✭Hd-720p✭ Free NT Live: Cyrano de Bergerac
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Ratings: 8,8 of 10 stars
Duration: 2 H 40 min
Directed by: Jamie Lloyd
liked It: 140 votes
Cast: Nari Blair-Mangat, Adam Best.
Free NT Live: cyrano de bergerac.
Cyrano, una hermoso libro que retrata las imperfecciones humanas, que se anidan es cada hombre pero que estas se sublimas en un mundo de poesía., todos vivimos sueños que se anidan en el corazón particulamente aquellos que por azares de la vida quedan en eso solo sueños.
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Am I the only one who's distracted with how blue James's eyes are.
Song pls.
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Please share more of those Hamlet rehersal footage, I AM SO HERE FOR IT. 3 <3 Big love from Germany.
Cyrano de Bergerac, written by Edmond Rostan, is being reimagined by Martin Crimp, directed by Jamie Lloyd and starring James McAvoy. Running from the 27 November 2019 to 29 February 2020 at the Playhouse Theatre. Cyrano is a strong-willed man with a multitude of talents, from being a duelist, a poet and a musician all the way to being a soldier. There is one thing that causes Cyrano do be unsure of himself, his abnormally large nose. He is sure of one thing though, that no one will ever be able to love him as he is. Cyrano’s affections are directed to Roxanne and knows that his feelings for her will never be reciprocated. He is dejected when she confides in him her love of the handsome young Christian and extracts from hm a promise to keep her beloved safe. But, how far will Cyrano go to keep his promise? Will his words ever overcome his physical appearance? And will his love be forever unrequited? Please note: James McAvoy will not be appearing at the performance on the 27th Jan 2020. This production contains swearing and full nudity. Please be aware there is no re-admission into the auditorium once the performance has started.
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I love James´s accent.
Oh my. that man does everything right,and then you just see it and bang you are pregnant... 🤣.
YouTube.
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Love his accent damn 😊.
Take a look at Depardieu in the french movie from 1990, he is amazing.
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★★★★★ James McAvoy gives a stunningly powerful performance Evening Standard Read full review.
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2:07 thank me later.
Theater Review | 'Cyrano de Bergerac' Cyrano de Bergerac NYT Critic's Pick Broadway, Comedy/Drama Closing Date: Jan. 6, 2008 Richard Rodgers Theater, 226 W. 46th St. 877-250-2929 Sometimes a glass of moonshine is just what you need to take the sting out of life. David Leveaux’s disarming revival of “Cyrano de Bergerac, ” which opened last night at the Richard Rodgers Theater, is a double shot of silvery hokum, sweet but surprisingly potent. And it goes down so easily, you’re drunk and misty-eyed before you know it. Starring an artfully low-key Kevin Kline and a captivating Jennifer Garner, Mr. Leveaux’s savvy production may not make a case for Edmond Rostand’s plumed war horse as an immortal work of high art. It does, though, establish this romantic tale of a 17th-century French cavalier poet with a soul as big as his outsize nose as something perhaps more rare: an immortal popcorn entertainment that pushes emotional buttons just as effectively today as it did when it was written 110 years ago. The pleasures of “Cyrano, ” when presented this astutely, aren’t so different from those of true-hearted old movies that you think you’ve outgrown but wind up watching straight through when you stumble upon them on television. The swashbuckle of Errol Flynn flicks, the self-sacrifice of “Casablanca” and “Now, Voyager, ” the nobility of the maverick idealist in Frank Capra films: All these crowd-pleasing virtues are combined in “Cyrano, ” tied up with pretty ribbons of literary lyricism. The play appeals to the enduring hopeful adolescent in us that has grown weary of being cynical. Image Credit... Sara Krulwich/The New York Times Mr. Leveaux, the British director of the exquisite-looking Broadway productions of “Nine” and “Jumpers, ” does pretty better than most of his peers, which is his blessing and his curse. (Even “Fiddler on the Roof, ” in his hands, suggested a Vogue layout on Shtetl Chic. ) He also has a strong sentimental streak, tempered by his aesthetic sense. He is the perfect man to bring “Cyrano” into the 21st century, presenting the play’s flowery sensibility without making audiences feel they’ve been doused in perfume. The central surprise of this “Cyrano” — which may at first throw some traditionalists — is its restraint. Cyrano, the