time. Along comes my daughter, who also loved this song; two of us now singing it. Along comes my Granddaughter and, yes, she too loves it. Now three generations still singing and loving the talent of the one and only JUDY GARLAND💕.
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Brilliant! They do not make stuff like that anymore.
What's not to love? Judy Garland never looked or sounded better, Margaret O'Brien is perfect as Tootie (a child character with a refreshing weird streak, who goes about burying her dolls and pulling pranks) a supporting cast with dependable stars like Marjorie Main, a beautiful score, a heartwarming script that feels warm but never sappy. this is simply one of the best movies ever made. If you ever have the opportunity to see this film in a theatre, you'll also see marvelous detail in the sets and costumes that simply don't show up on video. and the candy-colored technicolor looks magical.


Everytime I watch Judy there is always something else another layer, something more to be seen or heard. if you watch another other performer being and doing a dance challenge, it is simply back and forth for a number of steps, then the two performers do steps together, then a big finale. Watch Judy before she and Gene dance the same steps together, she is staring at Gene so intently as if she is looking at the steps for the first time, and when she gets to the together part she knows the audience is so caught under her magic spell of they believe she is seeing and doing these steps for the first time, that we are totally unaware that she no longer looks directly at Gene to see what the steps are. Judy was so brilliant of an actress, she knew how to create, and build an audiences suspension of belief so everything she did was 100% bought and believed by the audience.


I wish there were more bands like this.
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I love judy garland with all my heart.
What a fantastic number with two great performers! Donald O'Connor performed onstage with his family in Vaudeville from a very early age and was a seasoned pro for decades by the time he performed here in I Love Melvin. This was just a year after he danced formidably with Gene Kelly in Singin' in the Rain and after a decade dancing for other studios like Universal during the 1940s. Debbie Reynolds represents a fantastic closing chapter to the Golden Age of Hollywood and its musicals. From her origins as a show business ingenue in 1950, she successfully transitioned from the Silver Screen to television in the 1960s. Throughout the challenges of her personal life, she was the consummate professional throughout and carried the utmost stoicism. She always remained relevant and contemporary with a following that includes her original fan base from Singin' in the Rain and The Unsinkable Molly Brown all the way up to Millennials with roles in Mother, Will and Grace, and Behind the Candelabra. She also was one of Classic Hollywood's greatest ambassadors in preserving its legacy with an enormous collection of memorabilia that would have otherwise been lost. While her passing and that of her daughter, the great Carrie Fisher, leave us culturally diminished, they leave a wonderful legacy, including this wonderful number.


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1939- wow this song is amazing 2019- wow this song is amazing 2099- wow this song is amazing.
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Meet Me in St. Louis
St. Louis 1903. The well-off Smith family has four beautiful daughters, including Esther and little Tootie. 17-year old Esther has fallen in love with the boy next door who has just moved in, John. He however barely notices her at first. The family i...
Genre:
Drama, Comedy, Romance, Family, History
Actor: Judy Garland, Mary Astor, Harry Davenport, Leon Ames, Margaret OBrien, Lucille Bremer, Tom Drake, Marjorie Main
Director: Vincente Minnelli
Country: United States
Subtitles: English
IMDB: 7. 7
Status: HD
Runtime: 113 min
Release: 1945.


She made that look easy and i tell you remembering to do all that and act so natural with it is NOT.
