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  1. writer - Ludovica Rampoldi

  2. release year - 2019

  3. Directed by - Marco Bellocchio

  4. Cast - Fausto Russo Alesi

  5. brief - The real life of Tommaso Buscetta the so called "boss of the two worlds", first mafia informant in Sicily 1980's

@Coga95xD a jeli da li znas zasto grobari drkaju izpred ogledala? zato sto vide picku. pozdrav sa severa.
Vrhunska.
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Bas te lepo pisali hehe.


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Snijeg je pokrio tragove.
Mnogo je on obecao zapadu zato je kao bivsi radikal pobedio demokratskog predsednika tadica dok sve obecano ne sprovede nece on sa vlasti.
Jao prijatelju Pa zar ne uvidjas da nam je prijesednik Milo u Illuminatima i da stuje sotonu? Isto ti je u Hrvatskoj slucaj,a Stipe Mesica ni da ne pominjem.
Bravo za ovu dvojicu voditelja. Koji se bore za bratstvo. Ima ih još, sa svih strana ali se sakrili u misiju rupu. Televizija je sada najveće oružje. Ko razumje ili razume Svatiće. VELIKO BRAVO ZA OVE VODITELJE KOLIKO SE BORE ZA OVAJ NAPAĆENI NAROD BALKANA.


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Pa ti u LEGENDO, TI si PONOS SRBIJE ONIH KOJI IMAJU MOZAK, a i PONOS SVIH KOJI TE SE RADO SJECAJU, NAS TITOVIH PIONIRA, KOJE NAS JE TITO VASPITAO, i sjetio se PIONIRSKE ZAKLETVE... Dovoljno je cuti iz pionirske zakletve, da se shvati da nam je TITO BIO I OTAC JUGOSLAVIJE SVIH NAS...
From the debates in the halls of Palermo to the killings in the streets, Bellocchio delivers a very well done movie with all the characteristics to be remembered as a great mafia movie. Favino is just fabolous, great acting. A marvelous portrait of a piece of Italian history. Thank you Marco.


A svoju majku da tudmana nije bilo nebi ti tu sjedio vec bi u njemackoj jos uvijek cistio u bolnicama jer si nepismen a sada imas nekakvu diplomu jer ti je tata kupio od isti sto su na vlasti kao i ti sada i to provjereno.
Ludi Milojko.
Zvezdo prcim te ale ale.
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I reckon, not sure that this has been televised.

have watched it partly twice cause I fell asleep, seriously.

storyline, if any, hard to follow.

if you are sufferiing from insomnia I recommend watching it

3 start cause some details were accurate. the end.
Bravo ljudino istina boli ljude.
Svi su kriminalci pa se i ja mogu slikat sa Obradovićem koji Ratka Mladića smatra Srpskim herojom. Pernar show.
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U pravu ste. Zivjeli...
Ovaj sve laze, ne gleda u oci dok govori.
Čovjek ima facu kao da je prošao Koreju, Vijetnam, Afganistan, Irak, Kuvajt, Staljingrad i Vukovar.
The last film of Marco Bellocchio is the portrayal of Tommaso Buscetta, a former member of Italian mafia who brake ' omerta' and became an informant. Moreover, through Buscetta's life we can see the Italian mafia history during 60's-80's.

As I was a bit dissapointed from Bellocchio's latest works I didn't expect to see a great movie, but in the end I was amazed both from the direction and the plot line. Some scenes of the movie are a real masterpiece and although it lasts 2,5 hours you don't get tired or bored.

Outstanding acting by Pierfrancesco Favino, he's perfect on his role.


Respekt i to veliki, iskreno i direktno, svaka cast.
Backović iz Nikšića.
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The Traitor Film poster Directed by Marco Bellocchio Produced by Beppe Caschetto Screenplay by
Marco Bellocchio
Valia Santella
Ludovica Rampoldi
Francesco Piccolo
Francesco La Licata
Story by Marco Bellocchio Starring
Pierfrancesco Favino
Maria Fernanda Cândido
Fabrizio Ferracane
Fausto Russo Alesi
Luigi Lo Cascio
Music by Nicola Piovani Cinematography Vladan Radovic Edited by Francesca Calvelli Production company
IBC Movie
Kavac Film
Rai Cinema
Gullane
Ad Vitam Production
Match Factory Productions
Distributed by 01 Distribution (Italy) Release date
23 May 2019 ( Cannes) [1]
23 May 2019 (Italy)
6 November 2019 (France)
Running time 135 minutes Country
Italy
France
Brazil
Germany
Language Italian Box office $8. 6 million [2] [3]
The Traitor ( Italian: Il traditore) is a 2019 internationally co-produced biographical crime drama film co-written and directed by Marco Bellocchio, about the life of Tommaso Buscetta, the first Sicilian Mafia boss who was treated by some as pentito. Pierfrancesco Favino stars as Buscetta, alongside Maria Fernanda Cândido, Fabrizio Ferracane, Fausto Russo Alesi and Luigi Lo Cascio.
Cast [ edit]
Reception [ edit]
On review aggregator website Rotten Tomatoes, the film holds an approval rating of 76% based on 30 reviews, with an average rating of 6. 7/10. [5] Metacritic, which uses a weighted average, assigned the film a score of 57 out of 100, based on 7 critics, indicating "mixed or average reviews". [6]
Awards [ edit]
It was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival. [7] It was selected as the Italian entry for the Best International Feature Film at the 92nd Academy Awards. [8] The film received 4 nominations to the 32nd European Film Awards, including Best Film, Best Director, Best Screenwriter, Best Actor. [9] It also won seven awards (out of 11 nomination) at the Nastro d'Argento: Best Film, Best Director, Best Screenplay, Best Editing, Best Score, Best Actor (Pierfrancesco Favino) and Best Supporting Actor (Luigi Lo Cascio and Fabrizio Ferracane). [10]
See also [ edit]
List of submissions to the 92nd Academy Awards for Best International Feature Film
List of Italian submissions for the Academy Award for Best International Feature Film
References [ edit]
External links [ edit]
The Traitor on IMDb.


