亀苓膏（きれいこう、中国語:グイリンガオguīlínggāo）とは、カメの腹甲、ドブクリョウなどの生薬で作る中国、香港の薬膳、デザートである。
日本語では「亀ゼリー」の通称で呼ばれている。
21 世紀初頭から東京を中心に活動するアーティストGeskiaによるデビュー作。ヘッズの脳を揺さぶるFunkstorung を彷彿とさせる強烈なダウン・ビート、Boards of Canada 風な哀 愁を誘う虹色に彩られた音使いと日本的な叙情性が深く染み込んだメロディ、カット・アップやグリッヂの要素が渾然一体となって唯一無二の空間を作り上げるその手腕は、今後世界へ羽ばたく稀代のトラックメイカーとしての才能を予感させる。
藤原 道山（ふじわら どうざん、1972年 - ）は、東京都生まれの尺八演奏家。ホリプロ所属。ニックネームは ”和楽器の貴公子"。
ちゃんと付き合っていただいてありがとう、今の人生は一番幸せです
これからこの幸せを皆に伝えたいと思います。ハレルヤ
3歳よりピアノを習い始め、高校時代にはオペラの指揮や演出を手がける。
東京芸術大学作曲科を卒業の直前に中退（下記の個人情報発信サイトには「卒業10日前に退学」と記載されているが、アルバム『プロユース・シリーズ 深町純』のライナーノーツには「卒業15日前に退学」と記載されている）。
The most producer-driven act in the Japanese pop movement known as Shibuya-kei, Fantastic Plastic Machine was formed by Tomoyuki Tanaka. Though he has the basic stylistic tastes requisite of the Shibuya-kei artist (namely lounge music, bossa nova, French pop and soft rock), Tanaka has more of a club mentality, driven by his long experience as a DJ. Born in Kyoto, he entered the music business in the late 80s as a bassist for a ten-piece trad-rock band known as Margarine Strikes Back. Absorbed into dance music and the acid-house movement near the turn of the decade, he formed a DJ team called Sound Impossible and began spinning a mix of French and Brazilian pop, soundtrack music, and exotica. At one Sound Impossible show, longtime Deee-Lite turntablist Towa Tei convinced Tomoyuki Tanaka to begin recording again, and Fantastic Plastic Machine was born. Tanaka contributed tracks to two compilations (Sushi 3003, Fish Smell Like Cat) and remixed Combustible Edison before signing to Pizzicato Fives Readymade Records. His self-titled debut album was released in 1998, and distributed in America by Emperor Norton. Luxury followed one year later; Beautiful and Take Me to the Disco appeared in early 2001.
Although somewhat underrated, Richie Beirach is a consistently inventive pianist whose ability to play both free and with lyricism makes him an original. After studying classical piano, Beirach switched to jazz. He studied at Berklee and the Manhattan School of Music, and took lessons with Stan Getz, Dave Holland, and Jack DeJohnette. Beirach played electric piano while with Dave Liebman's Lookout Farm in 1974, but afterward mostly stuck to acoustic piano. He teamed up with Liebman on many occasions (including the early-'80s group Quest) and has recorded frequently since the '80s. Among his many jobs as a sideman were important stints with Getz, Lee Konitz, John Abercrombie, and Chet Baker, and Beirach has played music ranging from hard bop to totally free. His classical training can sometimes be heard in his more advanced improvisations, along with the sensitivity of a Bill Evans.
