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- Columnist: Kimberly Ranee Hicks
- Bio: A Lover of Books and All Things Literary! 😍
star: Kerri Kenney;
Audience Score: 157 vote;
Synopsis: This bizarre retro comedy, shot entirely on VHS and Beta, follows 12-year-old Ralph as he accidentally records home videos and his favorite late night shows over his parents' wedding tape;
USA;
year: 2019.
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Uneven retro comedy has lots of sex, drug humor.
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X of Y
A lot or a little?
The parents' guide to what's in this movie.
Close family ties are encouraged, as is the freedom for kids to explore their surroundings and talents.
Positive Role Models & Representations Ralph's parents love him and each other. They let him use his camcorder and trust him to explore the new technology. Ralph is curious and a good friend.
In the true-crime show, a character is dead, and blood is visible. Frightening haunted house sequence includes kids breaking into an old house, running away from potential ghosts, being scared in the house.
Parody of late-night soft-core movies like those that appeared on '80s cable. Characters are about to engage in sexual acts, including threesomes and oral sex, but the channel always changes before anything graphic is visible.
Use of "f--k, " "c--k, " "s--t, " etc.
Drinking, Drugs & Smoking The wedding video shows adults drinking. TV hosts make several jokes about cocaine and drug bags, pretending that they're other items to sell.
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What's the story?
VHYES opens on Christmas Day 1987, when 12-year-old Ralph (Mason McNulty) starts using his big present: a camcorder with which he's unknowingly recording over his parents' wedding video. The movie, which was shot on VHS and Betamax, plays like found footage of everything on Ralph's VHS tape: Ralph's everyday adventures with his friends, the various TV shows he records on the VCR, and the leftover snippets of the original wedding video. The fictional programs Ralph records are parodies of '80s TV: There are infomercials (starring Thomas Lennon and Courtney Pauroso as QVC-style hosts), true-crime/police dramas, public television antique auditing specials (with Mark Proksch as the appraiser), and late-night offerings like a painter ( Kerri Kenney) of happy landscapes (and even happier, suggestive material). There's also edited-for-TV erotica that will make viewers of a certain age remember the term "Skinemax, " public access garage-band shows, and more -- including cameos from writer-director Jack Henry Robbins' parents, Susan Sarandon and Tim Robbins.
Is it any good?
Occasional laughs and a quirky nostalgic sensibility make this indie comedy passably amusing, but its lack of a cohesive plot and ultrashort runtime diminish its entertainment value. Those who grew up in the '80s will appreciate the spoofing of that TV era, particularly Kenney's take on a female version of Bob Ross -- that quiet-voiced painter of happy trees -- which has a surprisingly risque twist. Lennon and Proksch are comedic veterans and do the best they can with the improvisational-seeming screenplay, but there's not enough here beyond the parody jokes.
Ralph's story emerges in the second half of VHYes, but even his admittedly touching conversation with a haunted version of his mother isn't enough to glue together the movie's disparate collection of TV snippets, wedding details, and middle school recordings. The fact that the film was actually shot in VHS and Beta makes for an authentic but less than pleasant viewing experience. Still, despite its flaws, there's just enough here that's genuinely funny to make you wonder what Robbins could do with a more feature-length movie.
Talk to your kids about...
Families can talk about the suggestive material and jokes in VHYes. Who do you think the movie's target audience is? Do you have to be familiar with the '80s to get the jokes?
Why do you think nostalgia-themed films are popular? Talk about the nature of throwback TV shows and films in pop culture. If the '80s and '90s are popular now, what decades do you think were popular to explore during the '80s and '90s?
Is anyone in the movie a role model? If so, what character strengths do they display? If not, are role models important in movies?
Themes & Topics
Our editors recommend
Goofy '80s comedy is still funny but has dated stereotypes.
Whip-smart cop comedy is too hot for kids.
Legendary late-night show funny for teens and up.
Edgy, goofy sketch comedy with mature themes.
Cross-dressing + Canadians = classic sketch comedy laughs.
Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners.
See how we rate.
Can't be any more horrifying than the music video. 1:51 Hey, it's Katy Perry.
