歌舞伎の開拓

「澤瀉屋で閉じる」で無く「歌舞伎で開ける」が三代目の真意で､四代目に猿之助を託した理由は「血」よりも「機動力」だと思う｡「伊達の十役」を渡す時に「伊達十は君ね」て言い添えたと読んだが、團十郎にか幸四郎にかどちらかを覚えてない｡歌舞伎を開拓する「屯田兵」と表現したのは確かに四代目だ

The third generation's true intention was not to "close with Sawagaya" but to "open with Kabuki", and I think the reason he entrusted Ennosuke to the fourth generation was for "mobility" rather than "blood". I read that when handing over the role of "Date no Juyaku", he added "Date no Ju is for you", but I can't remember whether it was Danjuro or Koshiro. It was definitely the fourth generation who described him as a "Tondenhei" pioneering Kabuki.

岸和田で夏祭浪花鑑

僕は名古屋の者ですが20年ほど前に岸和田に歌舞伎を観に出掛けた事だけ記憶し､誰の何かを覚えてませんでしたが､今をときめく夏祭浪花鑑と思い出した｡脳裏に焼き付いていたのは､通り掛かった時計屋のワゴンセールで､だんじりの音声の目覚まし時計が山積みで「岸和田スゲェ！」と感動を覚えた事だけ

I'm from Nagoya, and I remember going to Kishiwada to see Kabuki about 20 years ago. I don't remember who it was, but I remembered the popular summer festival Naniwa Kagami. All that remains in my mind is that I passed by a watch shop and saw a pile of alarm clocks with the sound of a danjiri float, and I was so impressed that I thought, "Kishiwada is amazing!"

歌舞伎「たまに座」結成

歌舞伎座出演中の仁左衛門丈と玉三郎丈のコンビが絶品だからといって、「ニザ玉」などと、お好み焼きの「ブタ玉」みたく表現するのはダサいと僕は思う。「タマにざ」にして「たまに座」つまり「たまに歌舞伎座」と、歌舞伎の敷居を低くする二人の名優と表現すればいいと思う。歌舞伎の革命のネーミング

Just because the duo of Nizaemon and Tamasaburo performing at the Kabukiza is superb, I think it's uncool to say "Niza Tama" like the "Butatama" in okonomiyaki. I think it would be better to say "Tamaniza" and "Tama ni za", or "Sometimes Kabukiza", as these two great actors make Kabuki more accessible. Naming the revolution of Kabuki

クラシックで休憩

鰻給仕の休憩中にスタッフ控え室で、Ｅテレのクラシックコンサートを観ている。三代目市川猿之助丈が演出したオペラ「影のない女」を手掛けた指揮者ヴォルフガング・サヴァリッシュとＮ響の共演だ。商業施設の様々なスタッフがいる中、テレビでクラシックが掛かるのを誰も見てない空気感もスリリングだ

During a break from serving eels, I was watching a classical music concert on NHK Educational TV in the staff waiting room. It was a collaboration between conductor Wolfgang Sawallisch, who worked on the opera "Woman Without a Shadow" directed by Ennosuke Ichikawa III, and the NHK Symphony Orchestra. Among the various staff of the commercial facility, the atmosphere of no one watching the classical music being played on TV was thrilling.

晴の輔師匠の出囃子

晴の輔師匠の「趣味はBOφWYを聴くこと」に驚き、噺家さんの音楽の贔屓を知ったのが志らく師匠の柏原芳恵に続いて二人目である。出囃子をハレルヤにしてるそうだが、BOφWY曲なら何かと考えるとマリオネットなら映えそう。 名古屋の獅子篭師匠はジュリーの酒場でDA BA DAだったよね

I was surprised to hear that Master Harunosuke's hobby is listening to BOφWY, and I'm the second person after Master Kashiwara Yoshie to know about a storyteller's musical preferences. Master Harunosuke uses Hallelujah as his intro, probably because of his name, but if you think about what kind of BOφWY song it would be, it would look good with a marionette. Master Shigoro from Nagoya used DA BA DA at Julie's bar.

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