rapier-wielding versifier who hides his love-torn heart, is a role that invites grandstanding and scenery chewing. Mr. Kline is an actor of matinee-idol charm who is known to have made a meal of a set or two. (Remember “Pirates of Penzance”? ) Yet lately his interpretations have been more and more subdued and inward looking, including a superb, mortality-steeped Falstaff and a bizarrely Noël Cowardish Lear. His Cyrano is in this same understated vein, a seemingly perverse choice for a character who hymns his own panache. Kline knows what he’s doing. His bluster-free take on a man of bluster grows on you by stealth, and once you’re used to it, it makes wonderfully good sense. Like his Falstaff, Mr. Kline’s Cyrano has heard the chimes at midnight. A melancholy and fatigue underlie his flamboyant wit, a sense of the toll taken by being too ugly for courtly love and too independent for courtly politics. Sara Krulwich/The New York Times This implicit sadness sets Cyrano apart even more than usual from the soldiers of his Gascon regiment and the bons vivants of Paris. In more classic interpretations (as by, say, José Ferrer in his Oscar-winning performance in the 1950 film), Cyrano is an exaggerated version of the gallant ideal the other characters aspire to: more manly, more skilled in the martial arts, more eloquent. Kline’s Cyrano is indeed all these things. But what truly sets his version apart is the effortlessness with which he embodies them. Even conducting a sword fight to the meter of a spontaneously composed ballade or preparing to take on a lynch mob of a hundred, this Cyrano remains cool and slightly detached. Though Mr. Kline lands every joke and metaphor in style, you sense that Cyrano’s fearlessness comes in part from a weary feeling that he has nothing to lose. At the root of this attitude is his belief that he could never win the love of his adored cousin, Roxane (Ms. Garner), whom he famously courts in the name of his good-looking but tongue-tied young friend, Christian (a very good Daniel Sunjata). Ms. Garner, I am pleased to report, makes Roxane a girl worth pining over. The latest in a series of boldface film and television actresses to test their stage legs (including Julia Roberts and Claire Danes), Ms. Garner seems by far the most comfortable. The action-ready, long-limbed presence that made her a natural for the spy series “Alias” lends a lively touch of the tomboy to Roxane. Like Cyrano, she doesn’t quite fit into the regimented world around her, and you can see why these two were meant to be together. Not incidentally, Ms. Garner radiates megawatt beauty in Gregory Gale’s sumptuous period costumes, and speaks Anthony Burgess’s peppery rhymed translation with unaffected sprightliness. If she’s a tad stilted in the big tragic finale, her comic timing is impeccable. And when Roxane arrives at the siege of Arras, bearing baskets of food for the soldiers, you feel like singing, “Hello, Dolly! ” Mr. Sunjata, best known on Broadway as the gay baseball star of Richard Greenberg’s “Take Me Out, ” is everything Christian should be: handsome, excitable, a tad obtuse. But he also brings a sobering glint of self-awareness to his final scene that makes it truly and unusually affecting. The supporting cast members, including Chris Sarandon as the scheming Comte de Guiche and Euan Morton as a poeticizing drunkard, work in easygoing harmony. Tom Pye’s mood-perfect set, awash in gentle flame lighting by Don Holder, makes dexterous and witty use of romantic visual staples like shimmering curtains, rich tapestries, a single naked tree and autumn leaves. And of course there’s an opulently full moon. Clichés? Sure. But as this production testifies, spun by the right team of alchemists, the fundamental things still apply. CYRANO DE BERGERAC By Edmond Rostand; translated and adapted by Anthony Burgess; directed by David Leveaux; sets by Tom Pye; costumes by Gregory Gale; lighting by Don Holder; sound by David Van Tieghem; hair and wig design by Tom Watson; technical supervisor, Hudson Theatrical Associates; production stage manager, Marybeth Abel; general manager, the Charlotte Wilcox Company. Presented by Susan Bristow L. L. C., James L. Nederlander, Terry Allen Kramer, Stewart F. Lane/Bonnie Comley, Barbara Manocherian, Stephanie P. McClelland and Jon B. Platt. At the Richard Rodgers Theater, 226 West 46th Street, Manhattan; (212) 307-4100. Through Dec. 23. Running time: 2 hours 45 minutes. WITH: Kevin Kline (Cyrano de Bergerac), Jennifer Garner (Roxane), Daniel Sunjata (Christian de Neuvillette), Max Baker (Ragueneau), Euan Morton (Ligniere/Theophraste Renaudot), Chris Sarandon (Comte de Guiche), John Douglas Thompson (Le Bret) and Concetta Tomei (Roxane’s Duenna/Sister Marthe).