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Spoiler: They escape with a flying car
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After claiming seats for a screening of a horror movie they’re definitely not old enough to watch unsupervised, Ralph (Mason McNulty), the protagonist of Jack Henry Robbins’ VHYes, and his best pal Josh (Rahm Braslaw), have a pre-show confab about Ralph’s current obsession. Ralph has a mildly unhealthy attachment to the gift his mom (Christian Drerup) and dad (Jake Head) bought him for Christmas: a camcorder, which he apparently brings with him everywhere and uses to record everything, whether late night TV shows, model rocket launches, or conversations with Josh.
It’s the ’80s. Taping in a movie theater wasn’t strictly verboten as it is today. But Josh considers Ralph obsession with filming the world around him, including the movie they’re about to watch, highly unfashionable. “You? You’re gonna film it, ” Josh says. “Me? I’m gonna enjoy it. ”
Ralph may be the lead in VHYes, but Josh is the hero. Robbins shot the film on VHS entirely, weaving interstitial skits into the overarching narrative, in which Ralph’s love for his camcorder slowly unravels his world (figuratively) and reality (literally). He discovers, for one, that his dad is unfaithful: Raph and Josh catch him in the theater, shuffling his way to seats a few rows ahead with a woman who is not his mother in tow. He also tapes over his parents’ wedding footage with censored porn films and infomercials hocking bric-a-brac and inessential objects packaged as essential, and true crime documentaries, and ominous newscasts, each staffed with actors like Thomas Lennon, Kerri Kenney, Charlyne Yi, Mark Proksch, Courtney Pauroso, John Gemberling and, last but not least, Robbins’ own parents, Tim Robbins and Susan Sarandon.
Robbins (Jack Henry, that is) has basically made a fourth entry in the V/H/S horror series, but by way of the Upright Citizens Brigade and Adult Swim: Think of the film as an extended cousin of Too Many Cooks, where parody gives way to weirdness, which gives way to surrealism, which gives way to genuine horror by the end. Bonkers as the combination sounds, and it is unimpeachably bonkers, the effect of their marriage is hypnotic. That’s probably Robbins’ intent. Just as Ralph falls into the abyss of crappy after hours public access television, so too does the viewer fall under the sway of Robbins’ living collage of a bygone era that, frankly, isn’t that bygone after all.
Josh thinks Ralph’s videographing hobby is a distracting king bummer. When he says something about it, he’s saying something for everyone in the 2020s who’s beyond sick to death of watching jamokes take selfies when they buy a smoothie from Orange Leaf. Cursed words like “Facebook” and “Instagram” are never uttered in VHYes, for obvious reasons, but the movie reads like Robbins’ thesis that for as long as people have been able to self-document, they’ve done so with relish: Ralph is the proto-social media junkie, bereft of outlets for “sharing” his daily exploits with strangers, but still possessed of a need to capture himself on camera as opportunity affords.
In one of VHYes ’ micro-plots, talk show host Todd Plotz (Raymond Lee) speaks to his guest, Rita Sternwig (Mona Lee Wylde), about her study of “VHS culture, ” and her belief that VHS owners exhibit symptoms of “tape narcissism. ” As Plotz smugly sums up for his fictional viewers, Sternwig thinks excessive filming can lead to “isolation, lack of sexual desire, headaches, and in rare instances, a complete psychotic break. ” By the end of VHYes, Sternwig is proven right, but long before then, Robbins’ point is made that life lived on either side of the camera is life not experienced. Is that a self-defeating argument for a filmmaker to pose? Perhaps. But Robbins is making art where Ralph is curating his existence, using the fuzzed-up quality of VHS as a filter for what he sees and does and even feels. Even when reality rears its ugly head and he begins to question his parents’ relationship, Ralph can’t quite register what it all means. That’s the effect of the camera. That’s the effect of VHYes.
Director: Jack Henry Robbins Writers: Jack Henry Robbins, Nunzio Randazzo Starring: Mason McNulty, Rahm Braslaw, Christian Drerup, Jake Head, Thomas Lennon, Kerri Kenney, Charlyne Yi, Mark Proksch, Courtney Pauroso, John Gemberling, Tim Robbins, Susan Sarandon, Raymond Lee, Mona Lee Wylde Release Date: January 17, 2020
Bostonian culture journalist Andy Crump covers the movies, beer, music, and being a dad for way too many outlets, perhaps even yours. He has contributed to Paste since 2013. You can follow him on Twitter and find his collected work at his personal blog. He’s composed of roughly 65% craft beer.