"Just when St. Louis was going to be the center of attention of the entire universe... " Clang, clang, clang went the trolley Ding, ding, ding went the bell Zing, zing, zing went my heartstrings As we started for Huntington Dell. — "The Trolley Song" A classic 1944 musical adapted from the stories of Sally Benson, Meet Me in St. Louis was directed by Vincente Minnelli and starred his future wife, Judy Garland. It follows the lives of the Smith family, who live in St. Louis during the turn of the century. In particular, it follows the second-eldest daughter, Esther, her youngest sister Tootie, and Esther's crush, John. Everyone is excited with the coming of the 1904 World's fair; however, that all changes when Mr. Smith announces that the family might be uprooted to New York. A Screen-to-Stage Adaptation went to Broadway in 1989. This film features examples of: Adorably Precocious Child: Tootie is only five and has a strange obsession with play-acting that her dolls die of fatal diseases and holding funerals for them. She also apparently buries them in the cemetery. Adorkable: Esther's crush, John Truitt. He's an exceptionally nice and well-mannered young man, but he tends to be a bit awkward, or accidentally put his foot in his mouth. His first time alone with Esther, he compliments her perfume, and when she tells him what it is, he remarks "Exactly the kind my grandmother uses! " When they shake hands as he's leaving, his awkward parting words are, "You've got a mighty strong grip, for a girl! " All There in the Manual: According to the script (and a line at the Winter Ball), Grandpa's last name is Prophater, making him Anna's father and not Alonso's. Aluminum Christmas Trees: Alonso makes reference to a baseball team called the Baltimore Orioles. They weren't Major League in 1903, but they were a AAA team. They'd become Major League in 1954. Ambiguous Innocence: Tootie and Agnes, the youngest of the Smith family, certainly qualify. When Katie, the family's cook, tells Agnes that she kicked her cat down the cellar stairs, Agnes cries, "If you've killed her, I'll kill you! I'll stab you to death in your sleep and tie you to two wild horses 'til you're pulled apart! " It's obvious that she would never actually attempt this, but while she is a sweet and mostly ordinary girl, she seems to have a keen interest in gore and graphic violence, and it's rather troubling at times. She even hopes aloud that Rose got her a hunting knife for Christmas. Tootie, meanwhile, loves to play with her dolls like any normal child, but she also likes to say that they have "four fatal diseases" so that they can "die" and she can give them "beautiful funerals" and bury them in the graveyard. When Mr. Smith announces that they'll be moving, she comments, "It'll take a week to dig up all my dolls from the cemetery! " She also apparently has a plan to dig a tunnel into a neighbour's yard just so that she can grab her legs when she's walking past. Their mischievousness crosses into the territory of Enfant Terrible when they stuff a dress to make it look like a body and put it on the streetcar tracks to see what will happen. Tootie gets injured when Esther's crush, John, tries to hide her and Agnes from the police. Then Tootie even tries a Wounded Gazelle Gambit to get out of trouble, claiming that John tried to kill her. Even when the family discovers what really happened from Agnes, both the girls get off scot-free. Tootie doesn't even get punished for lying about John. Anguished Declaration of Love: Having finally made up his mind about his feelings for Rose, Warren decides to make them known by bursting into her house after midnight on Christmas morning and loudly declaring in front of her entire family that "We are to be married at the earliest opportunity and I don't want to hear any argument about it! " Rose is overjoyed, but doesn't get to say a single word in reply before Warren storms back out. Artistic Licence - Geography: Mountains can occasionally be seen in some shots. St Louis is on the prairie and does not have any mountains. "The Trolley Song" gives the World's Fair location as Huntington Park. It was actually Forest Park. Artistic Licence – History: The film takes place in 1903 and opens with several characters singing the song "Meet Me in St Louis", which wasn't written until 1904. Tootie likewise sings a bit of the hymn "Brighten the Corner Where You Are", which wasn't written until 1913. John says that he and Esther are "almost" the legal age to marry without their parents' consent. They are seventeen, but in Missouri at the time, the marrying age was fifteen. Betty and Veronica: Subverted. While she certainly is "alluring and exotic", Lucille turns out to be a nice and mature person — arguably the most mature of the group — and lets Rose have Warren because she knows it's her he's interested in. It really doesn't hurt that Lucille herself is much more interested in Rose's brother Lon. Broken Tears: At Christmas, while Esther is singing "Have Yourself a Merry Little Christmas", Tootie realizes how much she's going to miss St. Louis, and has a full-blown meltdown where she runs out of the house in tears and starts destroying all the snow people they had made, because she can't take them with her to New York. Christmas Songs: Introduced that standard, "Have Yourself a Merry Little Christmas. " Cool Old Guy: Grandpa. He sings (and dances! ) along to "Meet Me In St. Louis", he's more cheerful and optimistic than his son, he knows how to comfort Esther when she doesn't have a date to the dance, he's fun-loving, gives the younger girls advice on how to make the flour stick to their trick-or-treat victims, and he is more tolerant and willing to humor his grandchildren than their father is. Costume Porn: A lot of lavish