Tôkyô goddofâzâzu Torrents


 


 



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rating - 28074 vote


country - Japan


2003


Tôru Emori


story - Tôkyô goddofâzâzu is a movie starring Tôru Emori, Yoshiaki Umegaki, and Aya Okamoto. On Christmas Eve, three homeless people living on the streets of Tokyo find a newborn baby among the trash and set out to find its parents


This looks like it's going to be beautiful. Love the music.
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Asoy di goyang.
Omg yes. I love your videos.
ქართულად
სამი მაწანწალა – ტრანსგენდერი, ლოთი და უპატრონო გოგონა – ცხოვრებისგან აღარაფერს ელის და მომთაბარეობას შეგუებულა. ყველაფერი იცვლება, როცა ისინი ზამთრის ცივ ღამეს ქუჩაში ჩვილს პოულობენ...
წელი: 2003
ჟანრი: ანიმეები
ნახვები: 688.
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Tokyo Godfathers - Satoshi Kon
“This is a Christmas present from God! She’s our baby! ”
Tokyo Goddofazazu (Tokyo Godfathers) [2003].
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I literally got my pfp from a random editing app on my phone and ever since i edited that pic i use it sometimes cause i dont have any other ones, except on discord.
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Why wont the internet give me a full free version of this movie. i hate those damn websites that make you fill out a survey just to watch a movie or even a clip. i just want to watch the damn movie not have my email bombarded with spam or my computer filled with viruses.
1:16 no stop you're already scaring me.
I'd just finished the movie, then turned to this video. Gonna need some Lucky Star before bed boys.

The prostitute dude was my fav character by far.




I always love to hear people discuss Satoshi Kon. Thank you so much for making this video, and merry Christmas.


GOD DAMN IT! subscribing to you was possible the next best thing I've done since smoking crack.


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Hiding in Public talks about your favorite film artist Cries of Joy Honestly I love him for his beauty of Animation film.
I thought this was gonna be a Mob movie XD.
Makes Up noise.
WEBRip
Aprašymas
Per Kūčias Tokyjuje, trys benamiai Gin, Hana ir Miyuki, rausdamiesi šiukšlėse randa kalėdinę dovaną paliktą kūdikį. Parsinešę jį namo jie galiausiai nusprendžia surasti jo tėvus, taigi kol kiti šiltuose namuose švenčia šie trys nelaimėliai jie leidžiasi į kelionę, kuri pasirodo kupina netikėtų atsitiktinumų ir įvairiausių likimo vingių, kurie juos suveda su senuoju jų gyvenimu, taip atskleisdami mums jų praeitį.
Grįžti atgal
Info
Data - 17-09-2019, 13:22
Paskelbė - ovsas1
Peržiūrų - 333
Komentarų - 0.




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Bravi picciotti.
I just watched this movie on Christmas morning before everyone woke up.
Used to have dreams like this when I was little. Weird that they were in Japanese.
Nice ska i've heard ❤️❤️❤️.
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One of the best scenes 😂.
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Asik ini 😆😆😆.
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This movie hasn't left my mind since i watched it, anyone else? i truly find it terrifying and at the same time a total masterpiece.


Yeees i just saw it on christmas day myself and i loooooved it.
It's my actual favorite movie of all time.
We lost him all too soon.
You kinda sound like Neil Gaiman and I love it.
Thank you very much. Glad you liked it.
A wonderful tale taking place during the holidays about an unlikely 'family'

Gin, a middle-aged man who claims to have lost everything; Miyuki, a teenage runaway with a somewhat touchy temper; Hana, a middle-aged transsexual.

When the homeless family discover an abandoned child in the garbage, they venture on to find the child's family. Throughout the movie, they face a variety of obstacles, including incidences of faith and crime, and inevitably their own pasts. The action is dramatic, the resolutions are touching, and the characters, though differing in personalities, are all fun at one point or another (particularly the outgoing Hana.

Though some incidences are incredible, the characters are somewhat realistic, and the story itself proves that not all animation is for 'kids. One thing that should be clarified, however, is that while Hana is a transsexual, homosexuality is scarce in the movie.