3:26 “i think both of these you just put your spoon in it and it would stand up.” 😂😂😂.
I thought he was brilliant as Lord Asriel and thats only the first episode.
They call me MR GLASS! Loved Unbreakable.
Im upset that it took me this long to know that he was the same actor that played in becoming Jane. 🤦🏽♀️.
James in his Scottish accent ❤️ (Even better when he's going full Scottish, imitating his grandparents 😂.
Fassbender is Irish? And McAvoy is Scottish. Did I get that right.
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I could listen to him talk forever.
This is the most british video I ever seeing in my life.
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NT Live Punch Card Please note! In order to maintain the well-being of our patrons and community, we will be postponing the National Theatre Live screenings on Sunday, March 15 and Sunday, April 19. If you have tickets to Fleabag, Small Island, Present Laughter, or Cyrano de Bergerac, your tickets will be honored for a future National Theatre Live broadcast– and we will bring back these specific titles. We are extending free exchanges to all ticket holders, and extending the expiration on Punch Cards into next season. For more details, click here.
Captured live onstage and presented locally in high-definition video
National Theatre Live is the National Theatre’s groundbreaking project to broadcast the best of British Theatre live from the London stage to cinemas across the UK and around the world. NT Live productions will be held in the auditorium at the World Trade Center 25 SW Salmon St., Portland, OR 97204. The auditorium is in Building 2 (or 2WTC), and located on the third floor Bridge Level.
March 15, 2020 at Noon: POSTPONED
– Alberta Abbey –
126 NE Alberta ST, Portland, OR 97211
March 15, 2020 at 4pm: POSTPONED
April 19, 2020 at Noon: POSTPONED
– World Trade Center Theater –
25 SW Salmon St (2WTC), Portland, OR 97205
April 19, 2020 at 4pm: POSTPONED
March 7, 2020 at Noon
126 NE Alberta St, Portland, OR 97211
February 16, 2020 at 4pm
October 26, 2019 at Noon
March 7, 2020 at 4pm
November 17, 2019 at Noon and 4pm
January 19, 2020 at 4pm
January 19, 2020 at Noon
August 18, 2019 at 4pm
October 20, 2019 at 4pm
July 14, 2019 at 12pm
September 8, 2019 at 12pm
July 14, 2019 at 4pm
The mission of Third Rail Repertory Theatre is to provide a dynamic artistic home for theatre audiences in Portland by fostering a professional local company, which, through collaboration and discipline, brings to life exceptional stories that provoke dialogue, encourage empathy, and inspire curiosity.
Professional Englishman. I am the real deal, the full square sausage. Hahahahaha THESE never-ending Mcavoyisms. D.
Me pareció una película con un buen drama ya que la historia de la que habla es romántica por sus poemas y la accion fue la que hizo un poco mas interesante la pelicula.
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2:21 I'm watching James's Shut up on loop for hours and I don't know what to do please send help.
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He's still got his wedding ring on. Or did he get married again? Hmm.
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A video about British people. Plays French national anthem. I find this hilarious (I'm English btw.
Cool. Lets have more of these vids! scary too, to have to do this at speed, live, with a huge audience, emotions high: one little slip and out pokes an eye.
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3:23 – love the way he says: “no cause Im thinking there might be a spin-off for these three guys”.
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Great actor and great print.
This production is sheer magic. I loved everything about it so much I saw it twice, and may go again. Erica Schmidt is a genius; the casting, the acting, the staging, the choreography, the lighting, the adaptation and the music are perfection. An utterly ravishing theater experience. My theater companion compared it to Jean Cocteau's Beauty and the Beast, and he is right - the delicacy, the attention to detail, the exquisite balance of every word, every moment, every expression on every actor's face added up to a stunningly powerful work of art that brought the audience to tears. This is what theater IS.
I have no idea what this is, but isn't this my girl Brienne.
La empeze a ver sin mucha espectativa, quede atónito magnífica película excelente actuacion de Jose Ferrer como cyrano de bergerac.
Lady in Audience: Holy shit! I talked to James McAvoy.
YES, both of them are back this week can't wait.
- Author The Astor Theatre
- Biography The Astor Community Theatre reopened in June 2009. The beautiful Edwardian theatre has since become a unique, dynamic and independent multi-purpose arts space.