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Homepage - VHYes
A film by Jack Henry Robbins
VHYES
A bizarre retro comedy shot entirely on VHS, VHYes takes us back to a simpler time, when twelve-year-old Ralph mistakenly records home videos and his favorite late night shows over his parents’ wedding tape. The result is a nostalgic wave of home shopping clips, censored pornography, and nefarious true-crime tales that threaten to unkindly rewind Ralph’s reality.
CRITICS SAY...
“The comedy here is high enough that simply being funny would have been enough, but VHYES strives for meaning as well, which is what makes the film such a special delight. ”
“Bounces along with the exuberance of its young hero and will remind you of the experience of trying to make sense of the world as a child. ”
— Jennie Kermode, EYE FOR FILM
“VHYES is filled with heartfelt hilarity. ”
— Evan Saathoff, BIRTH. MOVIES. DEATH.
“The sort of film that will seep into your consciousness and find its way into your dreams. Perhaps it will alter your perception of reality. Perhaps reality is less than this. ”
CONTACT US
BOOKING: Andrew Carlin 630-445-1215
PRESS: Sydney Tanigawa 212-219-4029 ext. 41
GENERAL INQUIRIES:.
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Komedie
USA, 2019, 72 min
Hrají:
Kerri Kenney, Thomas Lennon, Mark Proksch, Charlyne Yi, John Gemberling, Mason McNulty, Susan Sarandon, Madeline Zima, Tim Robbins, Paige Elkington, Raymond Lee, Aaron Groben, Harrison White, Bunny Levine, Lucas Jaye, Amos Vernon, Roy Abramsohn, V. J. Foster, Julanne Chidi Hill, Bob Turton, Richard Tanner, Robert Paul Taylor, Lindsley Allen, Iyari Limon, Madeleine Coghlan
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Thomas Lennon is a writer and actor from Oak Park, Illinois. He attended the Tisch School of the Arts at New York University, where he was a member of the influential sketch comedy group The State. The State's hit television series ran on MTV for three seasons and received an Ace Award nomination for best comedy series. After his work on The State, he and his writing partner, Robert Ben Garant, created two more popular series: Viva Variety, which ran for three seasons and was also an Ace nominee for best comedy series, and Reno 911!, on which he also played Lieutenant Jim Dangle. Reno 911! ran for six seasons on Comedy Central. As an actor, Lennon has appeared in the films Transformers: Age of Extinction, The Dark Knight Rises, Le Divorce, Heights, Conversations with Other Women, Memento, 17 Again, I Love You, Man, Cedar Rapids, Knight of Cups, Bad Teacher, Harold and Kumar 3D and What to Expect When You're Expecting. On television he has been seen in How I Met Your Mother, Sean Saves the World, The Odd Couple, Drunk History, The Santa Clarita Diet and Lethal Weapon. In 2018, Lennon will appear in the feature films: A Futile and Stupid Gesture, Puppet Master, Half Magic, Dog Days and Clint Eastwood's The 15:57 to Paris. As a television writer, his credits include: The State, Reno 911!, Viva Variety and Strangers with Candy. On IFC's 2008 list of The 50 Greatest Comedy Sketches of All Time, Lennon is the author of four: Monkey Torture, Porcupine Racetrack, Mind Match and $240 Worth of Pudding. Lennon and Garant have written numerous feature films together, including Night at the Museum, Night at the Museum: Battle of the Smithsonian, Reno 911! : Miami, The Pacifier, Balls of Fury and Hell Baby. In addition to writing films, Lennon and Garant co-authored, Writing Movies for Fun and Profit, a book about the studio system that Anna Kendrick called "The Best Book about Hollywood... Hilarious and insanely accurate. " New York Times, By the Book December 1, 2016 Lennon lives in Los Angeles with his wife, the actress Jenny Robertson, and their son, Oliver. More.
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