The Cinema of Me: The Self and Subjectivity in First Person Documentary (Nonfictions) - When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film The two senses of the word are immediately in play 8211 the matter and the maker8212thus the two ways of being subjectified as both subject and object Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of me into the cinema of we Leading scholars and practitioners of firstperson film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts