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Take Bravo, the once completely enlightened and completely failing network that, like Arts & Entertainment and The Learning Channel before they became A&E and TLC, once devoted itself to being a slightly less boring knockoff of PBS.In 1985, five years after its founding, Bravo's success, measured then by its 350,000 subscribers, as follows:
What has kept things afloat for the past five years has been an evolving mix of cultural programming. Nowadays, a spokesman said, approximately 70 percent of the premium service's schedule is devoted to films, nearly all of which are either from abroad, from the fringes of American production or from times past. The remainder of the schedule is given over to the performing arts -jazz concerts, ballet, opera, modern dance and the like. From Woody Allen films to documentaries about Latin America to performances by the Pina Bausch dance troupe, the offerings range from the challenging to the downright esoteric.
All that changed when NBC bought Bravo in 2002 and gave it a makeover almost completely motivated by ratings. It started with Queer Eye for the Straight Guy, which in its first year delivered 3.3 million viewers per episode. Then came ofTop ChefandProject Runway, which are still considered highbrow in their own way, but only in the context of their fellow reality shows likeThe Real Housewives. And let's face it: Bravo is pretty much allHousewives all the time. Well, that anda show about Silicon Valley that features .
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And remember ?It was founded by the Department of Health, Education and Welfare, along with NASA. Really! Then in came Discovery as the new boss, and with itAmerican Chopperand, eventually, TLC'sToddlers & Tiaras, which birthedHoney Boo Boo not to mention major ratings.Arts & Entertainment has long been a corporate entity, but it gave way from highbrow post-Nickelodeonfare and devolved into, you know,Dog the Bounty Hunterand whatever Gene Simmons is up to these days.
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It's all a little reminiscent of the days whenUsmagazine was actually a glossy movie magazine that Hollywood stars loved to pose for.The New York Timesstarted it! Then came a partnership with Disney, and J.Lo, and on and on to the supermarket tabloid you now know asUs Weekly, one of the most successful print publications on Earth.
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So, in the slowly dwindling technological world of the e-reader and its advancedbrethren, Amazon's Kindle is like old-school TLC and the B&N Nook is maybe a little younger and cooler, like Bravo, but still failing;the iPad, however, has Here Comes Honey Boo Boowritten all over it. Not that there's anything wrong with what Amazon and Barnes & Noble were trying to do a small audience might enjoy a device that has novels and long biographies and maybe some newspapers and little more. But the majority of people these days want to spend their downtime with HBO Go and Netflix apps, with games and email and other ways to relax their entire brains... not just the fancy parts of it. With tablet prices falling to more affordable levels Amazon sells a Kindle Fire for $159 and a Kindle Paperwhite for $119 of course today's readers are going to choose the thing that helps them go beyond boring old reading. It might not have that easy-on-the eyes screen, but the majority of time spent on tablets isn't spent reading books but answering emails, reading the news (a shorter reading experience than an entire book), and playing games, . Plus, the iPad has its ownKindle app, for those times when you do, after all, feel like indulging in something a bit more highbrow. Because people do, still read a lot of books. They just like doing everything else a lot more. If the death of the e-reader is nigh, maybe the age of the straight-and-narrow, undistracted smartypants isn't far from ending, either.
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