dresses, particularly on Esther and Rose. In the scene of the World's Fair, Agnes and Tootie get to be dressed up in plenty of frills and bows as well. Crappy Holidays: The Smiths' Christmas is under a pall due to the family's imminent move to New York. Ultimately subverted when Mr. Smith announces they're staying in St. Louis after all, followed by Warren proposing to Rose. Deadpan Snarker: Almost everybody gets some snark in at least once. Grandpa uses it very effectively to comment on the entire family keeping a secret from Mr. Smith alone: "Your papa's not supposed to know. It's enough we're letting him work hard every day to support the whole flock of us. He can't have everything. " Katie gets in on the Deadpan Snarker game frequently. (See Servile Snarker. ) Double Standard: Abuse, Female on Male: Subverted. Esther attacks John when she thinks he attacked Tootie. When she discovers Tootie lied, she's incredibly guilty and apologises, and John shows her all the injuries she caused. It's glossed over after that scene though. Fiery Redhead: Esther, with her reddish-blonde hair, is a bit tomboyish, very protective of her sisters (to the point of beating up her crush because she thought he hurt one of them) and very spirited. Fix Fic: In real life Sally Benson's family did move to New York, instead of the last minute change of heart depicted in the film. Girl Next Door: Inverted, as the girl is the main character and sings about "The Boy Next Door. " Halloween Episode: There's a whole Halloween scene for the "Autumn 1903" bit. Happily Married: Lon and Anna Smith, played by Leon Ames and Mary Astor. They share an incredibly lovely duet called "You and I" just to drive the point home. Have a Gay Old Time: The line Make the Yuletide gay, from "Have Yourself a Merry Little Christmas". Hollywood Costuming: Although the costumes themselves are fairly accurate to the time period, Rose and Esther wear their hair down at a lot of social gatherings when girls of their age would surely have worn it up, as pretty much every other woman in the film does. Hypocritical Humor: Rose is not pleased with Esther drawing attention to her relationship with Warren by trying to make sure everybody's out of the room when he calls, and haughtily declares, "When you get to be my age, you'll realize that there are more important things in life than boys! " This becomes amusing in hindsight, as it becomes clear that Rose is by far the more boy-crazy one. She also claims she doesn't care about Warren's phone call, but then starts crying when it seems that she's missed it. Jerk with a Heart of Gold: Mr. Smith. He can be, as he puts it, "a little bombastic" when things aren't going his way. But it's also shown very clearly that he genuinely loves every member of his family, and this scene reveals what a softie he can be: Mr. Smith: Anna, I'm curious — just when was I voted out of this family? Mrs. Smith: Oh, Lon, really now. Mr. Smith: What else am I to think? My eldest daughter is practically on her honeymoon and everybody knows about it but me! In view of this family's refusal to let me in on their little intrigues, I'll handle the telephone in my own way! From now on, I'll take all incoming calls! [telephone rings] [beat] Mr. Smith: …Rose, you answer that. Informed Poverty: Mr. Smith's income alone is apparently enough to support a family of seven (plus a cat), and pay for a live-in maid, in a house that's large by almost any standard, with enormous, luxurious rooms, good furniture, lots of decor, a large yard, etc. The family doesn't seem to want for anything, and doesn't appear to be struggling; they host parties, attend parties, wear good clothes, send the oldest to college, go to the St. Louis World's Fair, etc., without any implication that these expenses will cause financial difficulty. Yet, when Agnes asks why they wouldn't be living in a house in New York, Rose replies, " Rich people live in houses. People like us live in flats", implying that they're considered middle class at best. It's not clear if this discrepancy is because the creators just couldn't be bothered making them appear less well-off, or if it's a justified artifact of the setting (St. Louis in 1903-1904), where the middle class might have had a much higher standard of living than they have on average nowadays. (Not to mention that New York may have had a much higher cost of living than St. Louis, just like it does today; Rose may have only meant that they're not rich compared to people who can afford houses in New York. ) Karma Houdini: Neither Tootie nor Agnes receive any punishment whatsoever for almost causing a streetcar accident on purpose, and anyone with the least bit of sense would've severely punished Tootie for falsely claiming that John Truitt tried to kill her — especially when he in fact had tried to help her; but she doesn't get so much as a spanking because everyone decides it's funny. Because reckless endangerment and defamation are hilarious. What's worse is that Rose even defends Tootie when Esther gets mad at her for lying. "After all, she was good about her lip and didn't cry! " Not to mention that earlier in the scene, when Rose says to Agnes, " You might have killed dozens of people! ", Agnes replies, "Oh, Rose! You're so stuck-up! " Apparently the film agrees, since Rose ends up just laughing about it with them, leading to some Values Dissonance. Love at First Sight: "The moment I saw him smile, I knew he was just my style / My only regret is we've never met, though I dream of him all the while... " Love Triangle: Between Rose, Warren, and Lucille (as well as between Warren, Lucille, and Alonzo Jr). It doesn't last long, though. Lyrical Dissonance: Subverted for "Have Yourself A Merry Little Christmas;" the original lyrics were