|
Simon Abrams
January 31, 2020
It took me a moment to catch up with the dry absurdist humor in “The Traitor, ” a new Italian period drama about that time when, from 1980-2000, real-life Mafia don Tommaso Buscetta ( Pierfrancesco Favino) informed on a couple hundred gangsters. To be fair: “The Traitor”—the latest political drama from Italian New Wave maestro Marco Bellocchio —is not only about that one time, and Buscetta didn’t explicitly name everybody who was imprisoned because of his testimony. But still, back to my original point: the sprawling scope of “The Traitor” is a big part of its dryly funny (though never in a ha-ha kind of way) appeal, and that takes some getting used to.
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In “The Traitor, ” Bellocchio (“Fists in the Pocket, ” “Good Morning, Night”) and his three credited co-writers make a point of emphasizing the surreal events that preceded and continued after Buscetta’s testimony, which is shown to have played a major role in the conviction and imprisonment of dozens of prominent Italian mobsters. Buscetta lives in the eye of a political storm, so he’s not the main subject of “The Traitor, ” but rather the constellation of events surrounding his testimony. “The Traitor” is, in that sense, a comedy about how Buscetta’s environment informed his character. Bellocchio doesn’t use Buscetta to preach about national identity or a specific historical moment. If anything, “The Traitor” could be renamed “The Tragedy of a Ridiculous Man” if that title weren’t already taken by another great Italian satire. In 1980, Buscetta tries to leave the mob, and move to Brazil with his family. Later that year, his sons are murdered by pissed-off rival mob bosses while he and his third wife Cristina (Maria Fernanda Candido) are imprisoned and tortured by Brazilian military police. The local authorities send Buscetta back to Italy four years later, but only after they make a big show of giving Buscetta a clean bill of health, which naturally blows up in their face (he may or may not have tried to poison himself). Once in Palermo, Buscetta is offered a deal: become an informer (in Italian: a “penitent”), or die in a cell. Not much of a choice, but also not an easy call for Buscetta, a self-described “man of honor. ” A lot of information about Buscetta—especially what motivates him—is hidden in plain sight. Buscetta was, as fans of Italian true crime know, the star witness at a couple of Mafia trials, where hundreds of gangsters were charged with multiple life sentences; during these trials, the accused wait in barred, zoo-like enclosures at the back of massive, halogen-lit auditoriums. Many defendants act out, exposing themselves, smoking cigars (for their health), screaming threats, demanding to cross-examine Buscetta. But these trials all look very different to Buscetta, a man whose closest professional connection might be Totuccio Contorno ( Luigi Lo Cascio), a fellow informer who dreams about the salad days of caviar and prostitutes. “What sensational fucks we had, what grand sluts they were, ” Contorno sighs as Buscetta meticulously applies shoe polish-thick hair dye to his greying mane.
Still, what kind of person is Buscetta? Bellocchio leaves that question open-ended, though he does give viewers several opportunities to come up with their own answers. Favino, who delivers a career-best, Burt-Lancaster-esque performance, does a lot of work just by tensing up when he speaks. There’s a lot going on in Buscetta’s head, but some of it doesn’t make sense when said aloud. He wants Judge Falcone ( Fausto Russo Alesi) to know that there’s no such thing as “the Mafia, ” only “Cosa Nostra, ” and that organization isn’t what it used to be. He’s also not an informer, since he’s not really penitent. Falcone provides a rare reality check, and reminds Buscetta that the Cosa Nostra was never really the working-class collective of gentlemen outlaws that they think they are. But Falcone eventually leaves Buscetta’s story, and there aren’t many other people bold enough to prick Buscetta’s bubble. Buscetta’s testimony is too important to the state, so he stays in a weird, insular world that’s defined by combative questions and tough talk, but very little action. As you might imagine, “The Traitor” isn’t an easy movie to warm up to. Buscetta’s story is never raucously funny, nor is it original in its depiction of political corruption on either a macro- or micro-level. But Bellocchio’s tragicomedy is still one of the first unmissable movies of the year since it’s both bigger and more intimate than it seems. “The Traitor” is a massive self-contained microcosm: it exists just outside the realm of genre movie conventions and deep inside its unreliable protagonists’ hard-scrambled psyche. It’s a nightmare; it’s a gas.
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Neverovatna Ljudska gromada.
Izdajnik Free movie page imdb.
Italy, Germany, France, Brazil Synopsis In the early 1980’s, an all out war rages between Sicilian mafia bosses over the heroin trade. Tommaso Buscetta, a made man, flees to hide out in Brazil. Back home, scores are being settled and Buscetta watches from afar as his sons and brother are killed in Palermo, knowing he may be next. Arrested and extradited to Italy by the Brazilian police, Buscetta makes a decision that will change everything for the Mafia: He decides to meet with Judge Giovanni Falcone and betray the eternal vow he made to the Cosa Nostra. Director's Biography Born in Bobbio, near Piacenza, Marco Bellocchio had a strict Catholic upbringing – his father was a lawyer, his mother a schoolteacher. He began studying philosophy in Milan but then decided to enter film school, making his first film, FISTS IN THE POCKET, funded by family members and shot on family property, in llocchio's films include IN THE NAME OF THE FATHER – a satire on a Catholic boarding school that shares affinities with Lindsay Anderson's IF.... (1972) and MY MOTHER'S SMILE (2002), which told the story of a wealthy Italian artist, a 'default-Marxist and atheist', who suddenly discovers that the Vatican is proposing to make his detested mother a 1995 he directed a documentary about the Red Brigades and the kidnapping of Aldo Moro, entitled BROKEN DREAMS. In 2003, he directed a feature film on the same theme, GOOD MORNING, NIGHT. He finished SORELLE MAI, an experimental film that was shot over ten years with the students of six separate workshops playing themselves. | Directed by: Marco Bellocchio Written by: Marco Bellocchio, Ludovica Rampoldi, Valia Santella, Francesco Piccolo Produced by: Giuseppe Caschetto, Simone Gattoni Cinematography: Vladan Radovic Editing: Francesca Calvelli Production Design: Andrea Castorina Costume Design: Daria Calvelli Hair & Make-up: Alberta Giuliani, Dalia Colli, Lorenzo Tamburini Original Score: Nicola Piovani Sound: Gaetano Carito, Adriano Di Lorenzo Main Cast: Pierfrancesco Favino (Tommaso Buscetta), Maria Fernanda Candido (Cristina Buscetta), Luigi Lo Cascio (Salvatore Contorno), Fausto Russo Alesi (Giovanni Falcone), Fabrizio Ferracane (Pippo Calò) Visual Effects: Rodolfo Migliari European Film 2019 European Director 2019 European Actor 2019 European Screenwriter 2019 EFA Feature Film Selection 2019.


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U pevaj brate naj normalniji je fajta-Milan Kalinić.
Pa tako ti i treba kad si glup mustafo.
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STOJKE je grobar i uvek ce ostati.
E jebite ga jel neko govori istinu o svemu sto se dogadjalo ili dogadja jos za Srbe su il pijanci il Narkomani il izdajnici priberite se malo Ljudi dokle vise pobogu.
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Boze gledas li ti ovog umobolnika koji sebe naziva najvecim Srbinom. Ako bi se mi Srbi pomirili sa tom njegovom tvrdnjom bolje da nas i nema. Velika me je sramota kad nas neko ovakav predstavlja u svetu, ovog puta kod dokazanog Srbomrzca i njegovih zemljaka. Ironija je u tome sto taj isti Senad a i vecinja njegovih zemljaka, kad bi malo procackali po istoriji, uverili bi se da su poreklom poturceni Srbi. To isto vazi i za Hrvate, koji su vecinom pokatoliceni Srbi, i u BiH i u Hrvatskoj. Malo je autohtonih i Muslimana i Hrvata. Ironija je i to sto su sve to bili najveci krvnici nas Srba a mi smo im doneli slobodu i nezavisnost i od Turaka i od Austrougara. I posle svega dodje jedan, nazovi Srbin, koji bi jos da nas istrebi i pobije i koji se izvinjava sto nas jos nisu vise pobili. Sta bi covek rekao nego, Zemljo otvori se. A ti Boze dobro vodi racuna kad se odredjuje cija ce dusa ili u raj ili u pakao gde ces ovakve i slicne njemu poslati.


Bravo, bravo veliki Gospodine.
Kaze se firma ne tvrtka ne.
A traitor is a person who commits treason.
Traitor, The Traitor or Traitors may also refer to:
Films [ edit]
Traitor (film), a 2008 spy thriller starring Don Cheadle
The Traitor (1936 German film), the English title for the film Verräter directed by Karl Ritter
The Traitor (1936 American film), directed by Sam Newfield
The Traitor (1957 film), a British film noir
The Traitor (2019 film), an Italian film
Literature [ edit]
Traitor ( Star Wars novel), a 2002 novel by Matthew Stover
The Traitor (Dixon novel), a 1907 novel by Thomas Dixon Jr., and a 1908 dramatization of it
The Traitor (Walters novel), a 2002 Guy Walters novel
The Traitor (play), a 1631 play by James Shirley
The Traitor, a 2007 fantasy by Michael Cisco
The Traitor, a 2007 spy thriller by Stephen Coonts
The Traitor Baru Cormorant, a 2015 fantasy titled The Traitor in the UK
Traitor (Daisley novel), a novel by Stephen Daisley
Music [ edit]
Traitors (album), by Misery Index
"Traitor", a song by Motörhead from Rock 'n' Roll
"Traitor", a song by Renegade Soundwave from Soundclash
"The Traitor", a 1985 song by Minimal Compact
Television [ edit]
Traitor (TV drama) (1971), a British television play by Dennis Potter
Traitors (TV series) (2019), a British mini-series
"Traitor" ( Captain Scarlet), an episode of television series Captain Scarlet and the Mysterons
"The Traitor", a 1985 two-part episode of the cartoon G. I. Joe: A Real American Hero
"Traitor", a 1985 episode of The Transformers
Traitor ( American Horror Story), an episode of the television series American Horror Story
Traitor ( The Secret Circle), an episode of the television series The Secret Circle
Other uses [ edit]
Traitor (Thieves' World), a 1982 fantasy role-playing game adventure for Thieves' World
See also [ edit]
Traiteur (disambiguation)
Treason (disambiguation)
Treta, a Sanskrit word relating to Hinduism.


Hvala brate Milojko da ti Bog da zdravlja ponajviše a tako i Senadu.
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E da je više ovakvih ljudi koji te tako dirnu u srce,i to na tako divan način.
The movie depicts 1 of the saddest pages of the Italian history. Unfortunately is not the unique and there are so many others, so sad and bad.

Favino is one if the greatest Italian actors amd should really deserve a role in a Hollywood movie with a large budget. But directed by an Italian if the movie describes Italian history.

Favino has interpreted his role so great that if you listen to the original recordings of the Mafia process, you hear the exact same accent, tone, voice and words. As he was there.

I strongly recommend to watch.


Everyone has, of course, heard of the mafia but what and who these people are, remains hidden behind lurid headlines and sensational films.

The Traitor offers an insight into who these people really are, their motivations, ambitions and the structure of the organisation, headed by a commission.

What becomes clear is how tribal, loosely cohesive at best and brutal this group is. It underscores too, the fragility, of the judicial system in Italy. Law enforcement and judges intimidated by these groups and politicians potentially collaborating with them. Small wonder they became so powerful.

This film is inherently interesting, made more so by stellar performances, that are simple and honest. There is no pretension here, just an insight into the troubled and tortured life of a man who decided to expose the vicious criminal organisation he once served.

One notable downside is because of the breadth of ambition of this film, covering decades, it can be difficult to follow at times. Making the viewer work to keep up with what happening to who, when and why.

Nonetheless compelling viewing. 7/10 from me.