Segundo comentario.
Perfect blue was way before it's time and its deserves more credit.
OMG, why does this not have more views? XD.
Synopsis: Meet the ultimate dysfunctional family.
From acclaimed director Satoshi Kon (Perfect Blue, Millennium Actress) and Japan’s leading animation studio Mad House (X, Vampire Hunter D, Ninja Scroll) comes this visually and emotionally stunning tale of adventure, love and redemption.
In Tokyo, three homeless people’s lives are changed forever when hey discover a baby girl at a garbage dump on Christmas Eve. As the New Year fast approaches, these three forgotten members of society band together to solve the mystery of the abandoned child and the fate of her parents. Along the way, encounters with seemingly unrelated events and people them to confront their own haunted pasts, as they learn to face their future together.
***********************************************************************
Tōkyō Goddofāzāzu 8. 25
eyelights: its blend of drama and humour. its quirky protagonists. its touching tale. its animation style.
eyesores: its 2D quality.
“This is a Christmas present from God! She’s our baby! ”
I’m a big fan of Satoshi Kon. The Japanese filmmaker directed only a few films before unexpectedly passing away in 2010, but I like each one of them. His debut, ‘Pafekuto Buru’ was a psychological thriller that would have made Hitchcock smile. His follow-up, ‘Sennen Joyu’, is a touching period drama invested with more empathy than most films. And then there’s the jaw-droppingly trippy ‘Papurika’, which is challenging but satisfying.
Meanwhile, ‘Tokyo Goddofazazu’, his third picture, is his most accessible. Inspired by Peter B. Kyne’s novel ‘Three Godfathers’, it’s a quirky dramedy that follows three homeless people as they try to track down the parents of a newborn girl that they found on the street on Christmas Eve. Relative strangers to one another, Gin, Hana and Miyuki have become a surrogate family – but they support, bicker and make up like the real deal.
And like any good family, they take care of their own – including Kiyoko, the family’s new addition.
What makes the movie work so well are its mix of various genres, the interplay between its leads, and the way that all the pieces interconnect. Though it’s a lot of elements to coordinate, Kon managed to strike the perfect balance between all the parts, which is an astonishing achievement. One would be hard-pressed to find many other pictures that are as successful at blending humour, melancholy, warmth, mystery and thrills.
And a touch of magic.
Our trio is also a great balancing act: Gin is an alcoholic former cyclist who left the spotlight after failing to secure the medical help his daughter required; he’s gruff and implacable. Hana is a drag queen who is secretly in love with Gin and who dreams of being a mother; he’s emotional and very loyal. Miyuki is a rebellious young woman who’s run away from home following a familial conflict; she’s sullen and antisocial. They’re quite the cocktail.
And yet, they’re genuinely affecting.
The plot is developed in a fairly contrived fashion, which one mustn’t challenge in order to truly enjoy the picture, but Kon connected its threads in clever ways; as our “Tokyo Godfathers” scour the city for clues leading them to Kiyoki’s family, every encounter or incident takes them a step further on their investigation – and in their personal journeys, as their own individual past histories are gradually explored and eventually resolved.
What’s remarkable about this picture is how it humanizes the homeless without pitying them: it serves up various different motivations and concerns for all of its characters and illustrates quite well the challenges that they face as the perceived dregs of society. And, in the process, it also explores our collective perceptions of family values and familial connections – in ‘Tokyo Goddofazazu’, no family is a picture-perfect “traditional” one.
Much as in real life.
Though Kon would peak with his next film, his swan song ‘Papurika’, the animation here is also superb. The characters express themselves in mildly cartoony ways, but their motion is realistic enough – and the rest looks life-like. As we visit all over Tokyo, we get to see it through our trio’s eyes, and the backgrounds look very good. Unfortunately, they have a 2D quality to them, but the falling snow sort of adds a third dimension to them.
The picture ends on an exciting note, with a riotous chase featuring a stolen truck, a kidnapped baby and a taxi. It’s funny, it’s exciting, it’s wholly entertaining – and, unlike many chases, it doesn’t outlast its welcome. It all wraps up with a stunning rooftop freefall and landing that Kon made beautiful, slowing it down in such a way that he was not only easing his character, but also his audience. He fashioned it into a magical moment.
The kind you can only find at Christmas.
‘Tokyo Goddofazazu’ is masterful storytelling. It finds Satoshi Kon at the height of his powers, taking his audience on all sorts of twists that are equally dramatic and hilarious. Here he struck such a fine balance that the picture never lulls, never bores, never feels off-kilter. Were the animation just a touch stronger, this would likely be a genuine masterpiece. Despite this, it’s meaningful enough that it should be seen on par with the classics.
On these Tokyo streets, in the company of Gin, Hana and Miyuki, it’s a wonderful life too.
Date of viewing: December 1, 2016.


Tokyo Godfathers (東京ゴッドファーザーズ Tōkyō Goddofāzāzu) is a 2003 Japanese anime film directed by Satoshi Kon loosely based on Peter B. Kyne's novel Three Godfathers.
Synopsis
On Christmas Eve, three homeless people residing in Tokyo -- middle-aged alcoholic Gin, teenage runaway Miyuki, and former drag queen Hana -- look through a dumpster for Christmas gifts, when cries from a baby draw their attention. Believing this was a gift from God, Hana, not being able to have a child of her own, vowed to take care of the abandoned baby girl. They then, together, begin to search for the baby's mother. Through Christmas Eve to the end of the year, they encounter a variety of characters and find people they thought they'd never see again.
Dubbing History
Sometime between 2004 and 2006, an English dub was produced for and broadcast by the television station Animax Asia. Little is known about this dub and few clips of it exist online.
December 19, 2019, international animation licensor, GKIDS, announced they would be releasing the movie in 2020 with a brand new 4K restoration and a new English dub. [1]
Cast
Character
Seiyū
Dub Actor [2]
Gin
Tōru Emori
Jon Avner
Miyuki
Aya Okamoto
Victoria Grace
Hana
Yoshiaki Umegaki
Shakina Nayfack
Ōta
Shōzō Iizuka
Jamieson Price
Mother
Seizō Katō
Kate Bornstein
Yasuo
Hiroya Ishimaru
Kirk Thornton
Old Man
Ryūji Saikachi
David Manis
Miyuki's Father
Yūsaku Yara
Crispin Freeman
Animax Asia Dub
Dub Actor
Darren Pleavin
Candice Moore
Russell Wait
References
External Links
Tokyo Godfathers at the Internet Movie Database
Tokyo Godfathers (anime) at the Anime News Network's encyclopedia.


Could you do a review on a movie called harlock the space pirate.
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Writer - AnimeX Project