quite depressing as per the slow song it is. (Not that the version in the film is exactly a barrel of laughs. ) The song-writer later said it was written with a eye to the soldiers fighting in WW2. The opening lines were: Have yourself a Merry Little Christmas / It might be your last. ' My God, What Have I Done? : Esther has a mild case after she beats up John for hurting Tootie, only to realize that John was innocent, and in fact did what he could to protect Tootie. Smith also has his moment when he witnesses Tootie's startling meltdown over the prospect of moving out of St. Louis. This inspires him to change his mind and call off the move. Nice Guy: John Truitt. He is friendly, polite, and kind. He also turns out to be quite selfless; later in the film he drags Tootie away from an accident she caused so that she wouldn't get in trouble, despite the risk of getting in trouble himself. Then, when Esther thinks he hurt Tootie and beats him up over it, he forgives her almost immediately when she returns to apologize, and even initiates their First Kiss moments later. Of Corset Hurts: One scene features Rose lacing a reluctant and complaining Esther into a corset in preparation for a party. Of Corsets Sexy: The same sequence above continues for a while with Esther and Rose in the corsets to provide mild Fanservice. Old Maid: Esther acts as if Rose is this, when she appears to be eighteen or nineteen. The girls squeal as Rose arrives home. Pair the Spares: Unusually, two separate love triangles are resolved in one stroke: Rose/Warren/Lucille and Warren/Lucille/Lon Jr are both neatly dealt with by making Rose/Warren and Lucille/Lon the Official Couples. Post-Kiss Catatonia: Esther is hit hard with this after her First Kiss with John. All she can say in reply is "You've got a mighty strong grip for a boy. " She then saunters away in a dreamlike state, and is still out of it when she makes her way into her house and sits at the dining room table. Mrs. Smith: Esther, your ice cream is melting. Esther: [dreamily] Isn't it? Public Secret Message: Rose to Esther: "The plans have changed. " Redhead In Green: Rose has redder hair than Esther and wears a green evening dress to the Christmas party. Romantic Wingman: Grandpa for Esther at the ball, especially when he whisks her away from one of the guys on her dance card, and then hands her off to John when he unexpectedly arrives. Grandpa: Pardon me, young man, but in the great country of China, when a stranger admires one of your possessions, it's common courtesy to offer it to him. Kid at the ball: That's very interesting… Grandpa: Yes. Well I spent many years in China, and if you want to make me feel thoroughly at home, you might offer me your partner. Kid at the ball: Huh? Grandpa: Spoken like a gentleman. Servile Snarker: Katie is wonderful. Agnes: Katie, where's my cat? Where is she? Katie: I don't know... a little while ago she got in my way so I kicked her down the cellar steps. I could hear her spine hit on every step! Agnes: [horrified] Oh! If you've killed her, I'll kill you! I'll stab you to death in your sleep and tie you to two wild horses 'til you're pulled apart! Katie: Oh, wouldn't that be terrible now? [pointing at a chair where the cat sits unharmed] There's your cat. Smith: Katie, I'm sorry I couldn't eat an hour earlier. Katie: Don't blame me if the corned beef's an hour tougher! Single Woman Seeks Good Man: Esther falls for John Truitt, who is friendly, kind, soft-spoken, and caring. Tears of Joy: Esther is crying these after John proposes to her. Time to Move: This is the primary conflict of the film. At Halloween, Mr. Smith announces that they're moving to New York, because he's being transferred there for his work. Of course, as per the definition of the trope, he calls it off in the end. Titled After the Song: The title tune was written well before the film. Unspoken Plan Guarantee: This happens to two plans, one at the film's opening, and one near the end: Esther asks Katie to tell "a little white lie" to get Mrs. Smith to agree to having dinner an hour early, so that the family won't be listening in when Warren calls Rose long-distance from New York. Smith either overhears or figures out for herself what the real reason for eating early is. In fact, everyone except Mr. Smith ends up knowing before dinner what's going on *. Then Mr. Smith comes home stressed from work, and refuses to eat an hour early since he was planning on soaking in the cool bath for an hour. Then when they do have dinner, they try to get it over with quickly, but Mr. Smith, whose mood has much improved, suggests they enjoy "a nice, leisurely meal", and resists all attempts to steamroll through dinner. When the phone rings, he answers it, and when asked about a call from New York, says he's "not calling New York", and the operator hangs up. Despite the Plan saves the day and Rose gets her call (though Warren doesn't propose as everyone expected). Esther and Rose's plan to ruin Lucille Ballard's evening would have worked beautifully if not for the fact that Lucille turned out to be arguably the most mature of the group, insisting Warren spend the night with Rose because he spends all his time talking about her anyway, leaving them no choice but to cancel the plan. Seeing as Grandpa seemed to have figured out what was going on even before the plan was botched, he might have ended up intervening if they hadn't called it off on their own, so it may have been doomed either way. What Happened to the Mouse? : There's never any answer given for how John got a tuxedo for the Christmas dance. Maybe he found that tailor? Wounded Gazelle Gambit: Tootie tries this to avoid admitting how she hurt herself and getting in trouble.


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